Ned Sherrin Movies

Independent filmmaker Sally Potter's gender-bending epic, which views four centuries of sexual politics through the eyes of a sex-switching main character, is based on the 1928 novel by Virginia Woolf. The androgynous title character is played with delicate quietude by Tilda Swinton. The story begins during the reign of the aging Queen Elizabeth I (Quentin Crisp, in a droll turn recalling his The Naked Civil Servant). Queen Elizabeth takes a shine to the attractive young Orlando and seeks out his sexual favors. In return, Elizabeth grants him a large estate, commanding him, "Do not fade, do not wither, do not grow old." Orlando takes the queen at her word and doesn't. When Elizabeth dies, Orlando becomes attracted to Sasha (Charlotte Valandrey), the daughter of a Russian diplomat, but she rebuffs his advances. Crushed, Orlando accepts an ambassadorship to Constantinople. After witnessing the killing of a man in battle, Orlando undergoes a change of sex, becoming a woman and returning to England, where she hobnobs with 18th-century geniuses like Jonathan Swift, Alexander Pope, and John Addison. Walking through a garden labyrinth, the time frame shifts to the 19th century, and Orlando falls in love with a handsome American (Billy Zane). Now in the 20th century, Orlando gives birth to his child and continues on. ~ Paul Brenner, Rovi

Zany British comedian Frankie Howerd, who'd previously laid waste to Ancient Rome in Up Pompeii, does same with World War II in Up the Front. Howerd plays a timorous servant who undergoes hypnosis. While thus entranced, he imagines himself a fearless warrior, and makes a beeline to the recruiting office. The laughs come fast and furious when Howerd finds himself the recipient of the enemy's war plans--tattooed on his tush. As was customary, Frankie Howerd took several opportunities in Up the Front to directly address the audience and crack wise about the situation at hand. ~ Hal Erickson, Rovi

In this comedy, the WASPy parents of an adolescent son, who heretofore showed no interest at all in the opposite sex, are shocked when he suddenly brings home an androgynous girl from the West Indies. ~ Sandra Brennan, Rovi

Actor Frankie Howerd reprises his role from the British TV series Up Pompeii, in the tradition of the hugely popular Carry On series. The rest of the cast comes from these two series as well. There is a plot to kill the Emperor Nero (Patrick Cargill), and his loyal slave Lurcio (Howard) unwittingly comes into possession of a scroll which lists the names of the plotters. While he remains in the dark about it, both Nero's men and the original assassins pursue Lurcio, with many zany antics, through the streets (and orgies) of ancient Rome. Much of the humor comes in asides directed to the audience. ~ Clarke Fountain, Rovi

Two of Britain's most brilliant comic talents, Eleanor Bron and John Fortune, joined forces for the weekly sketch series Where Was Spring. Bron and Fortune not only wrote all the material, but starred in all the segments. Ned Sherrin of That Was the Week That Was fame served as producer, while incidental music was provided by no less than the Kinks. Five 30-minute and seven 25-minute episodes of Where Was Spring were telecast from January 27 to February 24, 1969, and from July 12 to August 23, 1970. ~ Hal Erickson, Rovi

This situation comedy finds rookie soldiers of the British Army trying to cope with military life while stationed in Malaya. Brigg (Hywel Bennett) is a young clerk who falls for the local school teacher Phillipa (Lynn Redgrave), the daughter of Royal Sergeant Major Raskin (Nigel Patrick). Brigg loses his virginal status in an encounter with the prostitute Juicy Lucy (Tsai Chin), while Phillipa also becomes sexually active for the first time. The film strikes a nice balance between comedy and serious drama as the soldiers are put to the test when a train wreck necessitates their involvement, and later several soldiers try to get sick leave by requesting circumcisions. Brigg and Phillipa finally get together when a bombing raid puts them in close proximity in this engaging military comedy. The Kinks' Ray Davies wrote the title track. ~ Dan Pavlides, Rovi

Based on a popular British novel by Nell Dunn, Up the Junction was a made-for-TV movie in 1965 before being remade for theatrical release in 1968. It features Suzy Kendall as Polly, an upper-class Chelsea girl who decides to relieve her boredom by slumming in a working-class section of London called Battersea. She gets a job in a candy factory and becomes friends with co-workers Rube (Adrienne Posta) and Sylvie (Maureen Lipman), two sisters. Polly takes up with Peter (Dennis Waterman), who dreams of leaving Battersea and becoming rich. ~ Michael Betzold, Rovi