Herbert Anderson Movies

Long before the Warren Beatty/Annette Bening vehicle Bugsy (92), Harvey Keitel portrayed gangster Bugsy Siegel and Dyan Cannon costarred as Siegel's mistress Virginia Hill in the made-for-TV The Virginia Hill Story. Told in flashback, the film traces Virginia's life from the time she takes up with Bugsy; we see Siegel's takeover of the Las Vegas gaming tables and his eventual death at the hands of his mob rivals. The flashback is bookended by Virginia's 1951 testimony before the Kefauver Committee. The film's attention to period detail does not extend to its "revisionist" dialogue, but it's gratifying to see the often ill-used Dyan Cannon in a worthwhile role. Harvey Keitel is alternately sinister and sensual as Siegel, while Herbert Anderson (the immortal Henry Mitchell from the old Dennis the Menace series) is the living image of Estes Kefauver. A note worth noting: The Virginia Hill Story premiered the same November week in 1974 as the network debut of The Godfather (1972). ~ Hal Erickson, Rovi

In the conclusion of a two-part story, Ironside (Raymond Burr) is still in Montreal, still trying to determine if a group of militant Separatists are responsible for a fatal bombing. Reluctantly teamed with flamboyant, cigar-smoking female mystery writer Ernestine Mugford (Hermione Gingold), the Chief must figure out the connection between the death of an old friend and the theft of a priceless chess set. Further complicating matters is Ironside's renewed romance with Jeanine Duvalier (Karin Dor)--whose son Robert (AlaIn Patrick) is among the Separatists who may be planning a major terrorist assault on an upcoming parade. ~ Hal Erickson, Rovi

Rascal, the Sterling North novel that has been a longtime fixture of Scholastic Magazine book clubs, was given Tiffany treatment by the Disney studios in 1969. Bill Mumy plays young Sterling North, whose Wisconsin childhood is enriched through his friendship with a stray raccoon. Though lacking the emotional depth of the novel, the film is distinguished by the lovingly detailed outdoor photography that has always been a Disney hallmark. Likewise a "regular" in the Disney canon are scenes of animals wreaking comic destruction and wild chase sequences, and Rascal does not flag when offering these. A favorite of the Saturday matinee circuit, Rascal has in recent years become a standard weekend TV offering whenever a sports event is rained out or otherwise delayed. ~ Hal Erickson, Rovi

At large in the Bay Area is an elusive maniac who has assaulted several different women--all blondes, all single and living alone, all approximately 25 years old. There was one other thing that the victims had in common: all of them had met their assailant through a computer dating service. In order to bring the criminal out in the open, Eve (Barbara Anderson) signs up for the service and sets herself up as bait. ~ Hal Erickson, Rovi

Hoping to prepare Billie Jo (Gunilla Hutton) for a job as public stenographer, Uncle Joe (Edgar Buchanan) encourages her to enroll in a secretarial school. To practice her typing skills, Billie types up a letter from her mom Kate (Bea Benaderet) that she finds lying around the house. Unfortunately, the letter is an extremely nasty and insulting one, and Kate had never intended for it to be delivered--but delivered it is, placing poor Kate at the mercy of Post Office bureaucracy as she tries to retrieve the embarrassing missive! ~ Hal Erickson, Rovi

Thanks to Jeannie's magic, Tony (Larry Hagman) temporarily becomes a champion-level golfer. This appeals to General Peterson (Barton MacLane), who enters Tony in a grudge match against the Navy's best players. Stubbornly determined to win on his own, Tony refuses to allow Jeannie (Barbara Eden) to help him during the game, which turns out to be his first mistake...and his second...and his third... ~ Hal Erickson, Rovi

In the sixth episode of Walt Disney's ten-part miniseries Elfego Baca, the titular hero (Robert Loggia, a gunslinger-turned-lawyer) defends British-born rancher Cecil Cunningham (Patrick Knowles), who has been accused of murdering land baron Drew Griswold. According to witnesses, Griswold had been fooling around with Cyril's wife (Audrey Dalton), thereby firmly establishing a motive. In court, Baca finds that he must go face to face with his former law partner J. Henry Newman (James Dunn), the newly appointed District Attorney. Outside the courtroom, the dead man's relatives begin forming a lynch mob. Originally telecast on the Walt Disney Presents anthology, "The Griswold Murder" and the fifth Elfego Baca episode "Attorney at Law" were edited together in 1962 and released as a theatrical feature, Six-Gun Law. ~ Hal Erickson, Rovi

Unjustly ignored by many books on the horror film, I Bury the Living is a bone-chilling little mood piece, almost completed dominated by Richard Boone. Expertly avoiding the obvious throughout the film, Boone gives a thoroughly credible performance of a troubled man who labors under the misapprehension that he is God. Boone plays the new chairman of a large cemetery; in his office is a map of the grounds, with black pins representing the occupied plots, and white pins representing plots that have been purchased but not yet filled. When Boone inadvertently mixes up the black and white pins, several of the plot owners suffer untimely deaths. Inevitably, Boone becomes convinced that he has the power of life and death--a conviction that doesn't completely dissipate once the secret behind the sudden deaths is revealed. ~ Hal Erickson, Rovi

After he accidentally kills a man whom he assumes to be his wife's lover, wealthy Lloyd Ashley (Leslie Nielsen) engages his lawyer -- and best friend -- Mark Robeson (Barry Sullivan) to defend him in court. To bind the bargain, Ashley offers Robeson half of his four-million-dollar fortune. Only after he has been exonerated does Ashley discover that the man he killed was not the only victim in the whole affair. This is the first Alfred Hitchcock Presents episode to be directed by longtime Hitchcock associate Norman Lloyd. ~ Hal Erickson, Rovi

Night Passage is so similar in spirit to the successful collaborations between star James Stewart and director Anthony Mann that it comes as a surprise that this film is directed by James Nielson. Stewart plays Grant McLaine, ex-railroad employee and the level-headed brother of firebrand gunslinger The Utica Kid (Audie Murphy). When Grant is entrusted to guard a train delivering $10,000, The Kid's gang holds up the train and steals the money. Grant takes off to hunt his felonious brother down and attempts to convince him to go straight. Unfortunately, The Kid refuses, and the brothers face off in a showdown. ~ Hal Erickson, Rovi

The Depression-New Deal subtext of the original 1936 My Man Godfrey was understandably dispensed with in this so-so 1957 remake. David Niven steps into the old William Powell role as hobo-turned-butler Godfrey, while June Allyson does her best in the Carole Lombard part as Irene Bullock, the spoiled, impulsive heiress who brings Godfrey into her zany household. The remake follows the original with reasonable fidelity so far as the basics are concerned, with Godfrey, a wealthy lawyer who dropped out of society after an unhappy romance, rescuing the screwball Bullock family from bankruptcy and self-destruction simply by applying a soupcon of common sense. The supporting cast is able, though not as "perfect" for their roles as their 1936 counterparts: the most interesting bit of casting is Jay Robinson, who rose to fame as Caligula in The Robe, as the parasitic "protégé" originally portrayed by Mischa Auer. In keeping with the custom of the times, My Man Godfrey is fitted out with an opening theme song, written by Peggy Lee and Sonny Burke, and performed by Sarah Vaughan. ~ Hal Erickson, Rovi

Four Girls in Town is essentially an excuse by Universal-International to test out several of their newer contractees. The plot is motivated by a worldwide movie talent hunt, which naturally arouses the attentions of a bevy of pretty young aspiring actresses. The four girls of the title are Kathy Sonway (Julie Adams, who'd been appearing in films since 1950), Ina Schiller (Germany's Marianne Cook, nee Koch), Maria Antonelli (Italy's Elsa Martinelli) and Vicki Dauray (Gia Scala, also from Italy but herein portraying a Frenchwoman). Conducting the screen tests is budding director Mike Snowden (George Nader), who predictably falls in love with one of the hopefuls. Some laughs are had at the expense of Universal's rival 20th Century-Fox in the person of Helene Stanton, cast as a Marilyn Monroe clone named "Rita Holloway". ~ Hal Erickson, Rovi

Robert Francis is at the center of the story as Willis Keith, a newly-minted ensign assigned to the destroyer/minesweeper U.S.S. Caine during World War II. Soon after his arrival, the ship gets a new captain, Lt. Comdr. Philip Francis Queeg Humphrey Bogart, a tough, no-nonsense veteran officer who tries to turns the crew into proper sailors and the Caine into a tight ship, engendering resentment from some of the men and several of his officers. A veteran of difficult years of service for too long, Queeg has insecurities about himself, his command, and his career that begin to manifest themselves as spells of temper over small details that cause him to make mistakes. Lt.Keefer (Fred MacMurray), the glib-tongued communications officer, begins making suggestions to the ship's sincere but overburdened first officer, Lt. Steve Maryk (Van Johnson), that Queeg may have mental problems. Maryk initially rejects these suggestions, and tries to support the captain, but conditions deteriorate to the point where Maryk is forced to relieve Queeg of command, and is charged -- along with Keith, who supported him -- with mutiny. Enter Lt. Barney Greenwald (Jose Ferrer), a lawyer in civilian life, who reluctantly agrees to help them, mostly out of sympathy for the impossible predicament in which Maryk has found himself trapped. ~ Bruce Eder, Rovi