Kenneth Cranham Movies

Documentary filmmaker Christopher Spencer uncovers the truth about the sinking of the RMS Lusitania in this film that gets to the heart of the mystery by leaving no theory unexplored. May 17, 1915: The RMS Lusitania, a luxury cruise-liner, is carrying 1900 passengers when a German torpedo suddenly strikes just beneath the ship's bridge. In the eighteen minutes that it took the Lusitania to sink, 1200 passengers and crewmembers perished at sea. In the aftermath of the sinking, numerous conspiracy theories began to emerge: Was the British government secretly using a passenger ship to transport explosives? Had Winston Churchill sacrificed the ship in order to draw America into a war she had been reluctant to join? Now, nearly a century later, the facts are separated from the fiction as Spencer and his researchers sort through the details on a painstaking quest to finally raise the truth up from the depths. ~ Jason Buchanan, All Movie Guide

Gladiator duo Ridley Scott and Russell Crowe re-team for this adaptation of author Peter Mayle's best-selling novel about a London-based investment banker who relocates to Provence in hopes of selling a small vineyard he has inherited from his recently deceased uncle. As a child, Max Skinner (Freddie Highmore) was taught to appreciate the finer things in life while wandering the vineyard estate of his sophisticated uncle Henry (Albert Finney). Life has a strange way or turning out how you least expect it to though, and 25 years later, Max (Russell Crowe) is now a prosperous moneyman wheeling and dealing in the cutthroat world of London business. When Max learns that Henry has recently passed away and that he has been named the sole beneficiary of his late uncle's modest estate, the keen businessman hastily arranges a flight to France in order to assess the value of the old property and get it prepped for sale. After Max arrives to find the vineyard in a crumbling state of disrepair, his troubles are further compounded by the stubbornness of gruff estate winemaker M. Duflot (Didier Bourdon) and the unexpected arrival of a determined California beauty named Christie (Abbie Cornish), who presents herself as a long-lost cousin while making a dubious claim to Henry's estate. Meanwhile, the overstressed Max reluctantly finds himself falling for local café owner and town siren Fanny (Marion Cotillard), whose formidable guard is quickly worn down by the smitten beneficiary. ~ Jason Buchanan, All Movie Guide

The first season of the lush, lavish and frequently lewd and lascivious British historical drama Rome covers the years 52 to 44BCE, beginning with the return of Julius Caesar (Ciaran Hinds) from the Gallic wars and ending with the fateful "Ides of March". Though returning to a hero's welcome, Caesar realizes that he's stepping into a snake pit of deceit and corruption. The Patrician ruling class, worried that Caesar will make himself emperor and abolish the Republic, intend to strip him of his power. His scheming niece Atia (Polly Walker) is already undercutting her uncle by forcing her daughter Octavia (Kerry Condon) to marry Caesar's most influential nemesis, the aging Pompey (Kenneth Cranham). Playing one side against the other to keep Caesar at bay, Pompey proves so effective that Caesar must ask his friend Marc Antony (James Purefoy) to help him vanquish his foes, even if it means all-out civil war. Meanwhile, a pair of humble soldier, the virtuous family man Vorenus (Kevin McKidd) and the hedonistic Pullo (Ray Stevenson), simply try to stay out of everyone's way and survive--but instead find themselves at Ground Zero of virtually every major historical turning point during the series' turbulent eight-year timespan. Pullo in particular spends much of his time squeaking out of one death-trap after another, somehow managing to enrich or aggrandize himself without even trying. His main contribution during Season One consists of taking Atia's callow son Octavian (Max Pirkis) under his wing, teaching the boy the ways of warfare and women. Eventually Octavian will emerge as the greatest threat against the pro-Caesar forces of Antony after Caesar's assassination--and thus the redoubtable Pullo has once more unwittingly altered the course of history. Not only was Rome an international success during its first season on the air, but the series also garnered an Emmy award for its American run on HBO. ~ Hal Erickson, All Movie Guide

A pair of dentists deal their own unique blow against the Third Reich in this low-key British comedy, which is actually based on a true story. In 1942, war rages all through Europe as Nazi Germany has taken France, attacked London, and defeated British forces at Dunkirk. In the midst of this chaos, Sgt. Peter King (Kenneth Cranham) and Pvt. Leslie Cuthbertson (Leo Bill) are serving in the village of Aldershot as part of the Royal Army Dental Corps, whose motto is "An Army Who Can't Bite, Can't Fight!" Eager to do more than fill cavities or pull wisdom teeth as the fate of Great Britain hangs in the balance, Sgt. King hatches a mad scheme to leave his post, make his way across the English Channel, and launch his own miniature invasion of France. Logically assuming that some assistance would be a good idea, he persuades Pvt. Cuthbertson to join him, and armed with ten grenades, a pair of pistols, and 20 bullets, they set out to take on the Vichy troops all by themselves. Derek Jacobi and Rosanna Lavelle highlight the supporting cast. ~ Mark Deming, All Movie Guide

Eleanor H. Porter's novel about a cheerful girl who brightens the lives of those around her is brought to the screen once again in this made-for-television melodrama. Pollyanna Whittier (Georgina Terry) is an eleven-year-old girl who, after the unexpected death of her parents, is taken in by her Aunt Polly (Amanda Burton). Aunt Polly and her friend are not an especially happy lot, but despite the recent tragedy in her life, Pollyanna is the sort of person who invariably looks at the sunny side of life. Pollyanna invents what she calls "the Glad Game," in which she challenges those around her to see the positive side of every situation, and her upbeat outlook proves infectious. Produced for British television, this adaptation of Pollyanna received its American premier on the award-winning anthology series Masterpiece Theater. ~ Mark Deming, All Movie Guide

The protagonist of this six-part British drama series was Detective Chief Jack Mowbray, played by Ross Kemp. When his district was invaded by an elusive serial killer, Mowbray was browbeaten by his boss, DCS Henderson (Kenneth Cranham), to catch the murderer yesterday, if not sooner. As the unknown villain continued to cut a bloody swath through the moors, the overworked Mowbray's personal life suffered mightily. Without Motive was originally broadcast from October 2 to November 5, 2000. ~ Hal Erickson, All Movie Guide

Filmed several times during the silent era (most notably as a 1915 vehicle for Theda Bara), Mary Elizabeth Braddon's Victorian sensation novel Lady Audley's Secret was revamped as a British TV movie in 2000. Neve McIntosh heads the cast as Lucy, a mysterious woman with a shady past who manages to inveigle a proposal of marriage from her wealthy and aristocratic employer Sir Michael Audley (Kenneth Cranham). Upon his return to England after several years of prospecting for gold, Sir Michael's nephew, Robert (Steve Mackintosh), is immediately smitten by his glamorous young aunt. Equally impressed is Robert's scoundrelly mining partner, George (Jamie Bamber), who apparently knows the whole sordid truth about Lady Audley's past. The plot thickens when the blackmail-minded George abruptly disappears. Lady Audley's Secret was first telecast in the U.K. on May 17, 2000, several weeks after its March 23, 2000, world premiere on the American PBS anthology Mystery! ~ Hal Erickson, All Movie Guide

British director Coky Giedroyc's sophomore feature outing concerns a pair of working class women in Edinburgh, Scotland. Down-to-earth Ellen (Gina McKee), a noted cartoonist, invites her wacky, outgoing best friend Cora (Helena Bonham Carter) to a post-divorce party. Ellen is recovering from an ill-fated marriage to the rakish Daniel, a compulsive gambler and philanderer. Cora broke up with her love 'em and leave 'em French lover Claude, who left her with a child. Told largely through flashbacks, the film charts the rise and fall of the two relationships, remembered by the pair as they bond over drinks. Later, a revelation suddenly strains Cora and Ellen's old and dear friendship. Women Talking Dirty was screened at the 1999 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide

A loser looking for work is asked to become a hired killer in this dark comedy. Frank (Mark Addy)'s life is going nowhere when his mother throws him out of the house. Frank ends up sharing a house with his friend Kenny (Charlie Creed-Miles), who lives with his alcoholic grandfather and disabled brother. Frank is shooting the breeze with Kenny one day and mentions he was once in the service as a Special Air Services officer. Kenny, very impressed, offers Frank some work -- he'd like him to kill Donut (Alan Atherall), a low-level crook responsible for his brother's injury, along with Donut's girlfriend Jackie (Samantha Morton). Frank is taken aback but eventually agrees, and he shows up at Donut's place to discover that he's not in. Jackie, however, lets Frank inside, and Frank and Jackie get to know each other a bit as he waits for his target to show up -- and wonders if he really has the nerve to kill someone. The Last Yellow was screened at the 1999 Edinburgh Film Festival. ~ Mark Deming, All Movie Guide

Two lonely people learn to say it with flowers in this romantic drama. Lisa (Mary Stuart Masterson) is a business executive who has gotten used to being alone but doesn't like it very much; she was abandoned by her birth parents, and then spent most of her childhood being raised by Stanley (S.A. Griffin), an abusive foster father, after her adopted mother died. One day, Lisa gets word that Stanley has died; alone in her apartment, she breaks down and cries uncontrollably. Later the same day, Lisa gets an unexpected delivery of a dozen roses from a secret admirer. Puzzled, Lisa presses the delivery man for information on who might have sent her the flowers, and he confesses -- he sent them himself. Lewis (Christian Slater) runs a flower shop and often takes long walks through the neighborhood, trying to lose his memories of his deceased wife and child. He saw Lisa crying in her window and hoped the roses would cheer her up. Before long, Lisa and Lewis begin dating, but both have some emotional issues to resolve before their story can have a happy ending. This film offers your only opportunity of the moviegoing week to hear someone say, "Oh, there's nothing worse than a finicky agapanthis." ~ Mark Deming, All Movie Guide

Rick and Marian have been married for a few years now, and the bloom is definitely off the rose; sex is definitely not what it used to be. Marian is concerned about that. So, it seems, is Rick. When she dresses in some extremely suggestive lingerie, she comes to bed only to discover that her husband is similarly clothed -- complete with makeup and a wig. After she overcomes her initial shock, she is happy to discover that this new revelation is just the thing to put the zing back in their relationship. "Lippy," in the argot of the region, is short for "lipstick." One might not think that the grimy manufacturing town of Liverpool would have a very active social life for transvestites, but Rick shows Marian a side of life she never even imagined before. When her conservative dad gets wind of it somehow, he is all disapproval, but her mother, too, has been looking for a way to spice up her life... ~ Clarke Fountain, All Movie Guide