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Josephine Earle Movies

1930  
 
In this musical, an amiable rich boy takes charge of a failing musical revue. His father disapproves of the venture and hires the show's star to ruin the production. Fortunately, another cast member is on the young man's side and convinces the fellow's manipulative father to let the boy give the show a go. ~ Sandra Brennan, Rovi

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1923  
 
Betty Compson traveled to England to star in this expensively-made society drama. Louise Boucher (Compson) is a Parisian dancer who meets David Compton, an English officer (Clive Brook) during World War I. They fall in love and make wedding plans, but before they can get married, he is sent to the front. Compton receives a serious head wound in battle, and it causes him to lose his memory. As a result, he forgets his past, including his fiancee. He goes back to London and inherits his uncle's business. He also meets and marries a woman (Josephine Earle) who is more interested in society than she is in starting a family. Meanwhile, Louise has had a child from her brief union with Compton and gone on to become the famed dancer Deloryse. Years after she and Compton parted, she sees him and his wife in a theater in which she is performing. They meet and Compton's wife offers to adopt her little boy. She also asks Deloryse to dance at her ball. She agrees, even though her doctor has warned her that a heart ailment could make this dangerous. Deloryse pays no heed to his advice and dances anyhow. Her heart gives out and she dies in Compton's arms. The screenplay to this picture was written by a fledgling filmmaker by the name of Alfred Hitchcock. ~ Janiss Garza, Rovi

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Starring:
Betty CompsonClive Brook, (more)
 
1921  
 
Josephine Earle stars in this drama about a wife whose husband won't allow her to help with his business ventures. When the husband is on the verge of financial ruin, she comes to his rescue with money she made as a dressmaker without his knowledge. Her financial prowess and common sense helps turn her husband's struggling business around, and the grateful spouse then allows her to have a say in all business decisions as she proves to be an invaluable asset. Dalas Anderson, Pat Somerset, and Zoe Palmer are also featured. ~ Dan Pavlides, Rovi

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1917  
 
Alice Brady plays the lead in this adaptation of Frou Frou. Frou Frou (Brady) agrees to marry the man chosen by her father, the Marquis de Sartorys (George MacQuarrie), even though she knows her sister Louise (Gerda Holmes) loves him. But Frou Frou is a frivolous girl, and when Louise comes to visit, she ultimately takes her sister's place. Finally Frou Frou sees the error of her ways, but when her husband won't take her back, she runs off with the Comte de Valreas (Edward Langford). Eventually de Sartorys follows and kills de Valreas in a duel. Then Frou Frou comes back home to beg her husband's forgiveness before she dies. ~ Janiss Garza, Rovi

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1917  
 
Chrissey Desselden (Anita Stewart) is the ward of John Warburton (Charles Richman), who dearly loves her. She promises to marry him, but then becomes fascinated by Robert Neyland (Rudolph Cameron). She only realizes that Neyland is not worthy of her when he drunkenly insults her. She then goes through with the wedding to Warburton, even though she confesses she does not love him. Neyland's life is quickly going downhill, but Chrissey decides she wants him after all and Warburton allows her to go to Reno to procure a divorce. While she is there, Neyland tries to ruin Warburton in the stock market, but he needs funds from Chrissey to complete the deal. She wires him the money, unaware of its purpose. Warburton's friend, Colonel Taylor (Charles Stevenson), lets her know the truth. She keeps the money from reaching Neyland, who is ruined. He commits suicide, and Chrissey decides to be a real wife to Warburton. ~ Janiss Garza, Rovi

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1917  
 
The Awakening resurrected the time-honored bromide about the brilliant peasant artist who is seduced and corrupted by wicked old Paris. This time it's painter Jacques Revilly (Montague Love), who ends up plying his trade only to support his liquor habit. But after rescuing street waif Marguerite (Dorothy Kelly), he is suddenly inspired to scale the artistic heights. Jacques gives up his drinking and finally achieves fame and fortune. Alas, Marguerite is lured away by rapacious Horace Chapron (John Davidson), who plies her with drugs and exercises his advantage. In a blind rage, Jacques seeks out Chapron and challenges him to a duel. Though Jacques loses, he manages to survive his wounds and is reconciled with Marguerite -- and the experience "inspires" him more than ever! Some of the finer plot points of The Awakening were a bit muddled: for example, the audience was never quite certain if the supporting character played by Frank Beamish was named Varny or Maxime. ~ Hal Erickson, Rovi

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1916  
 
This 1916 Vitagraph 5-reeler would seem to be the spiritual ancestor to the 1992 melodrama The Hand That Rocks the Cradle. A seemingly guileless country girl is hired as the secretary of a famous author. What the author doesn't know is that the girl is planning to wreak vengeance upon the author's unfaithful wife, who years earlier caused the suicide of the girl's brother. Manners and mores being what they were in 1916, the two-timing wife was the villain of the piece. With this in mind, the wife's ultimate punishment -- wrought not by the girl but by an automobile accident -- could be interpreted as Divine Retribution. ~ Hal Erickson, Rovi

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