Alan Corduner Movies

The infamous 19th century tale of two grave robbers (Simon Pegg and Andy Serkis) working for the Edinburgh Medical College is adapted for comedic purposes with this John Landis-helmed production. Piers Ashworth and Nick Moorcroft (St. Trinian's) penned the black comedy, which follows true-life grave-digging murderers William Burke and William Hare as they do their damning deeds in Edinburgh, Scotland. ~ Jeremy Wheeler, Rovi

Two strangers find their chance meeting in a South London train station suddenly bringing together two entirely separate groups of friends, colleagues, lovers, and acquaintances in director Roger Goldby's tale of intersecting lives. Anna (Anne-Marie Duff) and Stephen (Rolf Little) were sitting in a deserted train platform when kindly senior citizen Roger (Frank Finlay) engaged them in conversation while eagerly awaiting the arrival of his beloved wife. As they listen to Roger fondly reminiscing about all of the things that he and his wife did when they were younger, Anna and Stephen realize that they have made a real connection and, if only for a moment, allow their individual lives to slip out of focus. Having recently separated from Toby (Adrian Bower), single mother Anna is now faced with the task of bringing up her young daughter Charlie all by herself. Anna's neighbors are married young parents Jem (Zoe Telford) and George (Rupert Graves). While Jem and Anna are close friends who share all of their secrets, the one thing that Anna hasn't let out is the fact that she has entered into a troublesome affair with George. Stephen, on the other hand, has recently moved in with Fiona (Christine Bottomly), who is so eager to start a family that even her parents are pressuring she and Stephen to get pregnant. But the more intense the pressure gets, the less certain Stephen becomes that he is prepared for such a commitment. It seems like the only peace Stephen can find these days is in his work at a local old folk's home and his friendship with understanding resident Helen (Phyllida Law). Later, after Stephen and Anna go their separate ways, their lives both move into a pivotal period as they find themselves wondering just what would happen should they ever meet again. ~ Jason Buchanan, Rovi

James Ivory directed this historical drama of a man who has shut himself away from a world he cannot change. Todd Jackson (Ralph Fiennes) is an American expatriate living in Shanghai in the late '30s. While Jackson was once an American diplomat who came to Shanghai with great optimism about China's future, the bitter political squabbling and military violence that are a part of daily life in China caused him to become bitterly disillusioned. Jackson also lost most of his sight, and he has retreated into Shanghai's decadent underworld of bars and brothels rather than face the world. When a wager on a horse race wins Jackson a small fortune, he decides to indulge a long-time fancy and build the perfect Shanghai bar, one that would ideally reflect that corrupt beauty of the city, and he is joined in his project by Matsuda (Hiroyuki Sanada), a Japanese man with a mysterious past and an appreciation for Shanghai's underbelly. While assembling his pet project, Jackson meets Sofia (Natasha Richardson), a Russian countess who fled her home during the revolution and now lives in Shanghai, supporting her family as a dance-hall girl and occasional prostitute. In Sofia, Jackson discovers a fusion of beauty and tragedy that fascinates him, and he asks her to become the hostess at his new bar. As Jackson becomes closer to Sofia, his cynicism begins to wear away and he develops a deep concern for Sofia and her family. The White Countess also co-stars Vanessa Redgrave, and Lynn Redgrave -- respectively Natasha Richardson's mother and aunt. ~ Mark Deming, Rovi

The public and private lives of famed songwriter Cole Porter are both explored in this musical drama, in which the aging Porter (played by Kevin Kline) looks back on his life while watching a rehearsal of a stage musical based on his story. As Porter compares notes on the play with director Gabe (Jonathan Pryce), he shares thoughts on his rise to fame in the mid-'20s, writing witty and sophisticated tunes for a string of successful Broadway musicals. Porter seemed to be living a charmed life when he met Linda Thomas (Ashley Judd), a beautiful American woman who, like Porter, was enjoying a sojourn in Paris following the collapse of her first marriage. Thomas is immediately taken with Porter, whose intelligence and charm is a welcome change after her brutal first husband, and the two discover they share a remarkable understanding of one another. Porter and Thomas marry, even though she's aware that her new husband is gay; Thomas is willing to forgive Porter's indiscretions with other men in favor of the emotional support he brings her. However, as the years wear on and the couple takes up residence in Hollywood as Porter begins writing tunes for motion pictures, Thomas finds Porter drifting away from her as his liaisons become more frequent and more serious. Then tragedy enters their life when Porter loses the use of his legs in a riding accident and Thomas is diagnosed with cancer. De-Lovely features a number of noted pop singers interpreting classic songs from Porter's catalog, including Diana Krall, Sheryl Crow, Alanis Morissette, Elvis Costello, Robbie Williams, Mick Hucknall, and others. ~ Mark Deming, Rovi

The legend of Jacques D'Artagnan (Michael York) gets a gender-bending update in this swashbuckling adventure from stuntman-turned-director Steve Boyum. Though legendary swordsman Jacques D'Artagnan's best days may be well behind him, he has schooled his daughter Valentine (Susie Amy) well in the way of the sword. Now it's time for Valentine to strike out on her own. With her father's sword and a letter of introduction to Commander Flint (Roy Dotrice), the eager young novice sets out to seek her fortune in Paris. Though a woman has never before been appointed the rank of swordsman, Valentine is determined to prove her worth by taking on a deadly mission to rescue the bride-to-be of King Louis XIV from a band of fearsome kidnappers, teaming with the sons of the legendary musketeers who rode with her father. There's more to the mission than meets the eye, however. After discovering that a mysterious stolen letter which could destroy the reputation of the king rests in the possession of the wicked Lady Bolton (Nastassja Kinski), Valentine is framed for murder and imprisoned by the venomous villain. Now it's more than a rescue mission, and in order to survive, Valentine must trust in the skills of her fellow musketeers to bring back the princess and bring Lady Bolton to justice. ~ Jason Buchanan, Rovi

Frequent television director Brad Silberling directs the romantic drama Moonlight Mile. Set in a Massachusetts town in the early '70s, Joe Nast (Jake Gyllenhaal) is distraught after the death of his fiancée. He moves in with her parents, Ben (Dustin Hoffman) and JoJo (Susan Sarandon), while trying to sort out all of the legal troubles and painful details of the wedding cancellations. While trying to locate the wedding invitations in the mail, Joe meets Bertie (Ellen Pompeo), whose boyfriend has been MIA in Vietnam. Despite his growing relationship with his late fiancée's parents, Joe begins to foster a romance with Bertie. Also starring Dabney Coleman and Holly Hunter. Moonlight Mile is based on Brad Silberling's real-life situation following the murder of his TV-star girlfriend Rebecca Schaeffer. ~ Andrea LeVasseur, Rovi

Adapted from David Leavitt's book The Page Turner, Food of Love tells the story of a cross-generational romance between two men. Paul (Kevin Bishop), a sexually repressed teenager, is an aspiring pianist who gets an opportunity to work as a page turner for Richard Kennington (Paul Rhys), a renowned pianist who also happens to be Paul's idol. A flirtation ensues between the two men after a concert one night, but further possibilities are thwarted by the meddling of Paul's neurotic mother Pamela (Juliet Stevenson). When Paul and Richard meet again six months later in Barcelona, they begin where they left off, tumbling headlong into a passionate affair despite the continued intrusion of Pamela, who believes that Richard is flirting with her. The affair is further complicated by the presence of Mansourian (Allan Corduner), Richard's manager and lover, who is suspicious of the relationship between Richard and Paul. Unable to deal with the situation, Richard flees to New York, and when he and his young lover finally meet again, Paul is a Julliard student engaged in an affair with yet another middle-aged man. Food of Love was screened at the 2002 Philadelphia Gay and Lesbian International Film Festival. ~ Rebecca Flint Marx, Rovi

Actor, writer, and director Tim Blake Nelson adapts this grim look at the Holocaust from his own play, based on Miklós Nyiszli's book, Auschwitz: A Doctor's Eyewitness Account. The film centers on the Sonderkommando: Jewish concentration camp prisoners whose job was to herd their fellow Jews into the gas chamber, and to dispose of the bodies following the execution. In return, these prisoners received food and a little more time before their own executions. As the members of the sonderkommando struggle to orchestrate what would be the only armed insurrection in Auschwitz, a group of them discover a 14-year-old girl who somehow survived the gas chamber. The girl becomes a symbol for their own spiritual salvation and they become obsessed with keeping the girl alive, even if it endangers the uprising that could save thousands. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, Rovi

Noted for intimate character studies created in collaboration with his actors, director Mike Leigh makes a dramatic change of pace with this biography of comic opera composers W.S. Gilbert and Arthur Sullivan. Gilbert (Jim Broadbent) is an easily angered but otherwise emotionally remote lyricist who works in collaboration with composer Sullivan (Alan Corduner), a genial and fun-loving sort who feels unsatisfied writing light operettas and longs to work with more serious material. While Sullivan is having a creative crisis, Gilbert is facing a failing marriage to Lucy (Lesley Manville), who loves her husband even if he can't return her affections, and must deal with his ailing father (Charles Simon). When they suffer their first failure, both men are depressed, and Sullivan announces that he's giving up operetta for good. However, a visit to an exhibit of Japanese art sparks an idea in Gilbert, and soon he and Sullivan are hard at work on what will become one of their greatest successes, The Mikado. Much of the film is devoted to the staging of this classic, with Shirley Henderson, Dorothy Atkinson, Martin Savage, Timothy Spall, and Kevin McKidd as members of the operetta's cast. Jim Broadbent won Best Actor at the 1999 Venice Film Festival. ~ Mark Deming, Rovi

Actor Stanley Tucci made his directorial debut with a strong cast in this Depression Era farce focusing on two struggling two New York actors. In opening scenes, Maurice (Oliver Platt) and Arthur (Tucci) fabricate a fake fight at an outdoor cafe, do acting exercises, audition for a theater director (Woody Allen in an uncredited cameo), stage a pastry shop argument (to get food), and watch over-the-top, Barrymoresque actor Jeremy Burtom (Alfred Molina) on Broadway in Hamlet. Later, Burtom overhears himself insulted by a drunken Maurice and gives chase, forcing Arthur and Maurice to hide in a box. When they awaken, the box has been moved onto a luxury liner bound for France. To evade Burtom, they pose as stewards, meeting passengers and crew members: Staff director Meistrich (Campbell Scott) fancies head stewardess Lily (Lili Taylor), who goes for ship detective Marco (Matt McGrath). Others on board include Greek wrestling enthusiast Sparks (Billy Connelly); a former European queen (Isabella Rossellini); a suicidal lounge vocalist (Steve Buscemi); and a revolutionary (Tony Shalhoub) planning to bomb the liner. Shown in the Certain Regard section at the 1998 Cannes Film Festival. ~ Bhob Stewart, Rovi

Peter Warlock was a noted British composer during the 1930s. Philip Heseltine was his harshest critic. This strange-but-true, highly dramatized British biopic brings to light a little known fact about the two enemies: they were same man. Much of the story centers upon reviewer Heseltine, one of the most feared figures in music criticism, a man known by peers as "The Grim Reaper." In his columns about Warlock's work, Heseltine calls the composer a pirate who gets his ideas from other composers. Heseltine falls in love after seeing the performance of American singer Lily Buxton. He arrogantly trashes her work, but she sees something good about him and goes out with him. Meanwhile, Warlock keeps composing and Heseltine's attacks upon him become excessively vitriolic causing Lily to get curious. She begins investigating and finds the chaotic, ramshackle apartment where Warlock lives. It is there that she learns the strange truth.th. ~ Sandra Brennan, Rovi

Previously the inspiration for Francis Ford Coppola's Apocalypse Now (1979), the dark novella Heart of Darkness by Joseph Conrad, a parable about greed-inspired colonialism, was adapted into this television movie by offbeat filmmaker Nicolas Roeg. Ambitious sailor Marlow (Tim Roth) is employed by a British trading company. His mission is a journey to a remote colony in the Belgian Congo, the source of the consortium's profitable supply of ivory, where he's to retrieve some stranded cargo. As he travels upriver visiting the trading stations which acquire the precious commodity through exploitative barter with natives, Marlow hears wild tales of Kurtz (John Malkovich), a hugely-successful company manager whose post is deep in the jungle. It seems that Kurtz is revered as a god by the locals, both worshipped and greatly feared. Reaching Kurtz's compound, however, Marlow finds that the man has become a fiend, committing blasphemous atrocities and driven mad by power and disease. Malkovich was nominated for a Screen Actors Guild Award and a Golden Globe for his performance as Kurtz. ~ Karl Williams, Rovi