Regis J. Cordic Movies

In the first episode of a two-part story (originally intended to air as Dukes of Hazzard's two-hour Season Four opener, but moved to a later airdate), Sheriff Roscoe P. Coltrane (James Best) is informed that he has inherited $10,000,000. Wasting no time, Roscoe goes on a lavish spending spree, tells off his brother-in-law Boss Hogg (Sorrell Booke), and hires expensive (and evil) bounty hunter Jason Steele (played by veteran movie heavy William Smith) to wreak vengeance against the Dukes. Featured in the cast as Dawson is Carlos Brown, who also acted under the name Alan Autry. ~ Hal Erickson, Rovi

An evangelist suspected of financial impropriety is found dead in a motel room, apparently from an overdose of drugs and alcohol. Was it an accident, a suicide, or a murder? Quincy (Jack Klugman) is pressured by the authorities to solve the mystery--a task which may or may not be expedited by Dr. Paul Chase (Stephen Elliott), who insists upon performing a "psychological autopsy" on the victim. This episode was originally scheduled to air on October 25, 1979. ~ Hal Erickson, Rovi

Don Siegel took over the directing chores from Peter Hyams on this taut cold war action film, based on the novel by Walter Wager. With the cold war between the United States and the Soviet Union thawing, old KGB hard-liner Nicolai Dalchimsky (Donald Pleasence) activates a group of Americans who were brainwashed twenty years earlier to blow up United States defenses when a passage from a Robert Frost poem is recited to them. When bombs go off at an abandoned United States defense installation, the Kremlin realizes that they have a rogue KGB agent on their hands who is trying to re-ignite the cold war. To stop him, the Russians send out KGB agent Grigori Borzov (Charles Bronson). Accompanying him is KGB double agent Barbara (Lee Remick). As the two agents try to stop Nicolai from starting World War III, they find time to fall in love with each other. ~ Paul Brenner, Rovi

The inaugural presentation of the syndicated "Operation Prime Time" anthology, the three-part, six-hour miniseries Testimony of Two Men was based on the 1968 best-seller by Taylor Caldwell; it originally aired in three separate two-hour installments. Sprawled over the course of several generations following the Civil War, this epic begins in 1865. It covers the saga of idealistic, straight-arrow Pennsylvania surgeon Jonathan Ferrier (David Birney) and his irresponsible, hot-headed and slightly effeminate younger brother Harald (David Huffman). The Ferrier boys battle over professional ethics (Jonathan campaigns for medical reforms, Harald is interested only a quick financial turnover) and personal peccadilloes. The drama heats up when the philandering wife of one of the Ferriers is charged with murder, precipating a scandal that threatens to rock the medical profession to its foundations. In the climax, a group of envious physicians try to destroy Jonathan when he lobbies for antiseptic operating conditions--and the truth comes out about Harald's dalliance with Jonathan's late wife. Made available for syndication in May of 1977, Testimony of Two Men was seen in most markets on May 9, 16 and 23. ~ Hal Erickson, Rovi

Though at first he turns down the assignment, Jim (James Garner) agrees to help his former war buddy Mitch (Hector Elizondo), now a fashion photographer, to track down one of his models, Jennifer Ryburn (Pamela Hensley). Suspected of murder, Jennifer has been reported killed in a fiery car crash on the basis of her dental records, but Mitch is convinced that she is still alive. This turns out to be true--but by the time Jim catches up with Jennifer, Mitch himself has been bumped off! ~ Hal Erickson, Rovi

Director James Ivory has disowned this Hollywood drama, inspired by the Fatty Arbuckle/Virginia Rappe case and based on a satirical poem by Joseph Moncure March, which was heavily cut by American International Pictures from two hours to 90 minutes. The story concerns Jolly Grimm (James Coco), whose career as a famous silent film comic is coming to an end with the advent of talking pictures. He plans a last hurrah by making one more silent film and invites a collection of Hollywood big shots to his mansion in hopes of convincing one of them to distribute the picture. His mistress, Queenie (Raquel Welch), encourages him, but it quickly becomes apparent the film is a bomb. As Jolly Grimm keeps drinking, his mood becomes less jolly and more grim, particularly when movie star Dale (Perry King) starts getting quite familiar with Queenie. Meanwhile, young starlet Nadine (Annette Ferra), after finding her sister in bed with a guest, seeks out Jolly for solace. When Jolly tries to comfort her by kissing her full on the mouth, a drunken party guest, thinking Jolly is trying to seduce the girl, begins to beat Jolly senseless. Dale halts the fracas, but when Jolly doesn't thank Dale properly for saving him from a shellacking, Dale retreats with Queenie to the boudoir. Jolly, already keyed up to a dangerous level, awaits their emergence from the bedroom with a gun in his hand. ~ Paul Brenner, Rovi

Much against the wishes of Chief Ironside (Raymond Burr), Mark (Don Mitchell) goes undercover to smash an extortion ring preying on ghetto dwellers. It's a personal crusade for Mark: one of the ring's victims is his friend Gilbert, who is forced to pay huge sums of money each week lest harm befall his mother. This episode was cowritten by frequent Ironside guest star Felton Perry, who also appears as Gilbert. ~ Hal Erickson, Rovi

All the experts have declared that it is impossible to rob a safety-deposit vault surrounded by a sophisticated, high-tech alarm system--but that's just what happens. Clearly the heist was the work of a well-trained team, and the cops are able to arrest one of the suspects almost immediately. Chief Ironside (Raymond Burr), however, is certain that the man in custody is innocent...and meanwhile, the actual master thief is working on a plan to seal Ironside's doom! ~ Hal Erickson, Rovi

Feeling cut off from the outside world, Mary Ellen (Judy Norton-Taylor) is quite receptive to the attentions paid her by wandering folksinger Jamie (Peter Hooten), who has come to the Mountain in hopes of gleaning song material from elderly Maude Gormley (Merie Earle). Mary Ellen spends so much time with Jamie that she begins neglecting her family responsibilities, causing considerable friction between herself, her parents and her siblings. When Jamie rejects Mary Ellen as being "just a kid" and unworthy of his affections, the disillusioned girl is more determined than ever to escape her "repressive" surroundings--sparking another of those famous Walton family rallies to set things right. ~ Hal Erickson, Rovi

This 1971 TV movie remake of the 1934 film of the same name (see the above synopsis) adds little to the original story about Death assuming human form to discover why mankind fears him. In updating the story, the scenarists removed much of the "nobility" of the principal characters--and also a lot of their charm. Melvyn Douglas and Myrna Loy are superb in roles played in 1934 by Sir Guy Standing and Helen Westley, while Monte Markham is okay but nothing more in the old Fredric March role as "Death". Yvette Mimieux is utterly forgettable as the enigmatic Grazia; her wisecracking American friend (originally Gail Patrick) is played by Maureen Reagan, a few years before the daughter of Ronald Reagan and Jane Wyman (rather wisely) abandoned acting. Whatever appeal Death Takes a Holiday had in 1934 utterly withers and expires in this halfhearted remake. ~ Hal Erickson, Rovi

After pulling off a jewel heist, four thieves headed by John Elgin (Steve Ihnat) escape to a ghost town in the desert. It isn't hard for Erskine (Efrem Zimbalist Jr.) to follow the criminals' trail, but arresting them is another matter: The thieves have rounded up eight townspeople as hostages. When all is said and done, the fate of the prisoners is in the hands of a youngster named Josh Cobb (Clint Howard), who happens to own a ham radio--and knows how to use it. ~ Hal Erickson, Rovi

The sisters of San Tanco inherit a prizefighter named Mike (Ron Masak). This turns out to be a decidedly mixed blessing when Mike reveals himself to be a devout pacifist. To toughen up the Convent's "boy", Sr. Bertrille converts San Tanco into a training camp, and presses Carlos into service as a boxing promoter. Originally telecast on March 14, 1968, "Where There's a Will" was written by Searle Kramer. ~ Hal Erickson, Rovi