Merry Anders Movies

After a dangerous tiger turns on its trainer and escapes from the circus, a small town in Texas finds itself in an uproar over its capture. As it is hunted by numerous parties, a young girl begins protesting and starts a nationwide movement to plead for the tiger's safety. As the situation gains more attention, the local attitude is torn by politics and outside pressure. At the time of its release, this feature (taken from a book by Ian Niall) was quite different for Disney as it portrayed realistic small-town politics rather than an ideal community. The titular tiger, on the other hand, seemed to have an uncanny knack of choosing baddies to prey upon while leaving all well-meaning folks alone. ~ Kristie Hassen, Rovi

After an all-night binge, carnival owner Leo Torbey (Norman Lloyd) discovers he has purchased a trained monkey, whom Torbey's wife, Carol (Nita Talbot), despises at first sight. What Leo doesn't know -- at least at first -- is that his monkey, named Maria, is not a monkey at all, but instead a human female dwarf (Venus DeMars). And what nobody knows, until it is too late, is that Maria has fallen hopelessly in love with Leo...and that she has an insatiable thirst for vengeance. ~ Hal Erickson, Rovi

In this early '60s version of the oft-filmed fairy tale a prince is turned into a horrible wolf-beast by a wicked sorcerer who wants the throne for himself. At night, his beloved princess watches over him. ~ Sandra Brennan, Rovi

The Cartwrights object to Todd McKaren's (Don Dubbins) plan to sell his family's land to ruthless miner Len Keith (Robert Simon), pointing out that the region's water supply will be polluted. McKaren's father Andy (Rhys Williams) likewise opposes the sale, if only to break up the romance between Todd and Keith's daughter Virginia (Merry Anders). Taking advantage of the situation, Keith tries to force the sale by stirring up bad blood between the the McKarens and the Cartwrights, beginning with planting diseased cattle among the Ponderosa livestock. First telecast April 9, 1960, "Bitter Water" was written by Harold Jack Bloom. ~ Hal Erickson, Rovi

Pill poppin' truckers provide the focus of this anti-drug drama. Much of the story centers upon an investigator for the US Food and Drug Department who has been assigned to stop all truckers from taking amphetamines while they drive. The drivers take the pills to help them stay awake on long-hauls. Unfortunately, the "speed" is also causing major accidents. The investigator goes undercover as a driver to help find the main drug pushers. En route he falls for a beautiful woman. Unfortunately, he finds that she is one of the biggest pushers in the country. Though the film's original intent was very serious, it has become popular with fans of campy or cult films. ~ Sandra Brennan, Rovi

If it worked for Frank Sinatra... Singing star Johnny Desmond goes dramatic in the low-budget Escape From San Quentin. Desmond plays escaped convict Mike Gilbert, who goes on the lam with fellow prisoners Gruber (Richard Devon) and Graham (Roy Engel). While hiding from the law, Gilbert comes to realize that he's fallen in love with Robbie (Merry Anders), the sister of his ex-wife (Peggy Maley). Through Robbie's influence, Gilbert decides to go straight, but his cohorts aren't quite so willing to reform. Like most Sam Katzman quickies of the era, Escape from San Quentin was loosely based on a true story. ~ Hal Erickson, Rovi

In this western, a US marshal escorts five female killers across Texas to prison. Along the way, they are ambushed by Indians and by one of the women's outlaw husbands. They must also endure the rugged terrain, weather, and romantic yearnings. ~ Sandra Brennan, Rovi

This Runyonesque fable serves as a vehicle for TV quiz-show host Hal March. The star plays con artist Marty Holland, who for his own financial gain plans to fix the outcome of a beauty contest. The winner is supposed to be Rita Hall (Jean Willes), the brassy girlfriend of big-time mobster Irving the Hammer (who, worse luck, never appears in the film). But when Marty falls for virtuous contestant Ruth Collins (Merry Anders), he decides to turn honest, even though he runs the risk of ending up in a cement kimono. Adding to the fun is Joe E. ("Ooh! Ooh!") Ross as Marty's sidekick Max Crane and "J.D." flick regular Richard Bakalyan as a dese-dem-and-dose hoodlum. ~ Hal Erickson, Rovi

A remake of 1933's The Greeks Had a Word for Them, as well as a retread of 20th Century-Fox's favorite plotline, How to Marry a Millionaire was the first Hollywood comedy to be lensed in Cinemascope. Lauren Bacall, Betty Grable and Marilyn Monroe play three models of modest means who rent an expensive Manhattan penthouse apartment and pose as women of wealth. It's all part of a scheme hatched by Bacall to snare rich husbands for herself and her roommates. The near-sighted Monroe is wooed by an international playboy, but ends up settling for the tax-dodging fugitive (David Wayne) who owns the girls' apartment. The knuckle-headed Grable goes off on an illicit weekend in the mountains with a grouchy married executive (Fred Clark), but falls instead for a comparatively poor--but very handsome--forest ranger (Rory Calhoun). And Bacall very nearly lands an aging millionaire (William Powell), but has a sudden attack of conscience and opts instead for the supposedly poverty-stricken chap (Cameron Mitchell) who has been pursuing her since reel one. It turns out that she has actually landed one of the richest men in New York--and upon learning this, our three luscious heroines faint dead away. Before the opening credits roll in How to Marry a Millionaire, we are treated to a "live" orchestral rendition of Alfred Newman's "Street Scene" overture, conducted by Newman himself. In addition to its being the first wide-screen comedy, Millionaire was also the first-ever presentation of the weekly NBC series Saturday Night at the Movies, premiering on the small screen on September 23, 1961. ~ Hal Erickson, Rovi

Sheriff Dan Trevor (Peter Breck) of Devil's Flat concocts a plan to steal a chest of gold from the town's new "sky pilot", Deacon Curt Eaker (Frank Ferguson). Bart (Jack Kelly) decides to stop Trevor in his tracks by replacing the gold with stones--failing to take in consideration the old adage "No good deed goes unpunished." Guest star Peter Breck would later appear on Maverick in the recurring role of Doc Holliday...and much later would costar with Barbara Stanwyck on another popular TV western, The Big Valley. ~ Hal Erickson, Rovi

Having been cheated by crooked railroad owner Wilbur Shanks (Richard Hale), Beau (Roger Moore) cooks up a scheme to make certain that the townsfolk of Silver Hill get a fair price for their land, which Shanks dearly covets. To do this, Beau arranges for the town to literally vanish by having everyone relocate some twenty miles down the trail. But when a valuable silver lode is discovered in the "real" Silver Hill, it looks like Shanks may have the last laugh. ~ Hal Erickson, Rovi

In this action melodrama, the troubled lives of three young robbers are presented. One of these is a college dropout and draft dodger who plans to rob a supermarket so he can purchase a boat and escape his problems. He enlists the aid of two others: one is an indebted man who is responsible for the high medical bills of a con woman who hurt herself while on a date with him, the other is a pathological liar who cannot cope with his failed marriage and writing career. During the robbery, the dropout gets too wired and kills the manager. They flee, but his cohorts are captured by the cops while he steals a truck and heads screaming down the road for Mexico. A great chase ensues until the truck's brakes fail and he suffers a fatal, fiery crash. ~ Sandra Brennan, Rovi