Gladys Cooper Movies
Widely acclaimed as one of the great beauties of the stage, British actress Gladys Cooper had the added advantage of great talent. Daughter of a London magazine editor, she made her stage bow at age 17 in a Colchester production of Bluebell in Fairyland; at 19, she was a member of the "Gaiety Girls," a famous and famously attractive chorus-girl line. Graduating to leading roles, Cooper was particularly popular with young stage door johnnies; during World War I, she was the British troops' most popular "pin-up." Switching from light comedy to deep drama in the 1920s, Cooper retained her following, even when leaving England for extended American appearances after her 1934 Broadway debut in The Shining Hour. She made subsequent New York appearances in Shakespearean roles, thereafter achieving nationwide fame with her many Hollywood film appearances (she'd first acted before the cameras way back in 1911 in a British one-reeler, Eleventh Commandment). Now past fifty but still strikingly attractive, Cooper was often cast as aristocratic ladies whose sharp-tongued cattiness was couched in feigned politeness; her film parts ranged from Bette Davis' overbearing mother in Now Voyager (1941) to the hidden murderess in a Universal "B" horror, The Black Cat (1941). Returning to the London stage in 1947, Cooper remained there for several years before returning to Broadway in The Chalk Garden(1955). New York was again regaled by her in 1962 when she played Mrs. Moore in A Passage to India (the role which won Peggy Ashcroft an Oscar when Passage was filmed over 20 years later). The years 1960-1964 were particularly busy for Cooper on TV and in films; she won her third Oscar nomination for her role as Prof. Henry Higgins' mother in My Fair Lady (1964), starred as the matriarch of a family of genteel swindlers on the TV series The Rogues (1964), and even found time to co-star with a very young Robert Redford on a 1962 episode of The Twilight Zone. Made a Dame Commander of the O.B.E. in 1967, Cooper had no plans for slowing down in her eighties, even though she was appalled by the "let it all hang out" theatre offerings of the era. Cooper was planning to tour in a Canadian revival of Chalk Garden in 1971 when she contracted pneumonia and died in November of that year. ~ Hal Erickson, Rovi- 1969
- PG
This romantic comedy finds Candida (Barbara Ferris) going to live with her elderly spinster aunts after the death of her father. Finding things very unexciting there, she quickly leaves for Paris and enrolls in a university to study. She becomes pregnant after meeting a young student at a museum. When the baby is born, she manages to convince the nosey relatives she is just caring for the baby of a friend. A trip to Italy finds her in the arms of an American man and Candida is soon pregnant again. A woman gives her baby to Candida as she prepares to leave for home at the train station. She suddenly has two young babies and another on the way, getting far more education than she had bargained for. Her main confidant is Savage (Harry Andrews), her late father's caretaker, to whom she reveals the truth about her experiences. ~ Dan Pavlides, Rovi
- Starring:
- Barbara Ferris, Harry Andrews, (more)
Adapted from the book and play of the same name, The Happiest Millionaire is the (mostly) true story of eccentric Philadelphia millionaire Anthony J. Drexel Biddle (Fred MacMurray). The Biddle mansion is the gathering place for a pugilistic boxing class, pet alligators and would-be opera singers. Cordelia Biddle (Lesley Ann Warren), the daughter of Anthony and his wife (Greer Garson), wants to marry wealthy and handsome Angie Duke (John Davidson), but Angie's parents are shocked by the Biddles' freewheeling lifestyle. Thanks in part to the ebullient intervention of John Lawless (Tommy Steele), the Biddles' butler, all misunderstandings are eventually swept away. Like Disney's previous Mary Poppins, The Happiest Millionaire is decked out with a vibrant musical score by Richard and Robert Sherman, but the magic is somehow lacking this time around. This was the last live-action film to personally supervised by Walt Disney; released several months after Disney's death, the film was made available in 141-minute and 164-minute versions. ~ Hal Erickson, Rovi
- Starring:
- Fred MacMurray, Tommy Steele, (more)
- 1964
A woman named Helen (Barbara Barrie) awakens in a hospital run completely by women, with nary a man in sight. This is off-putting enough, but soon Helen discovers that there is a lot more amiss: seemingly overnight, she has grown hideously obese, and all the staffers fawningly refer to her as "Mother Orchis." Asking a few pertinent questions, Helen learns to her horror that she has been transported to a futuristic society in which a genetic accident has caused the extinction of all males, obliging the female scientists to select certain women as "queen bees" to repopulate the world. It is giving away nothing to reveal that this hellish state of affairs is all a dream, experienced by Helen as she undergoes experiments with a revolutionary mind-expanding drug. What cannot and will not be revealed here is what happens when Helen returns to the "real" world, determined to prevent the bleak future she has envisioned -- no matter what the cost. ~ Hal Erickson, Rovi
- Starring:
- Barbara Barrie, Gladys Cooper, (more)
At one time the longest-running Broadway musical, My Fair Lady was adapted by Alan Jay Lerner and Frederick Loewe from the George Bernard Shaw comedy Pygmalion. Outside Covent Garden on a rainy evening in 1912, dishevelled cockney flower girl Eliza Doolittle (Audrey Hepburn) meets linguistic expert Henry Higgins (Rex Harrison). After delivering a musical tirade against "verbal class distinction," Higgins tells his companion Colonel Pickering (Wilfred Hyde-White) that, within six months, he could transform Eliza into a proper lady, simply by teaching her proper English. The next morning, face and hands freshly scrubbed, Eliza presents herself on Higgins' doorstep, offering to pay him to teach her to be a lady. "It's almost irresistable," clucks Higgins. "She's so deliciously low. So horribly dirty." He turns his mission into a sporting proposition, making a bet with Pickering that he can accomplish his six-month miracle to turn Eliza into a lady. This is one of the all-time great movie musicals, featuring classic songs and the legendary performances of Harrison, repeating his stage role after Cary Grant wisely turned down the movie job, and Stanley Holloway as Eliza's dustman father. Julie Andrews originated the role of Eliza on Broadway but producer Jack Warner felt that Andrews, at the time unknown beyond Broadway, wasn't bankable; Hepburn's singing was dubbed by Marni Nixon, who also dubbed Natalie Wood in West Side Story (1961). Andrews instead made Mary Poppins, for which she was given the Best Actress Oscar, beating out Hepburn. The movie, however, won Best Picture, Best Director, Best Actor for Harrison, and five other Oscars, and it remains one of the all-time best movie musicals. ~ Hal Erickson, Rovi
- Starring:
- Audrey Hepburn, Rex Harrison, (more)
- 1964
This eerie Twilight Zone entry was scripted by Richard Matheson from his own short story "Long Distance Call." In her third appearance on the series, Gladys Cooper plays elderly, embittered spinster Elva Keene. Already nervous and high-strung, Elva becomes even more so when she begins receiving mysterious, cryptic telephone calls in the dead of night. Could this be the work of pranksters, or is Wanda being besieged by the ghost of her long-dead fiancée Brian? Originally scheduled for broadcast on November 22, 1963, "Night Call" was moved to February 7, 1964 as a result of the JFK assassination coverage. ~ Hal Erickson, Rovi
- Starring:
- Gladys Cooper, Nora Marlowe, (more)
- 1963
In Volume 12 of a collection culled from the 1963-1965 science fiction anthology television series, scientists attempting to contact the spirit of a dead child are sucked into another dimension. ~ Jason Ankeny, Rovi
- 1963
This episode is based on a story by Marie Belloc Lowndes, the author of Alfred Hitchcock's 1926 "breakthrough" film, The Lodger. Tyrannical Howard Raydon (Gene Lyons) fires his maid, Addie (Ruth Roman), much to the dismay of Howard's wife, Eve (Anne Francis), who feels that Addie is her only ally against Howard's domineering mother (Gladys Cooper). Vengefully, Addie poisons Howard -- but it is Eve who is accused of murder thanks to the persistence of her hateful mother-in-law. Figuring into the climax of the story is a dark secret harbored by both Addie and her late employer. ~ Hal Erickson, Rovi
- Starring:
- Anne Francis, Ruth Roman, (more)
- 1963
Adrian Messenger (John Merivale) asks his friend, British colonel Anthony Gethryn (George C. Scott), to check on the whereabouts of the eleven men named on a written list. Not long afterward, the plane on which Messenger is travelling is deliberately blown up. The mystery killer slipped the bomb on the plane while disguised as a priest, and we soon learn that the killer adopts a different guise for each of his subsequent murders. As Gethryn tracks down the men on Messenger's list, he discovers that all had been POWs in the same Burmese stockade during World War II, and he deduces that the murderer, who is methodically decimating those on the list, had been a traitor and informer. Gethryn traces the killer to the British estate of The Marquis of Gleneyre (Clive Brook), where his visit coincides with the return of "prodigal" American relative George Brougham (Kirk Douglas). Gethryn is convinced that Brougham is the killer, and that he plans to murder the only heir who stands in the way of the family fortune, but he has no tangible proof. Filmed primarily in Ireland, The List of Adrian Messenger received good theatrical bookings by virtue of its gimmick: several of the bit characters are played by famous stars in heavy makeup, and each of these stars -- Kirk Douglas, Burt Lancaster, Robert Mitchum, Frank Sinatra, and Tony Curtis -- "unmasks" in the epilogue. In truth, only Douglas and Mitchum did any real acting under their mounds of collodion and crepe hair; the others showed up only to shoot their unmasking scenes (at a salary of $75,000 each!) and were "doubled" in the film itself. ~ Hal Erickson, Rovi
- Starring:
- George C. Scott, Dana Wynter, (more)
- 1963
Charles Beaumont adapted this hauntingly-poignant 60-minute Twilight Zone episode from his own short story "Song for a Lady." Hoping to save their tattered marriage, Alan and Eileen Ransome (Lee Philips and Joyce Van Patten) book passage on a luxury liner bound for England. Their first indication that something is amiss is the fact that all the other passengers are very, very old; the second is the realization that the ship is not travelling in the direction that it should. But what seems to be sinister at first ends up as something rare and beautiful. The veteran supporting cast includes Gladys Cooper, Wilfrid Hyde-White, Cecil Kellaway, and Alan Napier. The first Twilight Zone to be produced by Bert Granet, "Passage on the Lady Ann" originally aired May 9, 1963. ~ Hal Erickson, Rovi
- Starring:
- Gladys Cooper, Wilfrid Hyde-White, (more)
- 1962
Written by George Clayton Johnson, this low-key Twilight Zone episode stars Gladys Cooper as Wanda Dann, an old woman terrified at the prospect of death. Sequestering herself in a shabby basement apartment, Wanda refuses to let anyone past her door, fearful that one of her visitors might be Death himself. And then late one evening, she lets down her guard long enough to offer shelter to wounded policeman Harold Belden (played by a very young Robert Redford). "Nothing in the Dark" first aired on January 5, 1962. ~ Hal Erickson, Rovi
- Starring:
- Gladys Cooper, Robert Redford, (more)
Based on Terence Rattigan's play, Separate Tables is about a number of characters and their adventures at a British seaside hotel. Among the guests are an alleged war hero (David Niven), a timid spinster (Deborah Kerr) and her domineering mother (Gladys Cooper), and a divorced couple (Burt Lancaster, Rita Hayworth) trying to re-ignite their romance despite the presence of his mistress (Wendy Hiller). All of the characters' lives become intertwined in the course of the film as the story examines love affairs and secrets. Separate Tables is a fine, textured drama, filled with terrific performances and was nominated for several Academy Awards, including Best Picture, Best Actress (Deborah Kerr), Best Actor (David Niven), Best Supporting Actress (Wendy Hiller), Best Screenplay From Another Medium, Best Cinematography and Best Music. Niven and Hiller won Oscars for the film. ~ Stephen Thomas Erlewine, Rovi
- Starring:
- Rita Hayworth, Deborah Kerr, (more)
- 1957
After her first two husbands die under mysterious circumstances, Mrs. Marguerite Gillespie (Gladys Cooper) prepares to marry for a third time. Suspecting that Mrs. Gillespie has knocked off her previous spouses for their insurance money, detective Joe Rogers (Steve Forrest) inaugurates an undercover investigation. Despite all the evidence, Joe ultimately cannot bring himself to believe that Mrs. Gillespie is a murderer -- but, of course, this is Alfred Hitchcock Presents, and there has to be a murderer somewhere. ~ Hal Erickson, Rovi
- 1955
Framed in flashback form, The Man Who Loved Redheads is an anecdotal comedy about a man (John Justin) whose life is defined by his first romantic experience. That liaison occurred in Justin's youth with the luscious Moira Shearer (for her alone, this film must be seen in its original Technicolor). When the young man matures and enters the diplomatic world, he spends the rest of his career searching for his first love. Along the way, he romances two redheaded damsels who look exactly like Ms. Shearer--as well they may, since Shearer plays all the women in Justin's life. Terence Rattigan adapted The Man Who Loved Redheads from his own stage play Who Is Sylvia? ~ Hal Erickson, Rovi
- Starring:
- Moira Shearer, John Justin, (more)
- 1951
Charlotte Hastings' West End stage hit Bonaventure was adroitly translated to the American screen as Thunder on the Hill. The bulk of the action takes place at convent, presided over by Sister Mary (Claudette Colbert). Circumstances -- namely, a dangerous rainstorm and raging flood -- dictate that the convent become a stopover for Valerie Carns (Ann Blyth), a convicted murderess who is being escorted to Death Row by a brace of guards. Slowly becoming convinced that Valerie is innocent, Sister Mary sets about to clear the girl and bring the genuine killer to justice. It goes without saying that said killer is also a reluctant guest of the convent. A superb shadow-laden climax in the convent's belltower caps this heart-pounding mystery meller. ~ Hal Erickson, Rovi
- Starring:
- Claudette Colbert, Ann Blyth, (more)
- 1951
At Sword's Point is about the sons of Dumas' Three Musketeers--one of those "sons" being of the female persuasion, played by Maureen O'Hara. As the swash-buckling daughter of Athos, O'Hara joins the offspring of Aramis and Porthos, portrayed respectively by Dan O'Herlihy and Alan Hale Jr., as well as the bouncing boy of D'Artagnan, played by Cornel Wilde. These second-generation Musketeers are reunited by the ageing Queen Anne (Gladys Cooper), who wants to stem the villainy of her treacherous nephew, the Duc de Lavalle (Robert Douglas). Lunging and parrying throughout the French countryside, the new Musketeers save the day by preventing a marriage of state between the princess (Nancy Gates) and Lavalle, restoring the girl to her true love, prince Peter Miles. Technicolor is the only decided plus in the favor of the lazy and derivative At Sword's Point, which was completed in 1949 but remained unseen in RKO's vaults for three years. ~ Hal Erickson, Rovi
- Starring:
- Cornel Wilde, Maureen O'Hara, (more)
MGM circumvented the censorship that would otherwise have prevented a film version of Gustave Flaubert's Madame Bovary by adding a prologue and epilogue that assured any and all bluenoses that the story was strictly a work of fiction. James Mason appears as Flaubert, defending his inflammatory novel before a French jury. Thus, the tragedy of Emma Bovary (Jennifer Jones) is offered as a product of Flaubert's imagination, rather than a real-life story. The body of the film concerns Emma's attempt to escape the boredom of her bourgeois existence by marrying a doctor (Van Heflin). She finds life with the physician even more tiresome than her previous experiences, thus begins taking a series of wealthy lovers-all of whom prove to be two-dimensional cads. Unable to tolerate a lifetime of dead-end affairs, Emma eventually commits suicide. The best sequence-indeed, one of the finest set pieces ever directed by Vincente Minnelli-is the "Emma Bovary Waltz" sequence, a dazzling experience in dizzying camera movements. ~ Hal Erickson, Rovi
- Starring:
- Jennifer Jones, James Mason, (more)
- 1949
The oft-filmed Frances Hodgson Burnett novel The Secret Garden was given the usual plush MGM treatment in 1949. Tempestuous orphan girl Mary Lennox (Margaret O'Brien) is sent to live with her reclusive, long-widowed uncle Archibald Craven (Herbert Marshall). The embittered Craven has an invalid son named Colin (Dean Stockwell), with whom the troublesome Mary constantly clashes. Her only real friend is neighbor-boy Dickon (Brian Roper). Things soon change after Mary discovers the key to the Craven household's garden, which has been locked up and neglected since the death of Craven's wife. Through the influence of the Secret Garden, Mary learns to think of others rather than herself, Craven drops his curmudgeonly veneer, and Colin's health slowly but steadily improves. In the tradition of The Wizard of Oz, the sequences taking place in the Secret Garden are lensed in Technicolor. ~ Hal Erickson, Rovi
- Starring:
- Margaret O'Brien, Herbert Marshall, (more)
When Alfred Lunt and Lynn Fontanne appeared in S. N. Behrmann's The Pirate on Broadway, there were no musical numbers whatsoever. But with Gene Kelly and Judy Garland in the leading roles of the 1948 filmization of The Pirate, the MGM production staff would have been drawn and quartered had there not been song after song. The story is merely serviceable: on a Caribbean isle in the early 19th century, sheltered young Garland comes to believe that travelling troubadour Kelly is in reality "Mack the Black," a notorious pirate. Kelly realizes that the surest way to win Garland's heart is to impersonate the romantic buccaneer, and this is what he does--nearly getting himself hanged in the process. Cole Porter's marvelous score yielded only one bona-fide hit: "Be a Clown", which has practically nothing to do with the storyline, but do you care? Highlights include the magnificently staged "Mack the Black," a heady combination of Broadway glitz and Caligariesque nightmare. Seven MGM screenwriters toiled away on The Pirate, though only the team of Albert Hackett and Frances Goodrich were credited. While The Pirate was not a huge moneymaker on its first release, it has since been embraced by the cultists, who apparently can never get enough of Judy Garland. ~ Hal Erickson, Rovi
- Starring:
- Judy Garland, Lester Allen, (more)
- 1948
When Homecoming was first released in 1948, some observers felt that Clark Gable's unusually sensitive performance was based on his own memories of losing his wife Carole Lombard in a 1942 plane crash. Intriguingly, Gable's Homecoming co-star is Lana Turner, with whom it was rumored that he was having an affair at the time of Lombard's death. Told in flashback, the story concerns the romance of war-time army surgeon Ulysses Delby Johnson (Gable) and Red Cross nurse Lt. Jane "Snapshot" McCall (Turner). Though married, Johnson cannot help to be drawn to Jane as they slog through the hellish battlegrounds of Italy and France. As the war draws to a close, Johnson is faced with a dilemma: how can he find happiness with Jane without bringing misery to his beloved wife Penny (Anne Baxter). As it turns out, Fate intervenes to solve Johnson's problem. Though well-acted and directed, Homecoming is just too thin to be spread out over 12 reels. ~ Hal Erickson, Rovi
- Starring:
- Clark Gable, Lana Turner, (more)
- 1947
The 161-minute costume drama Green Dolphin Street is set in 1840, on an island off the coast of Newfoundland, (or at least, the MGM backlot facsimile of same). Boiled down to essentials, it's the story of two sisters, blonde Marguerite Patourel (Donna Reed) and brunette
Marianne Patourel (Lana Turner), daughters of the wealthy Octavius Patourel (Edmund Gwenn). The two women meet New Zealander William Ozone (Richard Hart) and both quietly fall in love with him, though he's far more interested in Marguerite. To get William away from her sister, the conniving Marianne encourages the young man to fulfill his dreams by enlisting in H.R.H.'s Navy, whereby he'll be shipped off to China. But William misses the boat (no pun intended) and becomes a fugitive. He and buddy Timothy Haslam (Van Heflin) pair up and ship out to New Zealand, where they found a lumber business. William gets soused one night and writes to the sister he loves, inviting her to join him in marriage - but drunkenly uses the other sister's name by mistake. Marianne, believing he meant to write to her, decides to set off for New Zealand to be with her intended. Meanwhile,
Timothy secretly pines for Marguerite - and that's only the set up for this broadly-scaled melodrama. Reportedly budgeted at $4 million, Green Dolphin Street was based on the somewhat better bestseller by Elizabeth Goudge. ~ Hal Erickson, Rovi
Marianne Patourel (Lana Turner), daughters of the wealthy Octavius Patourel (Edmund Gwenn). The two women meet New Zealander William Ozone (Richard Hart) and both quietly fall in love with him, though he's far more interested in Marguerite. To get William away from her sister, the conniving Marianne encourages the young man to fulfill his dreams by enlisting in H.R.H.'s Navy, whereby he'll be shipped off to China. But William misses the boat (no pun intended) and becomes a fugitive. He and buddy Timothy Haslam (Van Heflin) pair up and ship out to New Zealand, where they found a lumber business. William gets soused one night and writes to the sister he loves, inviting her to join him in marriage - but drunkenly uses the other sister's name by mistake. Marianne, believing he meant to write to her, decides to set off for New Zealand to be with her intended. Meanwhile,
Timothy secretly pines for Marguerite - and that's only the set up for this broadly-scaled melodrama. Reportedly budgeted at $4 million, Green Dolphin Street was based on the somewhat better bestseller by Elizabeth Goudge. ~ Hal Erickson, Rovi
- Starring:
- Lana Turner, Patrick Aherne, (more)
When Episcopalian bishop Henry Brougham (David Niven) prays for divine guidance in his efforts to raise the necessary funds for a new cathedral, his prayers are answered in the form of a handsome, personable guardian angel named Dudley (Cary Grant). Establishing himself as a Yuletide guest in the Brougham home, Dudley arouses the ire of Henry, who, unaware that his visitor is from Up Above, assumes that Dudley has designs on the bishop's wife Julia (Loretta Young). Eventually, the lives of both Henry and Julia are agreeably altered by the presence of the affable angel: He regains the "common touch" he'd almost lost, while she realizes anew how much she truly loves her husband. Adapted by Robert E. Sherwood and Robert Bercovicci from a novel by Robert Nathan, The Bishop's Wife was remade in 1996 as The Preacher's Wife, with Denzel Washington, Whitney Houston and Courtney B. Vance. ~ Hal Erickson, Rovi
- Starring:
- Cary Grant, Loretta Young, (more)
- 1946
The Green Years was an important rung in the career of child actor Dean Stockwell. He stars as a morose young Irish lad, raised by ultra-strict Scottish relatives of his late mother. He is drawn out of his shell by roguish great-grandfather Charles Coburn. In time, Stockwell grows up to be Tom Drake, and Coburn is still around to keep things lively. Adapted from a best-selling novel by A.J. Cronin, The Green Years is entertaining on several unexpected levels, from the thick Scots and Irish brogues of the largely American cast, to the odd pairing of husband and wife actors Hume Cronyn (age 35) and Jessica Tandy (age 37), here playing father and daughter. ~ Hal Erickson, Rovi
- Starring:
- Charles Coburn, Tom Drake, (more)
- 1946
Frank Morgan plays a turn-of-the-century shipbuilder who dies of a sudden heart attack. Morgan is summoned to Heaven by the ghost of the father (Keenan Wynn), who'd been killed in a barroom brawl at an early age and thus is now younger than his own son! After a few amusing efforts at testing his spectral powers, Morgan elects to stick around on earth for a while to straighten out some unfinished business. He is especially eager to put the brakes on his onetime best friend (Cecil Kellaway), who was supposed to invest Morgan's savings but who plans to abscond with the funds and leave Morgan's widow penniless. A bolt of lightning solves everyone's problems, and Morgan peacefully heads heavenward with his dad. Based on a play by George Seaton, Cockeyed Miracle is a charming example of the sort of comedy/fantasy fare popular with filmgoers of the 1940s. ~ Hal Erickson, Rovi
- Starring:
- Frank Morgan, Keenan Wynn, (more)
