Stuart Quan Movies

Playing in a manner that can be conservatively described as larger than life, Kurt Russell plays a macho truck driver who agrees to go to the San Francisco airport and pick up his friend's (Dennis Dun) fiancee (Suzee Pai, freshly arrived from China. Suddenly, a gang of Chinatown toughs kidnap the girl right before Russell's eyes. After a wild chase sequence, Russell discovers that the girl has been abducted by a genuine, bonafide sorceror (James Hong), the ghost of a 3000 year old warlord. And that's just for starters. ~ Hal Erickson, Rovi

Dan Aykroyd must have practiced for months to perfect his Jack Webb inflections for Dragnet. Screenwriter Tom Mankiewicz's directorial debut (also written by Mankiewicz, along with Aykroyd, and Alan Zweibel) is a gentle spoof of the legendary '50s television police drama -- pitting '50s conservatism smack up against the attitudes of the '80s. Basically, the film is another 48 Hours or Beverly Hills Cop clone. Aykroyd stars as Joe Friday, the nephew of the original Friday. But with his brown suit, fedora, and lockjaw, he could just as well be the incarnation of Jack Webb. He is involuntarily assigned a smart alecky, street-wise partner, Pep Streebeck (Tom Hanks), and they are appointed to investigate a series of religious cult murders in L.A. The two cops follow the trail to a phony televangelist, the Reverend Jonathan Whirley (Christopher Plummer). From there, they are only at step away from uncovering an Orange County-based religious cult calling itself P.A.G.A.N. (People Against Goodness and Normalcy). After sneaking into a secret ceremony, Friday falls in love with the sacrificial victim Connie Swail (Alexandra Paul). So much so that even after his superior Captain Gannon (Harry Morgan, reprising his role from the '60s revival of the Dragnet program) orders him off the case, Friday continues on, with the requisite car chases and crashes that usually climax any '80s cop movie or comedy. ~ Paul Brenner, Rovi

A crime fighter created in the 1930s and popularized in movies, pulp novels, and a radio show starring a young Orson Welles, The Shadow came back to life in 1994 in this slick, well-cast production. Alec Baldwin stars as Lamont Cranston, a murderous opium dealer reformed by a Tibetan mystic, who teaches him how to use his keen mental powers to manipulate others. As penance for his past misdeeds, Cranston masquerades as a degenerate New York City playboy by day and secretly plays the heroic Shadow by night, staving off evildoers with a network of agents and a cab-driving sidekick (Peter Boyle). A greater challenge arrives when Cranston must fight Shiwan Khan (John Lone), the final descendent of Genghis Khan, who has received training from the same Tibetan master who instructed Cranston. Shiwan plans to use atomic weapons to take over New York and then the world. At the same time, Cranston meets socialite Margo Lane (Penelope Ann Miller), and, although he's instantly enamored of her, he discovers that her psychic abilities render his secret identity vulnerable. The Shadow was directed by former music video creator Russell Mulcahy, whose feature film debut Highlander (1986) was a cult classic. ~ Karl Williams, Rovi