Francesca Neri Movies

This Pedro Almodóvar melodrama examines how several lives are changed by a single gunshot. Adapting the novel Live Flesh by British mystery author Ruth Rendell, Almodóvar has given the material a Spanish makeover with added political thrust. Beginning in 1970 in Franco's Madrid, when a prostitute (Penelope Cruz) gives birth to a son, Victor, the story leaps forward to contemporary Madrid. Wealthy diplomat's daughter Elena (Francesca Neri) is watching Luis Buñuel's The Criminal Life of Archibaldo de La Cruz (1955) while waiting for the arrival of her heroin dealer, and she buzzes Victor (Liberto Rabal) (with whom she made a date, then forgot about him) into the building. In the confusion that follows, two cops, David (Javier Bardem) and Sancho (Jose Sancho) arrive, and a gun goes off. The story then makes another leap to four years later: Victor is in prison, while Elena, no longer on drugs, runs a disadvantaged children's shelter and is married to wheelchair-bound David. After his release, Victor visits his mother's grave and spots David and Elena at the cemetery -- where David meets philandering wife Clara (Angela Molina). Fate interweaves the tangled interrelationships of all into a complex tapestry of destiny and guilt. Shown at 1997 London and New York film festivals. ~ Bhob Stewart, Rovi

Originally titled La Corsa Dell'Innocente, this Italian drama focuses on that country's ongoing wave of kidnappings. The early scenes focus on a large, outwardly normal Italian family who happen to make their living by abducting wealthy children and holding them for ransom. When the family is wiped out by a rival gang, only 10-year-old Vito (Manuel Coalo) survives. Any other child would go to the police at this point, but Vito has been raised never to trust the police -- or anyone else, for that matter. There is an abundance of dramatic irony in store for the audience when the fleeing Vito is sheltered by the affluent Rienzi family, whose own child has recently been kidnapped. It soon becomes clear that Vito is simply not cut from his family's criminal cloth, and the decisions he makes show a clear sense of ethics and a determination to set right the vicious actions of his family. This marvelously multitextured film represented the directorial debut of Carlo Carlei. ~ Hal Erickson, Rovi