Jimmy Lennon, Sr. Movies

Burt Lancaster and Kirk Douglas team up one last time in Tough Guys. Harry Doyle (Lancaster) and Archie Lang (Douglas) are two old-time train robbers, who held up a train in 1956 and have been incarcerated for thirty years. After serving their time, they are released from jail and have to adjust to a new life of freedom, now as old men. Harry and Archie realize that they still have the pizzazz when, picking up their prison checks at a bank, they foil a robbery attempt. Archie, who spent his prison time pumping himself up, easily picks up a 20-year-old aerobics instructor named Skye (Darlanne Fluegel). Harry, on the other hand, has to waste away his days in a nursing home. They both have festering resentments --Archie for having to endure a humiliating job as a busboy; Harry for having to endure patronizing attitudes toward senior citizens. The two old pals finally go back to what they know best. After successfully robbing an armored car, they decide to rob the same train that they robbed thirty years ago. ~ Paul Brenner, All Movie Guide

Six sorority sisters are desperate for rent money, so, encouraged and trained by their den mother, they enter a mud-wrestling tournament in Las Vegas. ~ John Bush, All Movie Guide

Crooked promoter Sonny Monroe (Alex Rocco) is fixing boxing matches and using the prize money for his illegal drug-trafficking racket. When amateur boxer Billy Marquette (Daniel Faraldo) is ordered by Monroe to take a dive, Billy's family seeks out the A-Team for help. In a twinkling, B.A. (Mr. T.) has gone undercover as boxer "Volcano Johnson", with Hannibal (George Peppard) as his manager and Murdock (Dwight Schultz). Featured in the cast are veteran ring announcer Jimmy Lennon Sr. and ill-fated starlet Lana Clarkson. ~ Hal Erickson, All Movie Guide

Sylvester Stallone returns to the character which made him famous in this wildly successful sequel. Rocky III starts with the Italian Stallion so famous that his likeness is everywhere, including pinball machines. Fame and complacency soon cause Balboa to lose his title to young thug Clubber Lang (Mr. T), who inadvertently causes the death of Rocky's beloved trainer, Mickey (Burgess Meredith), before their first championship bout. After sinking into a depression, Balboa must regain the love and support of his family, as well as the elusive "eye of the tiger," the hungry need to beat the opponent which former foe Apollo Creed (Carl Weathers) teaches him during this film's de rigueur training sequence. In the end, Balboa faces off against Lang for a second time. "Eye of the Tiger," the theme song Stallone commissioned from the band Survivor, became a huge hit single. ~ Perry Seibert, All Movie Guide

Having endured one too many hard knocks in the boxing ring, eTony Banta (Tony Danza) has elected to hang up his gloves and become a trainer. Spotting a young fighter named Terry Carver (Ernie Hudson), Tony immediately senses that the kid has potential. He then offers to become Terry's manager...and that's when the trouble starts. The highlight of this episode is Tony's one-on-one with the "Syndicate" (whose members include Taxi scriptwriters Howard Gewirtz and Ian Praiser). ~ All Movie Guide

For years, Tony Banta (Tony Danza) has driven a cab to finance his dream -- that of being a champion boxer. Also, for years Tony has spent more time flat on his back than in the center of the ring. Now, the time has come for Tony to give up his dream -- or at least, that is the conclusion of his friends, his doctor, and the boxing commission. Will Tony listen to this advice, or will his pride score a knockout over common sense? ~ All Movie Guide

Martin Scorsese's brutal character study incisively portrays the true rise and fall and redemption of middleweight boxer Jake La Motta, a violent man in and out of the ring who thrives on his ability (and desire) to take a beating. Opening with the spectacle of the over-the-hill La Motta (Robert De Niro) practicing his 1960s night-club act, the film flashes back to 1940s New York, when Jake's career is on the rise. Despite pressure from the local mobsters, Jake trusts his brother Joey (Joe Pesci) to help him make it to a title bout against Sugar Ray Robinson the honest way; the Mob, however, will not cave in. Jake gets the title bout, and blonde teenage second wife Vickie (Cathy Moriarty), but success does nothing to exorcise his demons, even as he channels his rage into boxing. Alienating Vickie and Joey, and disastrously gaining weight, Jake has destroyed his personal and professional lives by the 1950s. After he hits bottom, however, Jake emerges with a gleam of self-awareness, as he sits rehearsing Marlon Brando's On the Waterfront speech in his dressing room mirror: "I coulda been a contender, I coulda been somebody." Working with a script adapted by Mardik Martin and Paul Schrader from La Motta's memoirs, Scorsese and De Niro sought to make an uncompromising portrait of an unlikable man and his ruthless profession. Eschewing uplifting Rocky-like boxing movie conventions, their Jake is relentlessly cruel and self-destructive; the only peace he can make is with himself. Michael Chapman's stark black-and-white photography creates a documentary/tabloid realism; the production famously shut down so that De Niro could gain 50-plus pounds. Raging Bull opened in late 1980 to raves for its artistry and revulsion for its protagonist; despite eight Oscar nominations, it underperformed at the box office, as audiences increasingly turned away from "difficult" films in the late '70s and early '80s. The Academy concurred, passing over Scorsese's work for Best Director and Picture in favor of Robert Redford and Ordinary People, although De Niro won a much-deserved Oscar, as did the film's editor, Thelma Schoonmaker. Oscar or no Oscar, Raging Bull has often been cited as the best American film of the 1980s. ~ Lucia Bozzola, All Movie Guide

This spoof of a "typical" double-feature bill of the 1930s is introduced by George Burns, who explains that we're about to see two classic films produced by the legendary Warren Brothers. The first, "Dynamite Fists," is a black-and-white takeoff of such boxing dramas as Golden Boy. Harry Hamlin plays a John Garfield-like pugilist who is brought along by a tough-but-lovable fight promoter George C. Scott. Nasty gangster Eli Wallach attempts to compromise Hamlin by offering him the delectable Trish VanDevere, but Hamlin proves loyal to Scott. When Scott is killed by Wallach, Hamlin vows to become an attorney and bring the murderer to justice -- which he does in the space of one year. Along the way, Hamlin's gangster brother-in-law secures an eye operation for his nearly blind sister Kathleen Beller (whose bump-in-the-wall myopia is good for several laughs). After "Dynamite Fists," we are treated to a coming-attractions trailer for a Dawn Patrol-style aviation epic, again starring George C. Scott. The last segment, "Blansky's Beauties of 1933," is an all-stops-out Technicolor lampoon of Busby Berkeley musicals. Told by doctor Art Carney that he is dying, Broadway impresario Blansky (George C. Scott again) determines to produce one last spectacular show before the curtain goes down for good. The highlights in "Blansky's Beauties" are too numerous to mention here: memorable bits include composer Barry Bostwick's rooftop number, and the opening dialogue exchange between Carney and Scott (told that he has a month to live, Scott philosophically replies that at least he has 30 days left -- whereupon Carney dolefully reminds his patient that it's February). An additional sequence, parodying the Republic serials of the era, was filmed for Movie, Movie but cut from the final release print. Michael Kidd, who plays "Pop Popchick" in "Dynamite Fists," handled the choreography in "Blansky's Beauties." On the videocassette version of Movie, Movie, "Dynamite Fists" has been reprocessed in color. ~ Hal Erickson, All Movie Guide

A pair of blue-collar buddies use hypnosis to turn a wimpy boxer into a champ in this crime comedy, which reunites actor/director Sidney Poitier and comedian Bill Cosby, stars of the similarly themed Uptown Saturday Night. Clyde Williams (Poitier) and Billy Foster (Cosby) want to help raise funds to sustain the Sons and Daughters of Shaka Lodge, their local community group. Given that Clyde was trained as a hypnotist while in the military, the pair decide to con mobster Biggie Smalls (Calvin Lockhart) by placing a high-stakes bet on a boxing match and then using hocus-pocus to transform skinny underdog Bootney Farnsworth (Jimmie Walker) into a bruiser. When Biggie finds out about their ruse, he and his thugs move in to reclaim their money, setting the stage for further laughs and sleight-of-hand. With a supporting cast that includes Denise Nicholas and Lee Chamberlin as the protagonists' wives and Ossie Davis as an elder at their lodge, Let's Do It Again also reunited Good Times stars Walker and John Amos to the silver screen. Cosby and Poitier would return two years later with A Piece of the Action, though Lockhart, another veteran of Uptown Saturday Night, would sit out the final team-up. Hip-hop fans will note that Lockhart's character provided one of the aliases for slain '90s rap star Christopher Wallace, also known as the Notorious B.I.G. The soundtrack for Let's Do It Again featured Curtis Mayfield songs performed by the the Staple Singers. ~ Brian J. Dillard, All Movie Guide

A man who fights his way to success learns the people who helped him may be his biggest enemies in this action drama. B.J. Hammer (Fred Williamson) is a dock worker who used to box in the Golden Gloves and still knows how to handle himself in a fight; when he gets into a brawl at work, he's seen in action by an associate of Davis (Bernie Hamilton), a flashy businessman who manages boxers. Davis thinks Hammer has potential, and offers him a contract. Soon Hammer is training with Professor (Mel Stewart, an experienced boxing coach, and begins romancing Lois (Vonetta McGee), one of Davis's secretaries. After easily winning several fights, Hammer's career is on the rise and he seems poised to become a championship contender. But Davis isn't just interested in boxing; he's an underworld kingpin who also traffics in drugs and prostitutes, and often uses washed-up fighters as pawns in his criminal games. Hammer soon learns just how Davis operates when his manager orders him to take a dive in an upcoming fight, and when Hammer refuses, both he and Lois could face deadly retribution. Also starring William Smith and D'Urville Martin, Hammer was a major box-office success that established Fred Williamson as one of the major stars of the 1970s blaxploitation boom; the film also included an original score from soul music legend Solomon Burke. ~ Mark Deming, All Movie Guide

World champion boxer Sugar Ray Robinson makes a guest appearance in the two-part Mission: Impossible episode "The Contenders", which was loosely based on an actual event in Robinson's career. The IMF must prevent Charles Buckman (Ron Randell) from gaining control of all American sports events, and thereby destory Buckman's scheme to enrich himself by fixing athletic events. Crucial to the mission is Barney's impersanationg of a boxing contender and Cinnamon's ability to wrap Buckman around her little finger. Written by William Read Woodfield and Allan Balter, Part One of "The Contender" first aired on October 6, 1968. ~ Hal Erickson, All Movie Guide

In his efforts to save enough money so that Eddie (Butch Patrick) can attend college, mortuary employee Herman (Fred Gwynne) moonlights as a pro wrestler called "The Masked Marvel." Alas, it looks as though Herman's grappling career will net him only a world of hurt: the big lug is too soft-hearted to try to defeat his formidable opponents. Several authentic wrestlers appear in this episode, including Count Billy Varga, The Great John L, Jay York, Matt Murphy and Gene LeBell. ~ Hal Erickson, All Movie Guide