David LeBell Movies

Joan Micklin Silver tries her mighty best to wring something substantial out of Frank Mugavero's banal sit-com screenplay concerning the effect of divorce on the divorced parents' off-spring. Hillary Wolf stars as Laura Chartoff, a lonely thirteen-year-old girl who is the victim of multiple parental divorces and remarriages. She lives with her current stepfather Keith Powers (David Strathairn), a cool businessman, and her flighty, self-absorbed mother Melinda (Margaret Whitton). Her biological father David (Griffin Dunne) is a struggling artist separated from his second wife Barb (Patricia Kalember) and is now living with a younger woman Stephanie (Adrienne Shelley), who is pregnant with twins. After a fight with her mother and stepfather, Laura runs away to a rustic cabin in the woods being built by her older stepbrother Josh (Dan Futterman). When she spots Keith and Melinda walking up the road to the cabin, Laura dashes off into the forest. Reported missing, all of the members of Laura's extended family converge at the cabin to try to find her. ~ Paul Brenner, Rovi

In this hit '80s hybrid of the horror movie and the teen flick, a single mom and her two sons become involved with a pack of vampires when they move into an offbeat Northern California town. Lucy (Dianne Wiest) and her sons, Michael (Jason Patric) and Sam (Corey Haim), move to Santa Carla to live with Lucy's lovable but curmudgeonly father (Barnard Hughes). Lucy gets a job from video-store owner Max (Edward Herrmann), then begins dating him, while Sam hangs out with Edward and Alan Frog (Corey Feldman and Jamison Newlander), a pair of vampire-obsessed comic-shop clerks. Soon Michael falls in with some actual vampires after becoming enamored of one of their victims: Star (Jami Gertz), a gypsy-like vixen who is trying to hold on to her humanity even though vampire leader David (Kiefer Sutherland) wants to play Peter Pan to her Wendy. When Michael visits the cavernous hangout of David and his cronies and unwittingly drinks from a wine bottle full of vampiric blood, he becomes an unwilling member of the bloodsucker biker gang. Soon, it's up to Sam and the Frog brothers to destroy David and his ilk without killing Michael and Star. Shot on location in the coastal California town of Santa Cruz and directed by Hollywood pro Joel Schumacher, The Lost Boys became a pop-culture phenomenon thanks to its attractive young stars, offbeat soundtrack, and hip, clever marketing campaign. The film's tagline -- "Sleep all day. Party all night. Never grow old. Never die. It's fun to be a vampire." -- perfectly captured its knowing mixture of attitude and gore. The effects team who transformed Sutherland and company into snarling bloodsuckers would go on to provide equally gruesome effects for Blade, another revisionist vampire flick, more than a decade later. ~ Brian J. Dillard, Rovi

In yet another rubber-stamped, mid-'80s teen dancing film, hot on the success of Flashdance, a group of high schoolers called the "Adventurers Eight" from Sandusky, Ohio (known by Midwest teens for its large amusement park), decide to undertake a journey to New York City to enter the Big Showdown, a dance competition with corporate sponsors. As though Sandusky were somehow insulated from the teen culture that otherwise spreads new trends like wildfire, these teens are not aware of the latest dance crazes on the streets of New York, something they pick up while in the city. But misfortune strikes, and they lose their one connection to entering the big contest. They then have to survive the usual con artists or worse -- look for another way to get into the competition. If this script had been rehauled by teens familiar with their real language and attitudes, then the title Fast Forward would apply more to the action in the movie than the remote control. ~ Eleanor Mannikka, Rovi