Alec Clunes Movies

In this British crime drama, an escaped killer heads for the French coast to find a mysterious treasure reportedly buried in a widow's mansion. The lonely widow is preparing to marry a man she doesn't love. Suddenly she begins receiving mysterious photos of her late spouse; they seem to suggest that he is alive. Frightened, she takes the pictures to the cops; they then implicate the fugitive and just as they get to the widow's mansion, they find the crook holding an invaluable statue of the Madonna. The cops inform the cornered thief that the statue is useless to him because no one will buy it from him. ~ Sandra Brennan, Rovi

Sir Walter Scott's medieval take on the "John Alden" story formed the basis of Quentin Durward. Robert Taylor dons armor in the title role, playing the son of an aging Scottish nobleman. He has been dispatched to propose to a high-born Frenchwoman (Kay Kendall) on his uncle's behalf, but one look at the lady and Quentin Durward falls head over heels. But there are villains to vanquish in several sword fight setpieces, the best of which is the climactic battle in which the hero and the head bad guy (Duncan Lamont) dangle on bell ropes. Quentin Durward was the fifth MGM Robert Taylor picture filmed in whole or in part in England; the others were Conspirator, Quo Vadis, Ivanhoe and Knights of the Round Table. ~ Hal Erickson, Rovi

American opera and musical-comedy soprano Patrice Munsel plays the title role in this filmed biography of famed Australian diva Nellie Melba. The story begins on Nellie's father's cattle farm, where she grew up under her given name of Nelly Mitchell. While studying in Paris with the great Madame Marchesi (Martita Hunt), Nelly is advised to change her name to something more exotic. After attaining international success, Nellie returns to Australia to marry her erstwhile sweetheart (John McCallum), who eventually realizes that he can never find happiness so long as he is forced to share Mme. Melba with the rest of the world. Melba was directed by Lewis Milestone, who'd originally come to Australia to lens 20th Century-Fox's Kangaroo. ~ Hal Erickson, Rovi

This subtle, unadorned British war drama was the second collaboration between "The Archers," Michael Powell and Emeric Pressburger. Six British bomber crewmen are obliged to bail out over Holland. To escape detection from the Nazis, the crewmen accept the hospitality of several Hollanders, all dedicated to the freedom-fighting activities of the Underground. The film is constructed along the lines of the earlier Powell-Pressburger film The Invaders, except that the escapees are British rather than German and their Dutch contacts are willing rather than reluctant co-conspirators. The six male stars are Godfrey Tearle, Eric Portman, Hugh Williams, Bernard Miles, Hugh Burden, and Emrys Jones; among those who aid them in their flight to freedom are Googie Withers, Joyce Redman, and Peter Ustinov. The austere photography by Ronald Neame is complemented by the to-the-point editing of future director David Lean. Adding to the verisimilitude of One of Our Aircraft Is Missing is the utter absence of a musical score. ~ Hal Erickson, Rovi

Director Walter Forde, a past master at blending mystery, melodrama and comedy (vide The Ghost Train and Bulldog Jack), is at his best with Saloon Bar. Most of the action takes place during one busy evening in an English pub, with a rich variety of believable comic characters weaving in and out of the scene. A murder is committed, and everyone falls under suspicion. Hero and heroine Gordon Harker and Elizabeth Allen solve the mystery with becoming modesty (compare this to the wisecracking protagonists in similar American films). Saloon Bar was based on a long-running stage play by Frank Harvey. ~ Hal Erickson, Rovi