John Hooper Movies

In France in 1452, the dark superstition of the Medieval era was beginning to give way to the more enlightened attitudes of the Renaissance. But the changes were slow in coming, as Richard Courtois (Colin Firth) learns when he moves to the country village of Abbeville, owned and ruled by the Seigneur (Nicol Williamson). Courtois is a lawyer, or an "advocate" as they were called in those days, and the Seigneur has hired him to act as a public defender for those who cannot provide their own legal counsel. One odd remnant of the dark ages that Abbeville has not purged from its legal system is the practice of prosecuting animals as well as humans for crimes; as Courtois arrives, he nearly witnesses the execution of both a man and a donkey who were found guilty of bestiality (the donkey was spared at the last minute because it could not be proved that she consented to the act). So Courtois is not exactly surprised when one of his first cases finds him defending a pig against charges of murdering a small child. Courtois soon discovers that the pig belongs to Samira (Amina Annabi), a beautiful gypsy woman he finds himself falling in love with. Losing the pig would mean losing many meals down the road, so to win Samira's good tidings, Courtois must prove the pig innocent -- which means finding the real killer. However, since the Seigneur is eager to see Courtois (or anyone, for that matter) marry his daughter Filette (Lysette Anthony), his affection for Samira may not be good for his future employment prospects. This period comedy/drama also features Donald Pleasance, Ian Holm, and Michael Gough. ~ Mark Deming, Rovi

James Fox stars as real-life British turncoat Anthony Blunt in A Question of Attribution. A highly respected art expert (he was Queen Elizabeth's personal art advisor), Blunt was also intimately involved in the Burgess-Maclean-Philby spy scandal of the 1950s. According to this 1992 adaptation of Alan Bennett's play, Blunt tipped his hand while restoring one of his precious Titians. John Schlesinger (Midnight Cowboy) directed this razor-sharp psychological melodrama. Originally produced for British television, the 90-minute A Question of Attribution premiered in the US on October 4, 1992, as part of PBS' Masterpiece Theatre. ~ Hal Erickson, Rovi

Marcel Proust, the toast of die-hard conoisseurs of difficult (but brilliant) literature everywhere, is famous for his unbelievably detailed memoirs, A la recherche des temps perdus. He was a sickly, reclusive man who lived very much under the thumb of his beloved but overbearing mother. It is reasonably clear that he was a (largely inactive) homosexual. In this film, set late in his life, Proust (Alan Bates) has emerged from his sickbed to hire a string quartet to play Frank's Quartet in D at his home for him. Afterwards, he invites the handsome viola player of the group (Paul Rhys) to return alone and visit him. Despite the apparently thin storyline, the clever script by Alan Bennett and Alan Bates' irresistibly witty mugging sustained the interest of many reviewers. ~ Clarke Fountain, Rovi

Nine-year-old Thelma (Cassie Barasch) is the sweet little girl next door who engages in blackmail, robbery, and murder in this amoral melodrama. Neighbor Robert (John Hurt) is a bank employee who leaves his wife for Delores (Karen Young) after he embezzles money from work. He tries to bribe Thelma with the gift of a camera, but she uses it to photograph evidence and pin the murder of a child on him. When little Elizabeth (Ellie Raab) is shot and killed by Thelma with a gun she steals from John, he is charged with her kidnapping and murder. ~ Dan Pavlides, Rovi

This 90-minute drama was made for British television. The chameleon-like Ben Kingsley stars as an ulcerated movie producer. Jeremy Child co-stars as Kingsley's equally overworked agent. The relationship between these two predators is placed in context with the cutthroat world of showbiz. Diane Keen is featured as the requisite woman in the case. Sleeps Six was first telecast in the U.S. over the A&E cable service. ~ Hal Erickson, Rovi

Banned by the BBC in 1971, director Tony Palmer's profile of the late Peter Sellers was, in the words of the film's subject himself, "the only portrait which really understood me." Sellers was an icon of comedy and a true innovator, but a look inside reveals a tragic figure. How could one of the world's most beloved comic talents have such a morbidly distorted opinion of himself? In this documentary, interviews with such friends, fans, and colleagues as Raquel Welch, Yul Brenner, Spike Milligan, Laurence Harvey, and others reveal the true personality behind the man who was loved by everyone, but still viewed himself as entirely alone. ~ Jason Buchanan, Rovi