Don Ameche Movies
Though his popularity rose and fell during his long career, American actor Don Ameche, born Dominic Amici in Kenosha, WI, was one of Hollywood's most enduring stars. He began his acting career in college, where he had been studying law. He had a natural gift for acting and got his first professional opportunity when he filled in for a missing lead in the stock theater production of Excess Baggage. After that, he forewent his law career and became a full-time theatrical actor. He also worked briefly in vaudeville beside Texas Guinan. Following that he spent five years as a radio announcer. He made his screen debut in a feature short, Beauty at the World's Fair (1933). Following this, Ameche moved to Hollywood where he screen-tested with MGM; they rejected him. In 1935, he managed to obtain a small role in Clive of India and this resulted in his signing a seven-year contract with 20th Century Fox. Ameche, with his trim figure, pencil-thin mustache, and rich baritone voice was neither a conventionally handsome leading man nor the dashing hero type. Instead he embodied a wholesomeness and bland honesty that made him the ideal co-lead and foil for the more complex heroes. He played supporting roles for many years before he came into his own playing the leads in light romances and musicals such as Alexander's Rag Time Band (1938), where he demonstrated a real flair for romantic comedy. In 1939, Ameche played the title role in the classic biopic The Story of Alexander Graham Bell. The film was a tremendous success and for years afterward, fans quipped that it was he, not Bell who invented the telephone; for a time the telephone was even called an "ameche." He continued working steadily through the mid-'40s and then his film career ground to an abrupt halt. He returned to radio to play opposite Frances Langford in the long-running and popular series The Bickersons. During the 1950s he worked occasionally on television.He began appearing infrequently in low-budget films during the '60s and '70s, but did not make a comeback proper until 1983, when he was cast as a replacement for the ailing Ray Milland in the comedy Trading Places. The success of this film brought Ameche back in demand. In 1985, the aging actor received a Best Supporting Actor Oscar for his work as a retirement home Casanova in Cocoon. He followed up that role to even more acclaim in 1988's David Mamet-Shel Silverstein concoction Things Change, in which Ameche played the role of a impish shoemaker chosen to take the fall for a mob hit. Before his death in 1993, Ameche rounded out his career with brief but memorable performances in Oscar (1991) and Corrina, Corrina (1994). ~ Sandra Brennan, Rovi
Paramount's screwball comedy Midnight is the first collaboration between director Mitchell Leisen and screenwriting duo Charles Brackett and Billy Wilder. The film merges Brackett and Wilder's early emphasis on repartee and masquerade with ex-costume designer Leisen's flair for high style and sophistication. American Eve Peabody (Claudette Colbert), a wily ex-showgirl, must impersonate Hungarian royalty in order to infiltrate the Parisian jet set. Midnight begins during a midnight rainstorm as Eve arrives penniless at Paris' Gare de L'Est, owning only the gold lamé gown on her back. She attracts the attention of Hungarian cab driver, Tibor Czerny (Don Ameche), but walks out on their budding romance; Eve will no longer make the mistake of dating for love rather than money. Instead, she finds shelter from the downpour by crashing a socialite's late-night soirée using a pawnticket and a pseudonym, the Baroness Czerny (the cab driver's surname). There, Eve meets aristocrat Georges Flammarion (John Barrymore), who entices her with a place in society if she agrees to remain disguised as the Baroness and seduce his wife's playboy lover. Meanwhile, Tibor Czerny has not given up his search for Eve. When he locates her whereabouts and discovers the fact that she is using his name, Tibor also travels to the Flammarion estate -- to win back Eve, and to pose as her husband, the Baron. What ensues is quintessential screwball comedy, full of deception, love, quadruple entendre, and outright farce. Midnight remains Leisen's most heralded directorial effort, as well as one of Brackett and Wilder's earliest successes. ~ Aubry Anne D'Arminio, Rovi
- Starring:
- Claudette Colbert, Don Ameche, (more)
- 1939
Originally designed for exhibition at the 1939 World's Fair, Land of Liberty is a 137-minute compendium of filmclips from past American historical epics. The project was sponsored by the Motion Picture Producers & Distributors of America, Inc. and supervised by Cecil B. DeMille, who also edited the film with the assistance of his crack Paramount production staff. The narration was written by old DeMille hands Jeannie MacPherson and Jesse Lasky Jr. and spoken by a talented team of uncredited announcers (one of whom sounded suspiciously like old C. B. himself). Clips from such Hollywood productions as America (1924), Abraham Lincoln (1930), Alexander Hamilton (1931), Show Boat (1936), Man of Conquest (1939) and DeMille's own The Plainsman (1936), The Buccaneer (1938) and Union Pacific (1939) are woven together into a chronological continuity, tracing American history from the Revolutionary War to the "present," which is largely represented by newsreel footage of President Roosevelt, the TVA project, and other current personalities and events. In later years, Land of Liberty was redistributed on the classroom circuit, with new footage added from historical dramas of the 1940s and 1950s. ~ Hal Erickson, Rovi
Hollywood Cavalcade was a fictionalized history of silent films and the growth of the movie industry. Don Ameche portrays a character based on equal portions of Mack Sennett and D. W. Griffith, while Alice Faye's silent star is an amalgam of Mabel Normand and Gloria Swanson. Ameche breaks into pictures with slapstick comedies, initiating the first "pie throwing" scene, with Buster Keaton the thrower and Alice Faye the throw-ee. Thanks to Ameche, Faye becomes a major comedy star, appearing in wild Keystone Kops chase comedies. But success goes to Ameche's head, and soon he's staging elaborate Intolerance-like historical spectacles. As Ameche's artistic aspirations climb, his relationship with the faithful Alice deteriorates. She finds solace with her young leading man (Alan Curtis) and becomes a top dramatic star. Having made and lost several fortunes, Ameche talks Alice into appearing in his "comeback" picture, but shortly before filming ends, she and her husband are in a serious auto accident. The husband is killed, and as Faye recuperates, Ameche agonizes over how he'll save his uncompleted masterpiece. He witnesses the premiere of Al Jolson's part-talking The Jazz Singer and decides to risk everything by scrapping his film and remaking it as a talkie. Faye, who's never really stopped loving Ameche, agrees to star in this new project. On a level of accuracy, Hollywood Cavalcade is for the birds, but it scores on its energetic performances and nostalgic appeal. As a bonus, several past movie greats appear in cameos: Al Jolson, Buster Keaton, Mack Sennett, Ben Turpin, Chester Conklin, Jimmy Finlayson, Hank Mann and even Rin Tin Tin Jr. ~ Hal Erickson, Rovi
- Starring:
- Alice Faye, Don Ameche, (more)
- 1939
This musical presents a romantic and sanitized biography of distinguished American songwriter Stephen Foster. The story begins with the romance between Foster (Don Ameche) and a pretty southern belle and sets up a home in Kentucky--actually the real Foster married a girl from Pittsburgh. His songwriting career takes off when he sells a song to the famous minstrel E.P. Christy (Al Jolson). His career takes off until the Civil War erupts. Accused of siding with the Confederates, Foster and his family flee to the North. There, he begins to literally drink himself to death. The Oscar-nominated soundtrack feature some of Foster's most loved standards including the title song, "Camptown Races," "Oh, Susanna" and "My Old Kentucky Home." ~ Sandra Brennan, Rovi
- Starring:
- Don Ameche, Andrea Leeds, (more)
- 1939
This fictionalized biography of the famed American inventor's life provided actor Don Ameche with his signature role. For years after its release, people even referred to the telephone as "an Ameche." The story begins in 1873 Boston as Bell endeavors to teach deaf people to speak in the manner invented by his father. When not teaching, Bell tinkers with his various inventions. Opportunity knocks when Bell is befriended by an aristocratic fellow (Charles Coburn) who wants Bell to help teach his daughter (Loretta Young) to speak. Bell agrees and falls in love with her. It is she who inspires and encourages him to invent the telephone, while it is young Watson (Henry Fonda) who assists him. After they meet with success, the inventors must do battle in court with Western Union, the company that held the patent to the telegraph. ~ Sandra Brennan, Rovi
- Starring:
- Don Ameche, Loretta Young, (more)
- 1938
Happy Landing was another Sonja Henie moneyspinner from the 20th Century-Fox film factory. The story gets under way when skirt-chasing bandleader Duke Sargent (Cesar Romero) pitches woo to Trudy Ericksen (Sonja Henie) while on a tour of Norway. To Duke, it's just another harmless flirtation, but Trudy takes him seriously and trails him back to the USA, where she finds enormous success as an ice-skating star. When Duke's manager Jimmy Hall (Don Ameche) falls in love with Trudy himself, he cooks up a scheme to marry off Duke to vocalist Flo Kelly (Ethel Merman). As always, the plot takes a back seat to the skating, with Sonja Henie at her professional peak. ~ Hal Erickson, Rovi
- Starring:
- Sonja Henie, Don Ameche, (more)
- 1938
En route to America, Irish immigrant Arleen Whelan is the victim of shipboard masher Raymond Walburn. Pushed away by the girl, Walburn is slightly injured, whereupon he brings up charges against Whelan and holds up her entry visa at Ellis Island. War correspondent Don Ameche comes to the rescue, but Whelan's problems are far from over thanks to her involvement with another immigrant, gangster Gilbert Roland. Gateway represents perhaps the best screen opportunity for 20th Century-Fox starlet Arleen Whelan, who faded from prominence in the 1940s. Other than that, the film is an intriguing glimpse of immigration procedures in the prewar years. ~ Hal Erickson, Rovi
- Starring:
- Don Ameche, Arleen Whelan, (more)
In Old Chicago was 20th Century-Fox's spin on MGM's San Francisco--a personal saga played out against the backdrop of a famous 19th Century disaster. Alice Brady plays Mrs. O'Leary, a widow who brings her two young boys to the sleepy village of Chicago. As the city grows in prominence and prestige, so do the boys: One son (Tyrone Power) becomes a rascal who dreams of creating his own entertainment empire, while the other son (Don Ameche) matures into an honest, straight-laced lawyer. Both boys woo a beautiful singer (Alice Faye), who favors the more reckless of the two. As the headstrong son gains control of the more disreputable forms of Chicago entertainment, the serious son becomes the city's Mayor. The requisite rivalry between the two reaches a fever pitch just before their mother's cow knocks over a lantern and sets off the Great Chicago Fire of 1871. The O'Leary boys unite in trying to fight the conflagration and rescue the populace; the mayor dies, and the wastrel son vows to mend his ways and help build a "new" Chicago. In Old Chicago is climaxed spectacularly by the famous fire, a masterwork of special effects courtesy of 20th Century-Fox's Fred Sersen. The film, which originally ran 115 minutes, is currently available only in its shorter (and better paced) reissue version. ~ Hal Erickson, Rovi
- Starring:
- Tyrone Power, Alice Faye, (more)
- 1938
In this musical comedy of errors, David Brassard, Sr. (William Collier, Sr.) has his heart stolen from him by a conniving, gold-digging nightclub singer named Josette (Tala Birell). Brassard's two sons, Pierre (Robert Young) and David Junior (Don Ameche) are both horrified and vow to lure the temptress away from their dad. However, they somehow become convinced that the woman in question is Renee LaBlanc (Simone Simon), who is merely posing as a chanteuse in order to help out her friend Barney Barnaby (Bert Lahr), whose nightspot is in trouble. In time, Pierre and David Junior both realize that they've been chasing the wrong woman -- but they also realize that they've both fallen in love with her. The supporting cast includes William Demarest and Lon Chaney, Jr., the latter only a year before One Million B.C. would reshape his career and make him a star of horror and science fiction films. ~ Mark Deming, Rovi
- Starring:
- Don Ameche, Simone Simon, (more)
His Aunt Sophie (Helen Westley) and his teacher Professor Heinrich (Jean Hersholt) are sure that Roger Grant (Tyrone Power) will be a famous classical violinist, but Roger's more interested in popular music. He and his friend, pianist Charlie (Don Ameche), audition at a saloon in San Francisco's Barbary Coast, using sheet music left by singer Stella Kirby (Alice Faye), which had been sent to her by a friend in New York, Irving Berlin. The number, "Alexander's Ragtime Band," proves to be a sensation, and Stella goes along with Charlie's plea to sing with the band, which soon becomes famous for its ragtime numbers. Charlie has fallen in love with Stella by the time they open at the Cliff House, but he soon realizes that she and Roger are in love. Stella is invited to New York by a famous producer, but Roger's against this, and angrily fires her, so Charlie quits, too. When Roger returns from World War I, he meets Stella, only to learn she and Charlie have been married for a year. Another year passes, and Charlie and Davey have formed a new band with Jerry Allen (Ethel Merman) as their lead singer. Charlie knows Stella still loves Roger, so he divorces her, but Roger sails for Europe with the new band. Back in New York, Roger is set for a major concert in swing at Carnegie Hall. Charlie tells Roger about the divorce, and that Stella still loves him. Unable to get a ticket, Stella listens to the concert in a cab. Explaining that he is playing it for one particular person, Roger and his band perform "Alexander's Ragtime Band" as their encore, bringing Stella into the theater, where she's reconciled with Roger. He brings her onstage to perform the number with his band. ~ Bill Warren, Rovi
- Starring:
- Tyrone Power, Alice Faye, (more)
- 1937
In this detective adventure, a young woman is accused of stealing a valuable necklace from her boss and takes off for Spain just before the Civil War. She is trailed by a detective form Scotland Yard. He finds her and soon falls in love and the two try to flee on a British ship. The story does not reveal whether the girl was innocent or not. ~ Sandra Brennan, Rovi
- Starring:
- Loretta Young, Don Ameche, (more)
- 1937
Don Ameche is called upon to testify in his married friends' divorce case. Unwilling to take sides, he skips town and hides out at a country inn. A young girl (Ann Sothern) stumbles into Ameche's rural hideaway; she thinks he's an escaped gangster, while he thinks she's a process server. The local sheriff (John Qualen), who also believes Ameche is a gangster, converges on the inn during a snowstorm. Trapped inside by the snow and by the deputies, Ameche and Sothern fall in love. The real gangster (Douglas Fowley) is captured and there's smiles all around at "The End" time. ~ Hal Erickson, Rovi
- Starring:
- Don Ameche, Ann Sothern, (more)
- 1937
Slightly reminiscent of Frank Capra's Platinum Blonde (31), this screwball comedy features those two stalwarts of 1930s comedies: The brash reporter and the giddy heiress. Tyrone Power is the reporter, who makes his living writing about the foibles of the idle rich. His special target is heiress Loretta Young, the daughter of an influential financier (Dudley Digges). Young gets even by announcing her engagement to Power; now it's his turn to have his every movement scrutinized by the Public. Both reporter and heiress connive to embarrass one another, but (as expected) they're headed for the altar at fadeout time. Love is News was remade in 1949 as That Wonderful Urge, with Tyrone Power reprising his role and Gene Tierney in the Loretta Young part. ~ Hal Erickson, Rovi
- Starring:
- Tyrone Power, Loretta Young, (more)
- 1937
Alice Faye stars as aspiring playwright Judith Poe Wells. She falls in love with producer George Macrae (Don Ameche), which makes George's girlfriend Louise Hovick (Gypsy Rose Lee) see red. Judith drops from view while George loses his troublesome girlfriend and prepares to put together a Broadway musical. He chooses Judith's play for his next production, which of course reunites the pair at fadeout time. And how do The Ritz Brothers fit into You Can't Have Everything? Not very well, but the Ritzes do have one funny elongated number set in a Greenwich Village nightclub (where the extras are obviously breaking up at the boys' adlibs). ~ Hal Erickson, Rovi
- Starring:
- Alice Faye, The Ritz Brothers [Al, Jimmy, Harry], (more)
- 1936
Norwegian skating sensation Sonja Henie made her Hollywood screen debut in the splashy 20th Century-Fox musical One in a Million. While preparing for the 1936 Winter Olympics, Swiss skater Greta Muller (Henie) is discovered by American theatrical entrepreneur Tad Spencer (Adolphe Menjou). This fateful meeting results in our heroine losing her amateur status, thereby disqualifying her from Olympic competition. But there's a happy ending for all concerned when Greta makes her spectacular New York bow at Madison Square Garden -- and wins the love of leading man Bob Harris (Don Ameche), to boot. Prominent throughout the proceedings are the zany Ritz Brothers, who reach their comic apogee with a roller-skating routine wherein the three silly siblings impersonate Captain Bligh, Peter Lorre and The Frankenstein Monster! ~ Hal Erickson, Rovi
- Starring:
- Sonja Henie, Adolphe Menjou, (more)
- 1936
A bell ringer's wife dies while giving birth to his second son who turns out to be deaf. His oldest son moves to America where he becomes a successful engineer. Meanwhile, back at home in Austria, the bell ringer gives his remaining son to a monastery and then wanders off to become a bum. Years pass and eventually the hearing-impaired boy grows up. During WW I, an explosion miraculously restores his hearing. He then becomes a musician and moves to America where he not only finds fame and fortune, but also renewed family ties. ~ Sandra Brennan, Rovi
- Starring:
- Jean Hersholt, Don Ameche, (more)
- 1936
Ladies in Love transplants 20th Century-Fox's favorite film plot--three girls on the prowl for rich husbands--into the Budapest of the mid-1930s. Janet Gaynor, Loretta Young and Constance Bennett combine their earnings to rent a luxurious apartment, in hopes of attracting wealthy potential husbands. Young falls for a nobleman (Tyrone Power), who is engaged to another woman. She contemplates taking poison, but the lethal dose is accidentally ingested by Gaynor, whose plight results in a house call from Dr. Don Ameche, whom Gaynor has worshipped from afar. It is Bennett who snags the wealthy husband, middle-aged businessman Wilfred Lawson. Though Tyrone Power's part was small, he clicked immediately with the audiences, prompting the studio to give Power the big buildup. Ladies in Love would be reworked several times in the future, most obviously as How to Marry a Millionaire. ~ Hal Erickson, Rovi
- Starring:
- Janet Gaynor, Loretta Young, (more)
- 1936
First filmed in 1910, the venerable Helen Hunt Jackson novel Ramona was remade in 1936 in full Technicolor (20th Century-Fox's first such production). Loretta Young plays Ramona, a half-Indian girl raised by a white family in Spanish California. She falls in love with the young man of the household (Kent Taylor), but her joy turns to sorrow when the matriarch of the household expresses disgust at "race-mixing." Ramona turns instead to the family's Native American servant (Don Ameche), a relationship that proves fatal for him. Ramona is rare for a 1930s film in that it depicts its racist characters as being totally in the wrong, rather than treating them compassionately so as not to offend the bigots in the audience. ~ Hal Erickson, Rovi
- Starring:
- Loretta Young, Don Ameche, (more)
- 1935
Carnival barker Spencer Tracy befriends elderly concessionaire Henry B. Walthall, who owns a picturesque but stodgy display depicting Dante's Inferno. Walthall is more interested in the spiritual aspects of Man's fascination with Hell, but Tracy uses hoopla and exaggeration to get the suckers into the Inferno. His interest isn't altruistic; Tracy is enamored of Walthall's niece, Claire Trevor. Through his publicity savvy, Tracy builds the Inferno into a major attraction, complete with full orchestra and scantily clad "devil girls". He also buys up the rest of the carnival, using cold-blooded tactics that result in the suicide of a fellow concessionaire. Within five years, Tracy is a millionaire tycoon of the Entertainment industry. While loved by his wife (Trevor) and son (Scotty Beckett), Tracy conducts his business ruthlessly, bribing a city official to look the other way regarding structural defects in his Inferno display. When this duplicity results in a disastrous accident at the exhibit, the bribed official kills himself. Tracy is exonerated thanks to legal chicanery, but his wife is fed up; she walks out on him, taking their son along. Injured in the accident, Inferno creator H. B. Walthall warns Tracy of the pitfalls of success, using an illustrated edition of Dante to make his point. For nearly ten minutes, the movie audience is treated to a lavish depiction of Hell, magnificently photographed by Rudolph Mate. When the plot resumes, Tracy is on hand for his latest venture, a sumptuous gambling ship. Thanks to the drunken negligence of the crew, the ship catches fire, and it is only upon learning that his son has sneaked aboard that Tracy realizes the consequences of his greed. Tracy labors heroically to rescue the passengers--and, incidentally, to atone for his past sins. ~ Hal Erickson, Rovi
- Starring:
- Spencer Tracy, Claire Trevor, (more)
- 1935
Ronald Colman plays Robert Clive, a true-life 18th century Britisher who works up the ranks to become leader of Britain's military forces in India. Though produced on a superficially lavish scale, the film inexpensively sidesteps several of Clive's more famous battles with Indian insurrectionists, relegating them to offscreen events described by subtitles. The notorious Sepoy Mutiny "Black Hole of Calcutta" incident, hardly a costly event to recreate, is faithfully presented. In real life, Clive was ruined by a trial in the House of Commons, after which he suffered a nervous breakdown and committed suicide. The film tactfully closes on the trial and Clive's reunion with his faithful wife (Loretta Young). Typically jingoistic in its "White Man's Burden" approach to East Indian affairs, Clive of India is best viewed in context of the time it was filmed (1935), when the sun still hadn't set on the British Empire. ~ Hal Erickson, Rovi
- Starring:
- Ronald Colman, Loretta Young, (more)
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