Gunnar Eyjólfsson Movies

A family reunion staged to welcome an exiled relation turns out to be a study in tension and unpleasant feelings in this family drama. Thórdur (Gunnar Eyjólfsson) is the aging owner of a fishing business that has seen better days. Working alongside Thórdur is his oldest son, Haraldur (Sigurdur Skúlason), who is convinced the business is doomed unless they upgrade and update their equipment. Haraldur also has to deal with his outspoken wife, Áslaug (Elva Ósk Ólafsdóttir), who is convinced that both the business and their small Icelandic town are on their last legs. Meanwhile, Thórdur shares his home with Kristín (Kristbjorg Kjeld), who went from being his sister-in-law to his second wife; her daughter María (Nína Dögg Filippusdóttir); Thórdur's daughter, Ragnheidur (Gudrún Gísladóttir); her husband Morten (Sven Nordin); and Thórdur's often cranky mother, Kata (Herdís Thorvaldsdóttir). In the midst of all this family tension arrives Ágúst (Hilmir Snær Gudnason), Thórdur's youngest son, with his girlfriend Françoise (Hélène de Fougerolles) in tow. Ágúst has moved to Paris, where Thórdur has been helping his son pay for business school; however, Thórdur isn't aware that his son has quit school and wants to make a career for himself as a musician. Ágúst has also developed a bitter hatred of his former homeland, which hardly makes this family reunion any easier for the parties involved. Directed by Baltasar Kormákur, Hafid (aka The Sea) received its North American premier at the 2002 Toronto Film Festival. ~ Mark Deming, Rovi

A young boy wandering with a band of gypsies is endangered when a royal proclamation grants people permission to shoot gypsies on sight. Benny Haag plays Inge and his twin brother Arild, the latter who fights with his father against the "undesirables." The father sends mercenaries to wipe out the gypsies, unaware his own son is among those slated to be executed when captured. The gypsies are portrayed as the heroes, while the blonde Swedes are clearly the enemy. Although this story takes place in the 16th century, parallels between the story and the intolerance of Swedes to foreign workers in the 1980s is evident. ~ Dan Pavlides, Rovi