Tina Chen Movies
Three generations of Chinese-American women struggle to reconcile tradition and family with their own needs and desires in this independent drama from first-time director Bertha Bay-Sa Pan. In 1977, Kim (Bai Ling) is an intelligent and headstrong Asian-American, whose mother (Kieu Chinh) is eager to see married off to an eligible man as soon as possible. Kim isn't interested in settling down just yet, and is dating a bright but struggling law student, Willie (Ken Leung). Kim is making some extra money by tutoring Daniel (Will Yun Lee), a handsome but irresponsible boy from a wealthy family. Daniel seduces Kim one evening after she's had an argument with Willie, and while she has no interest in seeing Daniel again, she soon discovers that she's pregnant with his child, and both her mother and Daniel's parents insist that they marry. It doesn't take long for Kim to realize that she and Daniel don't care much for one another, and Kim decides to leave America for Singapore, leaving her baby daughter Genie in mother's care. Two decades later, grown-up Genie (Kristy Wu) is even more rebellious than her mother, and while Genie pays a modicum of lip service to her grandmother, she's no more interested in settling down with a nice Chinese boy than Kim was. Genie has been dating Michael (Treach), an African-American hip-hop musician; Michael is eager to make their relationship more permanent, but Genie isn't so sure, and her grandmother has no idea what to make of Genie's new beau. When Kim arrives on one of her infrequent visits, the three generations of this family find themselves struggling to find a common ground. Face was screened in competition at the 2002 Sundance Film Festival. ~ Mark Deming, Rovi
In this made-for-TV drama, a Vietnam vet's family life is shattered when the child he fathered during wartime suddenly appears on his doorstep. ~ Jason Ankeny, Rovi
- Starring:
- Wayne Rogers, Bonnie Bedelia, (more)
An episode from the early-'80s TV series Devlin Connection finds a retired detective (Rock Hudson) teaching his son (Jack Scalia) the family business. Their friend (Leigh Taylor-Young) is being hunted by a desperate killer. ~ John Bush, Rovi
- Starring:
- Rock Hudson
Based on a book by John C. Fuller, the made-for-TV Ghost of Flight 401 is predicated on the "actual events" surrounding a real-life plane crash. In December of 1972, Flight 401 nose-dived into the Florida Everglades, killing its flight officer (played herein by Ernest Borgnine). Though damaged beyond repair, the plane is cannibalized for its parts, which are recycled to newly built aircraft. On each of these new planes, it is reported that the ghost of 401's flight officer has made unexpected appearances, to warn the crews of impending disasters. OoooOOOOOOoooooooo..... Those who dared first watched The Ghost of Flight 401 on February 18, 1978. ~ Hal Erickson, Rovi
The two-part opener of Streets of San Francisco's fifth and final season marks a major transition, as SFPD homicide detective Mike Stone (Karl Malden) loses his longtime partner Steve Keller (Michael Douglas) and gains a new one, athletic young inspector Dan Robbins (Richard Hatch). But before Keller can leave the force to launch a teaching career, he and Stone are faced with the daunting task of rescuing a busload of jurors who have been kidnapped by a "family" of dangerously misguided revolutionaries, who demand the release of their imprisoned cohorts. This two-parter is clearly inspired by the Patty Hearst kidnapping, with former Partridge Family regular Susan Dey delivering a shockingly powerful performance. As a publicity ploy, the season opener features fourteen guest stars, including Marion Ross (then appearing regularly on Happy Days, Barry Sullivan, Dick Van Patten, Norman Fell and Doris Roberts--not to mention such stars-to-be as Anthony Geary and Ron Glass. ~ Hal Erickson, Rovi
"His code name is Condor. In the next 24 hours, everyone he trusts will try to kill him." As the ads ominously announced, a low-level spook confronts the unfathomable in Sydney Pollack's 1975 political thriller, adapted from the James Grady novel Six Days of the Condor. CIA researcher Joe Turner (Robert Redford) returns from lunch to find the entire staff of his small New York office assassinated. When he meets his boss (Cliff Robertson) at another location to tell him what happened, someone tries to shoot Turner as well. On the run from the cops and his agency, a desperate Turner resorts to holing up with innocent civilian Kathy (Faye Dunaway), who becomes his only ally. Joe decides to save himself the only way possible -- by going to The New York Times. But will it work? One of a cycle of conspiracy films from the 1970s that also included The Parallax View (1974) and Redford's All the President's Men (1976), Three Days of the Condor pits a working everyman (albeit a CIA everyman) against a far-reaching conspiracy, as it also criticizes the CIA during a period of increasing publicity about federal wrongdoing, from the Pentagon Papers through Watergate and other congressional investigations. The challenge of negotiating New York City, shot on location, becomes one more sign of the forces that Joe must face. With its timely subject matter, taut suspense, and sympathetic Redford hero, Three Days of the Condor became a substantial hit. Balancing the conspiracy cycle's pessimism with a margin of attenuated hope, Three Days of the Condor suggests that one man can still discover the truth, but whether it helps him remains to be seen. ~ Lucia Bozzola, Rovi
- Starring:
- Robert Redford, Faye Dunaway, (more)
"A computer can only give back what the human mind has put into it." So explained screenwriter James D. Buchanan when discussing the made-for-TV melodrama Paper Man. A group of five bright college students decide to take advantage of a computer glitch. Partly as a social experiment, partly as a prank, but mostly out of sheer boredom, the students feed phony data into the faulty computer, creating a human being who doesn't exist--complete with biographical background and credit-card history. Unfortunately, the computer spews forth the embodiment of Pure Evil--and by the end of the film, three of the five pranksters lie dead. An early example of the technothriller genre, Paper Man originally aired on October 12, 1971. ~ Hal Erickson, Rovi
The Hawaiians is the sequel to 1969's Hawaii; both films were adapted from the same sprawling novel by James A. Michener. Charlton Heston is top-billed as a sailor who returns to his Hawaiian homestead, only to learn that his grandfather's fortune has been bestowed upon his hated cousin Alec McCowan. As a reprisal, Heston sets up his own pineapple plantation in competition with his cousin. Heston's son John Phillip Law falls in love with the daughter (Virginia Ann Lee) of a Chinese farmer (Mako). The issue of miscegenation rears its ugly head, but by the end of this very long film Heston's family is united by marriage to the Chinese clan. The British title of The Hawaiians was Master of the Islands. ~ Hal Erickson, Rovi
- Starring:
- Charlton Heston, Geraldine Chaplin, (more)
Intrigued by the counterculture tale of Arlo Guthrie's epic 1968 talking-blues record The Alice's Restaurant Massacree, director Arthur Penn, co-scripting with playwright Venable Herndon, adapted the song into the 1969 feature Alice's Restaurant. Hippie outsider Arlo (Guthrie, playing himself) encounters suspicion from the straight world; visits his dying father, renowned leftist activist/singer Woody Guthrie (Joseph Boley), in the hospital along with friend Pete Seeger; and hangs out in the title converted church/commune created by his friends Alice (Pat Quinn) and her husband Ray (James Broderick). After Alice's "Thanksgiving dinner that couldn't be beat," Arlo is arrested for littering by rule-following Officer "Obie" Obanhein (William Obanhein, playing himself). That littering arrest helps Arlo avoid the Vietnam draft, but the commune is threatened after more personal, old-fashioned conflicts over sex and partnerships permeate Alice and Ray's alternative world. ~ Lucia Bozzola, Rovi
- Starring:
- Arlo Guthrie, Pat Quinn, (more)








