Teresa Pellati Movies

1960  
 
Once branded himself by the House Un-American Activities Committee, award-winning director Martin Ritt focuses on the cruel branding of five women in this standard wartime drama. Some of his better-known films (The Spy Who Came In from the Cold, Norma Rae) also deal with the question of social and ethical choices in the face of pressure. In this story, the savagery of the Yugoslav partisans as they fight off Nazi occupation forces is also vented on five women accused of Nazi sympathies because of their sexual association with one German officer. The women (played by Silvana Mangano, Vera Miles, Barbara Bel Geddes, Jeanne Moreau, and Carla Gravina) have their heads shaved in order to brand them as traitors. What the partisans did to the German officer (Steve Forrest) in revenge for sleeping with these women was much worse. Intermittently shocking, the film with its excess cruelty and hatreds stands as a good indictment against war and its causes. ~ Eleanor Mannikka, Rovi

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Starring:
Silvana ManganoVera Miles, (more)
 
1960  
 
This drama, loosely based on the legend of the "Hunchback," is set in Rome, 1944. The story begins as the Hunchback, a leader of the Resistance rapes a Nazi collaborator's daughter. Later he falls in love with her. As he is trying to steal arms from a Nazi arsenal, the Germans shoot the Hunchback. He ends up hiding in her house where he kills her father. He is soon captured and tortured by the Fascists. Meanwhile, the hapless girl miscarries her child and becomes a prostitute. Later the Hunchback and his 150 Resistance fighters take over a Roman suburb and attempt to liberate the town whores from a life of prostitution. His attempts fail. ~ Sandra Brennan, Rovi

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Starring:
GĂ©rard BlainBernard Blier, (more)
 
1959  
 
In this frothy romantic outing, a brainy gal from Texas heads for Italy after winning a television quiz show. There she encounters a down-on-his-luck Italian prince who pursues her because she looks wealthy (she isn't). Of course, she doesn't realize that he his also broke and merry mix-ups ensue. ~ Sandra Brennan, Rovi

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1956  
PG  
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War and Peace is a commendable attempt to boil down Tolstoy's long, difficult novel into 208 minutes' screen time. In recreating the the social and personal upheavals attending Napoleon's 1812 invasion of Russia, $6 million was shelled out by coproducers Carlo Ponti, Dino de Laurentiis and Paramount Pictures. Some of the panoramic battle sequences are so expertly handled by second-unit director Mario Soldati that they appear to be Technicolor-and-Vistavision newsreel footage of the actual events. Still, the film falters dramatically, principally because of a lumpy script and King Vidor's surprisingly lustreless direction. In addition, the casting is wildly consistent: for example, while Audrey Hepburn is flawless as Natasha, Henry Fonda is far too "Yankeefied" as the introspective Pierre. Proving too long and unwieldy for most audiences, War and Peace died at the box office; far more successful was the epic, scrupulously faithful 1968 version, filmed in the Soviet Union. ~ Hal Erickson, Rovi

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Starring:
Audrey HepburnHenry Fonda, (more)
 
1954  
 
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This very expensive Italian-made adaptation of Homer's "The Odyssey" stars Kirk Douglas as seafaring hero Ulysses. The story begins, as ever, with Ulysses leaving his faithful wife Penelope (Silvano Magnano) behind as he goes off to fight in the Trojan Wars. Having the poor taste to set himself above the gods after a stunning military victory, Ulysses is doomed to journey aimlessly across the sea until he can make amends. Along the way, our hero battles a cyclops, resists the fatal singing of the Sirens, and enjoys a brief interlude with pig-fancying enchantress Circe (also played by Silvano Magnano). Years and years later, Ulysses returns to Penelope, where he must meet and master a final challenge. Acceptable enough when first released in 1954, Ulysses pales in comparison to the high-tech, all-star 1997 TV miniseries version of The Odyssey. ~ Hal Erickson, Rovi

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Starring:
Kirk DouglasSilvana Mangano, (more)
 
1952  
 
Only a few of the films that grew from the notorious liaison between actress Ingrid Bergman and director Roberto Rossellini were truly worthy of their talents. One such was the Italian-made Europa '51. Playing a character far older than herself, Bergman portrays a society woman whose life is in ruins after her son's suicide. Attempting to give her life some purpose, she takes the advice of a leftist friend, and begins working with the ill and destitute of Rome. Her insensitive husband Alexander Knox finds Bergman's charitable activities distasteful; when the opportunity presents itself, he has her committed to a mental institution. By the time Europa '51 was released in the US in 1954, its title -- and much of its political ideology -- had been outdated. The film was pared from 118 to 110 minutes for US consumption, and retitled The Greatest Love. ~ Hal Erickson, Rovi

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Starring:
Ingrid BergmanAlexander Knox, (more)