James Andronica Movies

A woman who enjoys playing the field begins to ponder the relative merits of long-term commitment in this witty look at love, sex, and relationships. Stella James (Sean Young) lives in New York and wants two things out of life: a career as a gourmet chef and a satisfying relationship with a man. Stella shares a flat with her wealthy friend Teo (Dylan Walsh), but while they're close, their relationship is more platonic than romantic -- thanks in part to Stella's willingness to take up with any man that strikes her fancy -- and neither Stella nor Teo is entirely happy. In hopes of prodding her into doing something with herself, Teo gives Stella a gift -- an airline ticket to Los Angeles. In California, Stella finds a job in an upscale restaurant and soon begins making her way through a new batch of men; while she still enjoys picking and choosing from the many romantic prospects who cross her path, Stella finds herself becoming emotionally involved with George (John Heard), the owner of the dining room where she works. But is she willing to settle into the same sort of consistency in her love life that she's enjoying in her professional life? The supporting cast includes Karen Black, who also contributed to the screenplay; Mark Mothersbaugh composed the original score. ~ Mark Deming, Rovi

Troma, that little independent tiffany company that produced such delicate bon-bons as The Toxic Avenger and Surf Nazis Must Die, set up their own specialty branch, 50th Street Films, to release films requiring a more delicate touch. So what better outfit to handle a quiet little direct-to-video release about presidential assassination like The November Men? Director Paul Williams stars as Arthur Gwenlyn, who organizes a gang of revolutionaries, terrorists, war veterans, and cut-throats to journey to Washington to kill then-President George Bush. Williams, going the Oliver Stone route, utilizes a bevy of actual footage of George Bush and other political leaders, charmingly framed in gun sights. But as Gwenlyn's men move closer to Washington and their target, Gwenlyn's own motives for bringing the group to the nation's capital become more mysterious and obscure. ~ Paul Brenner, Rovi

Deceptions, a made-for-cable below-average erotic thriller, tells the familiar story of a homicide cop who falls for a beautiful suspect. When wealthy socialite Adrienne (Nicollette Sheridan) kills her husband Douglas (Marshall Colt), she claims self-defense. Nick Gentry (Harry Hamlin), the cop assigned to the case is suspicious but becomes obsessed with the sensual young woman. There is little new here and director Ruben Preuss spends little time with plot or character development, depending on the audience's interest in the extremely attractive cast, including Hamlin and Sheridan who were married at the time. Both Hamlin and Sheridan give stilted, wooden performances and surprisingly generate very little heat in their love scenes. Deceptions is a remarkably predictable, non-erotic thriller with little to recommend it. ~ Linda Rasmussen, Rovi

Blood Ties began life as a 4-hour Italian TV movie. The American version, which premiered December 14, 1986 on the Showtime Cable network, runs 125 minutes, and "runs" is the right word. Brad Davis plays an American naval engineer with familial ties to Sicily. Before he can offer a protest, Davis is sucked into the murderous machinations of the mafia. He is expected to win the confidence of his crimefighting Sicilian cousin Tony Lo Bianco-and then murder him. If Davis fails, his own father's life is forfeit. Don't expect any last-minute rescues or easy outs in this one. Featured in the cast are Maria Conchita Alonso and Ricky Tognazzi, son of Ugo. Blood Ties was honored with the "best television production" Grand Prize at the Venice Film Festival. ~ Hal Erickson, Rovi

John Sebastian's musical score lends an appropriately anachronistic touch to the endearingly outdated The Act. Robert Ginty and Sarah Langenfield are the principal participants in this satiric tale of political dirty trickery, with emphasis on underhanded union tactics. Also on hand are veterans Jill St. John, Eddie Albert and Pat Hingle, who laudably behave as if the dialogue they're spouting actually has some artistic value. If you don't remember The Act making the scene at your local theatre in 1982, don't feel bad. The film barely received a release at all until it was committed to videotape several years later. ~ Hal Erickson, Rovi

Hustling is a made-for-television film about a New York reporter (Lee Remick) who investigates the dangerous world of prostitution and becomes friends with a tough, abused hooker (Jill Clayburgh). ~ Stephen Thomas Erlewine, Rovi

After Billy Jack belatedly became a box-office smash two years after its original release and The Born Losers, the biker film in which Tom Laughlin created the Billy Jack character, had enjoyed a highly successful re-release, Tom Laughlin brought everyone's favorite martial arts hero turned Native American mystic back to the screen for a third go-round in The Trial of Billy Jack. As Billy Jack (Tom Laughlin) awaits trial for murder, Jean Roberts (Delores Taylor) continues to operate her "Freedom School" on an Indian reservation, where the student-operated television station comes under fire for airing a series of hard-hitting political exposes (just how an alternative school run by threadbare hippies obtained cameras, broadcasting equipment and an FCC license is not explained here). The attempts to silence the student journalists and run Billy Jack out of town lead to a deadly confrontation between the kids and the National Guard. Tom Laughlin wrote and directed The Trial of Billy Jack, though on-screen credit is given to his son, Frank Laughlin; similarly, Laughlin also directed the first two films under the name T.C. Frank. ~ Mark Deming, Rovi