Hiroshi Tachikawa Movies

Five Japanese soldiers wait for the immanent attack from Soviet forces on the Manchurian border in 1945 in this war drama. The soldiers are asked to surrender, but they choose to fight to the death, and the five all suffer gruesome deaths, illustrating the horrors of war. One victim becomes a crispy critter by virtue of an enemy flame-thrower. ~ Dan Pavlides, Rovi

This twisted, surreal monster story is related in flashback by an asylum inmate, who tells of his horrific experiences as one of several castaways on a mist-shrouded tropical island. While the crew affect repairs to their yacht, the stranded passengers take refuge in a derelict ship overgrown with a strange variety of mushroom -- which seems to be the only available source of food on the island. When their own rations are depleted, they begin to develop an eerie, uncontrollable craving for the mushrooms, and for a time only the narrator and his girlfriend manage to resist the urge to chow down as well. As expected, everyone who partakes of the fungus begins to transform into a giant, lumbering mushroom-monster, and eventually even the two holdouts find themselves tucking in to the tempting toadstools. Naturally, the narrator's tale is pooh-poohed as the ravings of a madman, until he suddenly begins to develop a severe complexion problem... This is something of a wacky diversion for the Godzilla gang (director Inoshiro Honda, monster-maker Eiji Tsuburaya and others), and is available under a wide assortment of titles, including Matango, Curse of the Mushroom People, and Fungus of Terror. ~ Cavett Binion, Rovi

Toshiro Mifune portrays a Samurai who finds himself in the middle of a feud-torn Japanese village. Neither side is particularly honorable, but Mifune is hungry and impoverished, so he agrees to work as bodyguard (or Yojimbo) for a silk merchant (Kamatari Fujiwara) against a sake merchant (Takashi Shimura). He then pretends to go to work for the other, the better to let the enemies tear each other apart. Imprisoned for his "treachery," he escapes just in time to watch the two warring sides wipe each other out. This was his plan all along, and now that peace has been restored, he leaves the village for further exploits. Yes, Yojimbo was the prototype for the Clint Eastwood "Man with No Name" picture A Fistful of Dollars (1964). The difference is that Fistful relies on Eastwood for its success, whereas Yojimbo scores on every creative level, from director Akira Kurosawa to cinematographer Kazuo Miyagawa to Mifune's classic lead performance. ~ Hal Erickson, Rovi