Erica Hagen Movies

1979  
 
It's a veritable Old Home Week on The Rockford Files, with return visits from Jim's fellow P.I. Vern St. Cloud (Simon Oakland), nerdish detective-wannabe Freddie Beamer (James Whitmore Jr.), and last but not least, the impossibly handsome and insufferably lucky private detective Lance White (Tom Selleck). It all begins when Freddie crashes a testimonial ceremony for the Detective's Association, only to stumble upon the dead body of keynote speaker Senator Arnold B. Sanota. In their efforts to clear Freddie of murder charges, Jim (James Garner) and Lance (Tom Selleck) literally fall over themselves--though Lance always seems to land on his feet with nary a hair out of place, much to Jim's dismay and disgust. Meanwhile, there's a seemingly separate intrigue afoot involving Vern St. Cloud's son Larry (played by Tom Selleck's future Magnum P.I. costar Larry Manetti). ~ Hal Erickson, Rovi

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1978  
 
After Grand Prix driver and self-avowed "health nut" Kevin Bannon dies in car crash, Quincy (Jack Klugman) performs an autopsy and discovers that the victim's body was riddled with amphetamines. Having been assured by car mechanic Chick Thomas (Simon Oakland) that Kevin never took a drug in his life, Quincy believes that the man was murdered. Also taking a vested interest in the case is spunky insurance investigator July Fellner (Cassie Yates). This episode was originally scheduled for October 5, 1978. ~ Hal Erickson, Rovi

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1977  
 
Investigating the murder of a private eye, Kojak (Telly Savalas) discovers that the dead man had somehow gained access to secret police files. He determines that best way to find out who killed the gumshoe is to spread the word that the victim is still alive. And since someone must pose as the late detective, who better for the assignment than Kojak himself? ~ Hal Erickson, Rovi

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1976  
PG  
Silent Movie is just that: a totally nonverbal comedy, save for one single line. Director Mel Brooks stars as a once-famous comedy director, who with his faithful assistants Dom DeLuise and Marty Feldman return to Hollywood with plans for a comeback. Brooks wants to return to the good old days by producing a silent movie (he explains this via subtitle). Producer Sid Caesar is agreeable, provided Brooks can line up top stars. In a series of vignettes better seen than described, Brooks persuades Burt Reynolds, Liza Minelli, Paul Newman, James Caan and Anne Bancroft (Brooks' real-life wife) to star in his project. The only holdout is mime Marcel Marceau, who after a few moments of walking against the wind shouts the film's solitary line: "No!" Meanwhile, the crooked executives of the Engulf and Devour conglomerate want to take over Caesar's studio and are worried that Brooks' film might be so huge a hit that Caesar won't be interested in selling. To prevent this, the conglomerate dispatches sexy Bernadette Peters to lure Brooks into drink and ruination. The film's climax is lifted from the 1943 Olsen and Johnson film Crazy House). Featured in brief comic cameos are Harry Ritz as the man with half a suit, Charlie Callas as the blind man, Dom DeLuise's wife, Carol Arthur, as the incredibly pregnant woman, Fritz Feld as the headwaiter (whose trademarked "Pop" is conveyed on a subtitle) and Henny Youngman as the diner with a fly in his soup. Co-writers Ron Clark, Rudy DeLuca and Barry Levinson also show up on screen as three of the Engulf & Devour minions. ~ Hal Erickson, Rovi

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Starring:
Mel BrooksMarty Feldman, (more)
 
1976  
PG  
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In this frantic black comedy, Harry Fishbine (Allen Garfield) is the proprietor of the F&B Ambulance Service, a low-budget free-lance rescue service which is struggling to keep up with the bigger and better funded competition after a law in Los Angeles decrees that the first ambulance to arrive at the scene of a distress call gets the job. F&B's best driver is Mother (Bill Cosby), a free-wheeling ambulance jockey who likes to drink beer and play dance music while he makes his rounds. Mother's new assistant is Speed (Harvey Keitel), a former cop who left the force after allegations of drug use; Speed is looking for a new career and a chance to prove himself. And Jugs is the accurate-if-sexist nickname for Jennifer (Raquel Welch), the company secretary who wants to get out from behind the desk and prove her skills as a paramedic. As F&B's drivers race through the streets of Hollywood, their adventures veer between the hilarious and the tragic. Mother, Jugs and Speed also features Larry Hagman, Dick Butkus, Bruce Davison, and L.Q. Jones. ~ Mark Deming, Rovi

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Starring:
Raquel WelchBill Cosby, (more)
 
1975  
PG  
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A pair of blue-collar buddies use hypnosis to turn a wimpy boxer into a champ in this crime comedy, which reunites actor/director Sidney Poitier and comedian Bill Cosby, stars of the similarly themed Uptown Saturday Night. Clyde Williams (Poitier) and Billy Foster (Cosby) want to help raise funds to sustain the Sons and Daughters of Shaka Lodge, their local community group. Given that Clyde was trained as a hypnotist while in the military, the pair decide to con mobster Biggie Smalls (Calvin Lockhart) by placing a high-stakes bet on a boxing match and then using hocus-pocus to transform skinny underdog Bootney Farnsworth (Jimmie Walker) into a bruiser. When Biggie finds out about their ruse, he and his thugs move in to reclaim their money, setting the stage for further laughs and sleight-of-hand. With a supporting cast that includes Denise Nicholas and Lee Chamberlin as the protagonists' wives and Ossie Davis as an elder at their lodge, Let's Do It Again also reunited Good Times stars Walker and John Amos to the silver screen. Cosby and Poitier would return two years later with A Piece of the Action, though Lockhart, another veteran of Uptown Saturday Night, would sit out the final team-up. Hip-hop fans will note that Lockhart's character provided one of the aliases for slain '90s rap star Christopher Wallace, also known as the Notorious B.I.G. The soundtrack for Let's Do It Again featured Curtis Mayfield songs performed by the the Staple Singers. ~ Brian J. Dillard, Rovi

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Starring:
Sidney PoitierBill Cosby, (more)
 
1975  
 
Jim Reed (Kent McCord) and his wife Jean go out on a dinner date with Pete Malloy (Martin Milner) and his girlfriend Judy (Aneta Corsaut). Unfortunately, this pleasureable outing nearly ends before it begins when the Reeds witness a holdup. Further messing up the evening is an incident involving three escaped bulls, to say nothing of a nasty bar fight. Taking over from Mikki Jamison as Jean Reed in this episode is Kristin Nelson--who happens to be the niece of the episode's director, former Ozzie and Harriet costar David Nelson. ~ Hal Erickson, Rovi

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1975  
 
A desperate young mother wants to reclaim the baby she sold into adoption. The woman approaches undercover cop Tony Baretta (Robert Blake), begging for his help. Baretta takes on the case, and in so doing exposes a "black market baby" racket. This episode was first telecast on November 19, 1975, in place of the scheduled Baretta installment "The Big Hand's on Trouble," which was moved to December of the same year. ~ Hal Erickson, Rovi

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Starring:
Robert BlakeEdward Grover, (more)
 
1974  
R  
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As much an eccentric character study as a road movie, Michael Cimino's directorial debut follows the adventures of a quartet of misfits in their life of crime. Retired thief Thunderbolt (Clint Eastwood) and sweet drifter Lightfoot (Jeff Bridges) meet cute when Thunderbolt jumps into Lightfoot's stolen car to escape a gunman. The pair embarks on an oddball journey to get Thunderbolt's loot from an old robbery before his former associates, the sadistic Red (George Kennedy) and cretinous Goody (Geoffrey Lewis), get to it first, but all four are too late; the one-room schoolhouse hiding place has apparently vanished. So instead, the four play house and work legit jobs while they plot to rob the same place Thunderbolt and Red hit before. Although the plan goes awry, Thunderbolt and Lightfoot discover that they may still have succeeded-or so they think. As the easy-going mediator between the two, Eastwood's Thunderbolt was a move away from his tough cop-westerner image; his audience accepted this then-atypical performance enough to turn Thunderbolt and Lightfoot into a moderate hit. Bridges received his second Best Supporting Actor Oscar nomination, but Cimino turned down a subsequent deal with Eastwood, moving instead to his artistic peak with The Deer Hunter (1978) and career nadir with Heaven's Gate (1980). ~ Lucia Bozzola, Rovi

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Starring:
Clint EastwoodJeff Bridges, (more)
 
1974  
 
Emily never felt older nor more out of touch with the world than the day Bob gave her a blender as a birthday present. Determined to change her image, Emily rushes out and buys a "younger" wardrobe. What is one person's trendiness is another person's childishness -- and it hurts when that other person is Bob. Also in the cast are Sharon Gless as Rosalie, Bill Miller as Roy, and Erica Hagen as Miss Carmichael. Written by Charlotte Brown, "The Modernization of Emily" first aired on January 12, 1974. ~ Hal Erickson, Rovi

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Starring:
Bob NewhartSuzanne Pleshette, (more)
 
1973  
 
A dirty joke that became a "clean" TV movie, Coffee, Tea or Me stars Karen Valentine, cast to type as a perky stewardess. In a chaste variation of The Captain's Paradise, Valentine finds herself married to two different men in two different countries. Since the men are played by John Davidson and Michael Anderson Jr., each in his own way as cute as Valentine, the girl's dilemma is profound. Until its cop-out ending, Coffee Tea or Me glides through its risque situations with class and finesse. The film was directed by Norman Panama, who earlier had been responsible (in collaboration with Melvin Frank) for such comedies as Danny Kaye's The Court Jester (56) and the film version of the Broadway musical Li'l Abner (59). ~ Hal Erickson, Rovi

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Starring:
Karen ValentineJohn Davidson, (more)
 
1973  
PG  
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Richard Fleischer directed this nightmarish science fiction vision of an over-populated world, based on the novel by Harry Harrison. In 2022, New York City is a town bursting at the seams with a 40-million-plus population. Food is in short supply, and most of the population's food source comes from synthetics manufactured in local factories -- the dinner selections being a choice between Soylent Red, Soylent Yellow, or Soylent Green. When William Simonson (Joseph Cotten), an upper-echelon executive in the Soylent Company, is found murdered, police detective Thorn (Charlton Heston) is sent in to investigate the case. Helping him out researching the case is Thorn's old friend Sol Roth (Edward G. Robinson, in his final film role). As they investigate the environs of a succession of mad-from-hunger New Yorkers and the luxuriously rich digs of the lucky few, Thorn uncovers the terrible truth about the real ingredients of Soylent Green. ~ Paul Brenner, Rovi

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Starring:
Charlton HestonEdward G. Robinson, (more)
 
1973  
PG  
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Lamont Johnson's subtle direction graces this true-life success story about racecar driver Junior Jackson (Jeff Bridges), based on stock-car champion Junior Johnson. As a child in North Carolina, Jackson stays one step ahead of reform school until his father (Art Lund) is thrown in prison for moonshining. Seeing the error of his ways, Jackson begins to concentrate his driving skills, hoping to become a professional stock car racer to raise money to get his father released from jail. Jackson rises from the ranks into the highest rung of professional stock car racing, but Jackson finds his independent nature is compromised by the corporate realities of the professional sports world. The real Junior Johnson served as technical advisor on the film. ~ Paul Brenner, Rovi

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Starring:
Jeff BridgesValerie Perrine, (more)
 
1973  
 
Trapped stars James Brolin as an casual shopper who is mugged in the men's room of a huge department store. Rendered unconscious, Brolin awakens late at night, long after the store has closed. That's when he discovers himself at the mercy of six vicious guard dogs, trained to tear apart any and all intruders. Instead of simply remaining in the bathroom until morning (that would be too logical), Brolin tries to outsmart his bare-fanged canine foes in order to make his way to the exit. The made-for-TV Trapped stretches its already attenuated premise way beyond its value by adding a gratuitous subplot. ~ Hal Erickson, Rovi

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1973  
 
Con artist Rex Benning (Stuart Whitman) is quite a piece of work, ruthlessly swindling not his wealthy victims but also his own accomplices. Currently, Benning is preparing to fleece both a multimillionaire and a small-time crook with big-time ideas. Inspector Erskine (Efrem Zimbalist Jr.) hopes that Benning will outfox himself this time and fall into an FBI trap--but things may not be that simple. ~ Hal Erickson, Rovi

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