DCSIMG
 
 

Bert Haanstra Movies

Following WW II, Bert Haanstra was among the most distinguished and original Dutch documentary directors. Between 1950 and 1970, he won over 50 awards for his work. His short documentary Glass alone won some 20 awards. Haanstra had been interested in filmmaking since boyhood, but got his start as a painter and then newspaper photographer. He didn't direct his first professional film until he was 33, making his second film Mirror of Holland in 1950 and winning the grand prize for documentaries at Cannes that year. Though Haanstra also dabbled in feature films, they were as acclaimed or successful. ~ Sandra Brennan, Rovi
1963  
 
The Human Dutch was the third feature-length effort from the remarkably prolific Dutch documentary filmmaker Bert Haanstra. In probing into the manners and mores of his own countrymen, Haanstra conveys their peculiarities in an affectionate and immediately accessible manner. The one lasting image from the film -- and the one that has been most often reproduced in film histories -- is the shot of an anonymous couple, a young woman and slightly older man, sharing a kiss as a crowd of strangers looks on approvingly. This film, and Haanstra's subsequent documentary feature Ape and Super Ape, were nominated for Academy Awards. Originally titled Alleman, it is available in English- and German-narrated versions, both scripted by Haanstra. ~ Hal Erickson, Rovi

 Read More

 
1988  
 
Now here's something you don't see every day: a skin-diving serial killer. Then again, since this melodrama takes place in Amsterdam, a town with almost as many canals as Venice, why should we be surprised that a murderer would swim from one killing to the next? A detective who isn't particularly fond of water tries to bring the finny fiend to justice. Essentially a B-grade slasher flick, Amsterdamned is distinguished by unexpectedly high production values. ~ Hal Erickson, Rovi

 Read More

Starring:
Huub StapelMonique Van de Ven, (more)
 
1972  
 
Also known as "Instinct for Survival", this is the effort of Oscar-winning filmmaker Bert Haanstra to show the behavioral patterns which are shared by both man and animals. ~ Tana Hobart, Rovi

 Read More

 
 
1975  
 
Doctor Pulder is bored with his life as a rural family physician. The visit of an old friend, now a famous neurologist, excites him greatly. The morning after the visit, however, he discovers that his morphine supply is gone, thanks to his old friend's growing addiction. Shortly afterward, the addicted neurologist dies. Pulder is transformed by these events and leaves his wife and children to move in with the addict's mistress. She is both an addict and an alcoholic, and the doctor is fascinated by the depravity of it all. His life, too, begins a downward spiral. ~ Clarke Fountain, Rovi

 Read More

Starring:
Kees Brusse
 
1979  
 
In an uneven curiosity from Dutch director Bert Haanstra that seems to have no singular objective, the mistreatment of a company boss comes under scrutiny. When Old Slieps (Paul Steenbergen) retires from managing a baby-buggy factory, he passes his mantle on to Hein Slotter (Kees Brusse), a dull yet efficient manager. Time goes by, and Slotter survives the cold shoulders of the company directors who intensely dislike the man. These directors develop a plan to humiliate Slotter at a celebration of his 25th anniversary as manager as a means of venting their feelings. They concoct a story of his being "thrashed" by a younger employee and indirectly challenge Slotter to handle this embarrassment as best he can. ~ Eleanor Mannikka, Rovi

 Read More

Starring:
Kees BrusseBernard Droog, (more)
 
1958  
 
This unpretentious Dutch film was the handiwork of Bert Haanstra, Holland's foremost postwar director. As Haanstra's first feature-length effort (he'd built his reputation on a series of shorts dealing with famous Flemish painters), Fanfare displays no awkwardness with its extended length. The story takes place in the tiny village of Giethorn, where two amateur brass bands vie for one government grant. The film's satire of small-town pretentiousness is leavened somewhat by a romance involving a saucy lass and the village's only policeman. Fanfare was completed with the help and moral support of British director Alexander Mackendrick, who'd previously helmed such similarly provincial comedies as Whisky Galore and The Maggie. ~ Hal Erickson, Rovi

 Read More

Starring:
Albert MolBernard Droog, (more)
 
1958  
 
 
 
1971  
G  
Add Trafic to Queue Add Trafic to top of Queue  
The legendary French comedian Jacques Tati returns as his most famous character, the bumbling M. Hulot, in this gentle but pointed satire of 20th Century car culture. In Trafic, Hulot is working as a designer for a major French automotive firm and is struggling to finish his latest project in time for an international auto show in Amsterdam -- a compact recreational vehicle that features everything from an electric razor and a collapsible couch to a built-in barbecue grill. While the car is completed shortly before the show opens, it doesn't run just yet, so Hulot and his mechanic (Tony Knepper) load the car into a truck and with an American public relations officer (Maria Kimberly) in tow, they hit the road for Holland. But what should be a simple trip from Paris to Amsterdam becomes increasingly complicated thanks to flat tires, breakdowns, traffic jams and multi-car pileups, and the well-intentioned M. Hulot does little to make things easier. Trafic began as a collaboration between Tati and Dutch filmmaker Bert Haanstra, but Haanstra dropped out of the project mid-way through production due to disagreements with Tati, and the great comedian finished the project on his own. Trafic proved to be one of Tati's final screen projects; his last theatrically released feature, Parade, was a shot-on-video homage to they heyday of French vaudeville and was primarily devoted to showing off his talents as a mime. ~ Mark Deming, Rovi

 Read More

Starring:
Jacques TatiMaria Kimberly, (more)
 
1983  
 
Simon Carmiggelt wrote a daily column called "Kronkel" (Dutch for "twist," or "coil") for 30 years in the Netherlands that humorously and generously portrayed the human condition; this film is a cinematic version of his "Kronkel" columns. His friend and occasional collaborator in past ventures, the Oscar-winning Bert Haanstra directed. Each vignette in the film rests on its own natural dialogue as people reveal their thoughts and feelings. Thespian history is also put on parade from the early histrionic scenes most common in the silents to the slick cabaret acts of modern performers. ~ Eleanor Mannikka, Rovi

 Read More

 
1962