Nino Castelnuovo Movies

Anthony Minghella wrote and directed this award-winning adaptation of Michael Ondaatje's novel about a doomed and tragic romance set against the backdrop of World War II. In a field hospital in Italy, Hana (Juliette Binoche), a nurse from Canada, is caring for a pilot who was horribly burned in a plane wreck; he has no identification and cannot remember his name, so he's known simply as "the English Patient," thanks to his accent. When the hospital is forced to evacuate, Hana determines en route that the patient shouldn't be moved far due to his fragile condition, so the two are left in a monastery to be picked up later. In time, Hana begins to piece together the patient's story from the shards of his memories; he's actually Count Laszlo Almasy (Ralph Fiennes), of Hungarian nobility and an explorer working with a group mapping uncharted territory in North Africa. An Englishman, Geoffrey Clifton (Colin Firth), soon joins Almasy's team; travelling with him is his lovely and spirited wife, Katherine (Kristin Scott Thomas). Katherine and Laszlo soon fall in love, which leads Laszlo to betray his friend, his country and all that is dear to him. Meanwhile, Hana and the Patient are joined by Kip (Naveen Andrews), a Sikh with a gift for defusing mines, and Caravaggio (Willem Dafoe), an intelligence agent who knows some of Laszlo's most shameful secrets. The English Patient won nine Academy Awards, including Best Picture, Best Director and Best Supporting Actress (Juliette Binoche). ~ Mark Deming, All Movie Guide

Yeung Fan writes and directs this melodrama about Rose (Maggie Cheung Man-yuk), a beautiful orphaned teenager who has boys pursuing her by the boatload. When she decides to study in France, her overly protective brother Charles (Chow Yun-fat) begs her to return to Hong Kong. Instead, she marries one of her fellow students and eventually has a daughter. Later, Charles dies of a long painful illness. Grief-stricken, Rose gets a divorce and returns to her family home. One day, she meets Ga-ming, who is the spitting image of Charles (and who is also played by Chow). A passionate, if creepy, relationship ensues only to be complicated by the return of an old flame from her school days. ~ Jonathan Crow, All Movie Guide

The complex relationships of aristocrats in the 18th century, including their romances, is the subject of this nearly operatic dramatic retelling of Goethe's famous novel. ~ Clarke Fountain, All Movie Guide

Elizabeth (Romy Schneider) and her daughter (Benedicte Bucher) take a holiday together, and each of them has a brief romance: the mother has an affair with a suitably mysterious Italian (Nino Castelnuovo) and the girl has a satisfying flirtation with a boy her own age (Alain David). ~ Clarke Fountain, All Movie Guide

Sexual situations abound throughout this Italian/English language film, which uses many quickly shown images (montage) to further the mood and the story. Nino Castelnuovo is Mario, the boyfriend from hell, who consigns his girlfriend Licia (Adrienne La Russa) to a whorehouse for an evening in order to get the photographic goods with which to blackmail her father (Rossano Brazzi). To get her out of the way, Licia is then consigned to a mental hospital by her father. When she goes genuinely insane, she is released. Revenge for all this mistreatment is the order of the day. No one escapes Licia's tricks as she uses sex, psychological torture and murder to get even. ~ Clarke Fountain, All Movie Guide

This obscure film is directed by five well-known cinematographers. "Apathy" is directed by Carlo Lizzani and concerns a New York rape victim whose cries for help fall on deaf ears. Bernardo Bertolucci directs "Agony." Members of the Living Theater mime death scenes. In "The Paper Flower Sequence," directed by Pier Paolo Pasolini, a man carries a paper flower through Rome. Part four is directed by Jean-Luc Godard, a tedious segment where two people watch some actors give a boring performance. The last story is directed by Marcello Bellochio. Students at a Roman university engage in dialogue with members of the Establishment. While the stories averages 20 minutes each, this gang-directed effort quickly fell into cinematic oblivion. ~ Dan Pavlides, All Movie Guide

French New Wave filmmaker Agnes Varda writes and directs the intellectual drama Les Creatures. Michel Piccoli plays a novelist who gets in a severe car accident. He is injured and his wife (Catherine Deneuve) is rendered mute. They move to a small village on an island in order to recuperate, and for the husband to write his novel. He uses characters based on the townsfolk on the island. He meets a young man (Jacques Charrier) who is building a machine. They play chess and engage in a violent fight. The wife gives birth and regains her speech, and it is apparent that the young man only existed in the husband's imagination. The conclusion involves a futher distortion of fantasy and reality as the writer finishes his novel. ~ Andrea LeVasseur, All Movie Guide

This romantic and sometimes ribald historical farce finds nobleman Guerrando (Tony Curtis) knighted in the days before the Crusades. He inherits a castle, tax-collecting rights, first choice of all the fair young maidens of the region, and a draft notice from the King. Boccadoro (Monica Vitti) is the liberal-minded forest woman who catches the eye of the young nobleman. Courtship, love and marriage follows, but the wedding night is interrupted by a call to arms. Guerrando and Boccadoro are unable to consummate the marriage, and a chastity belt is used to insure her virginal status. The young bride follows her husband's troop at a distance hoping to get her hand on the coveted key to the lock. Comedy ensues as the key changes hands several times before Guerrando ultimately regains possession and is able to unlock the passions of his love-starved wife. This overlong film can best described as a punchline in search of a joke. One gets the feeling that the producers had wanted to title the film A Funny Thing Happened on the Way to the Crusades. As it stood, On My Way to the Crusades, I Met a Girl Who... was too unwieldy for most theater marquees, necessitating the film's title-change to The Chastity Belt. ~ Dan Pavlides, All Movie Guide

Although primarily known for gruesome 1980s horror films like L'Aldila and Lo Squartatore di New York, it took cult Italian director Lucio Fulci until this bloody spaghetti Western -- his 17th film -- before he began exploring the dark recesses of insanity and Sadean bloodshed which marked his later work. Bolstered by a commanding star turn from 24-year old Franco Nero, fresh from another Western success in the same year's Django, this dark, violent story -- which many fans consider the first "true" Lucio Fulci film -- begins with a man's murder at the hands of the insane Jason "Junior" Scott (Nino Castelnuovo) and the credits appearing over his victim's blood washing downriver. The rest of the film deals with the efforts of young prospector Tom Corbett (Nero) to avenge the death of his father...or the person whom he believes to be his father, for the familial relations in this film are as twisted as Fulci's violent imagery. At times, the film presages the hallucinatory atmosphere of L'Aldila, with Corbett returning to his family farm only to find it destroyed, and wandering the barren, windswept wreckage amidst a group of foraging pigs. George Hilton turns in a fine performance as Corbett's orphan half-brother, Jeff, an alcoholic whose years of dissolution have curbed neither his gunslinging talents nor his thirst for revenge, and the supporting cast does well by Fernando di Leo's somber script. Giuseppe Addobbati co-stars with Tom Felleghy, Salvatore Borgese, and Lynn Shayne. ~ Robert Firsching, All Movie Guide

Director Serge Bourguignon coadapted the screenplay for The Reward from a novel by Michael Barrett. Efrem Zimbalist Jr., usually cast on the right side of the law, is here a fugitive from American justice hiding from a murder rap in Mexico. Zimbalist and his girlfriend Yvette Mimieux try to avoid those who'd like to collect the $50,000 dead-or-alive price on his head. Police chief Gilbert Roland captures Zimbalist alive, promising to divvy up the reward with his men. But the police officers greedily turn on each other, leaving the audience to sort out for themselves just who's the real "bad guy" hereabouts. ~ Hal Erickson, All Movie Guide

Two Sicilian bachelors deflower a virgin and find themselves in hot-water with her shot-gun slinging father in this Italian comedy. They are also in trouble with the local carabinieri. ~ Sandra Brennan, All Movie Guide

In this effective though still slightly uneven drama about mental illness, the worsening condition of a highly disturbed son wreaks havoc on the rest of the family. Dario (Thomas Milian) has episodes when he becomes violently insane yet his mother (Madeleine Robinson) refuses to put him in an institution where he can be professionally helped. Her desperate clinging to the belief that Dario will get better starts to wear away the equilibrium of the two other members of the family, the father (Tino Carraro) and Dario's brother, Gabriele (Nino Castelnuovo). In the end, the continued presence of Dario and his mother's near-fanatical insistence that he will recover create tragic consequences for everyone. ~ Eleanor Mannikka, All Movie Guide