John Wood Movies

Accomplished British screenwriter Christopher Hampton directs the political drama Imagining Argentina, based on the novel by Lawrence Thornton. Set during the unsettling disappearances in Buenos Aires during the dictatorship of the 1970s, the film involves theater director Carlos Rueda (Antonio Banderas) and his wife Cecilia (Emma Thompson). Shortly after Cecilia writes an editorial commentary questioning the mysterious abductions, she is herself abducted and taken into police custody. Soon Carlos develops the supernatural ability to see into the future and he imagines his wife meeting an awful fate during an escape attempt. To make matters worse, their teenage daughter Teresa (Leticia Dolera) is also kidnapped. Imagining Argentina was nominated for the Golden Lion at the 2003 Venice Film Festival. ~ Andrea LeVasseur, All Movie Guide

Filmed in France, Hungary, Austria, Czechoslovakia, Morocco, and Canada, this ambitious biographical TV miniseries chronicles the life and times of the "Little Corporal" from Corsica who managed to conquer nearly all of Europe within a period of a dozen years. The narrative begins in the mid-1790s, as Napoleon Bonaparte (played, curiously enough, by comic actor Christian Clavier) makes his mark on posterity with spectacular victories in Austria and Egypt. On the home front, Napoleon woos and wins the lovely (and considerably older) Josephine (Isabella Rossellini), but finds time for extracurricular romances with other women, notably Countess Marie Walewska (Alexandra Maria Lara). Ultimately, Bonaparte's ambitions destroy him, first in Russia, then at Waterloo, consigning the general-cum-emperor to live out his life in humiliation and exile. When originally broadcast in France in October 2002, Napoleon ran six hours (plus commercials), with four episodes. For its American presentation on the A&E cable network beginning April 8, 2003, the production was literally sliced in half, shown in two installments with a running time of three hours. What remained was all highlights and few insights, though a few brilliant moments remained, many of these supplied by the supporting cast, which included Gérard Depardieu (who also produced) as Fouche, and John Malkovich as Talleyrand. Thankfully, the full six-hour version was made available in the U.S. on DVD and VHS in 2003. ~ Hal Erickson, All Movie Guide

Nine-year-old Tony (Jerry Maguire's Jonathan Lipnicki) has just moved with his parents (Tommy Hinkley and Pamela Gidley) to a small town in the Scottish Highlands, where his father is overseeing the building of a golf course for old squire Lord McAshton (John Wood). Tony is picked on by his new classmates and starts dreaming about vampires at night, until one fine evening his dreams seem to summon Rudolph (Rollo Weeks), an aristocratic, wee vampire. Rudolph is among the vegetarian variety of vampires, but tells Tony that his diet has weakened his flying powers. After Tony guides Rudolph to some unsuspecting cows, on whose blood his new friend feasts, a friendship is born. Rudolph introduces Tony to his father (Richard E. Grant), mother (Alice Krige), and siblings, all of whom have been in hiding for three centuries as they wait for a comet to pass by that will make them human if they possess a magic amulet. Rudolph's dad, however, is missing part of the amulet, which turns out to have been stolen by Rudolph's uncle centuries ago and is now in the possession of none other than Lord McAshton. To further complicate matters, a vampire hunter (Jim Carter) is skulking around and causing no end of trouble. ~ Rebecca Flint Marx, All Movie Guide

In this witty drama, the future of art is examined from two vantage points: the years 1699 and 1999. Roland (Dennis Hopper) is an avant-garde artist in Venice, California whose sister, Countess Camilla Volta (Lauren Bacall), lives on their family's estate in Venice, Italy. Their father, The Viscount (John Wood), is near death, and he announces, to the disappointment of both his offspring, that his home and priceless collection of art have been bequeathed to the Italian government. ~ Mark Deming, All Movie Guide

Telecast on American cable television as Sweet Revenge, this wickedly black comedy was produced for British TV under the title The Revengers' Comedies, which was also the name of the Alan Ayckbourn play collection upon which it was based. Late one night on London Bridge, two potential suicides meet. Henry Bell (Sam Neill) is a midlevel executive who has been unfairly fired by his office rival; Karen Knightly (Helena Bonham Carter) is a nutty heiress whose boyfriend has jilted her in favor of a bitchy American beauty. Forsaking their plans to kill themselves, Henry and Karen go the Strangers on a Train route by agreeing to "swap" revenges: Karen will dispose of Henry's enemy, Bruce Tick (Steve Coogan), while Henry will destroy Karen's bête noire, Imogen Saxton-Billing (Kristin Scott Thomas). A U.S./U.K./French co-production, Sweet Revenge made its official debut over America's Showtime network on September 24, 2000. ~ Hal Erickson, All Movie Guide

This British-Dutch-Hungarian biographical drama combines incidents from the life of novelist Feodor Dostoyevsky with a dramatization of his short novel The Gambler. The character of Polina in the novel was based by Dostoyevsky on Polina Suslova, his 1862-63 lover. In the tradition of Dennis Potter, this film mixes fiction with reality, opening in 1870 with a woman and child seeking someone in a casino at the German resort of Baden-Baden.

The story then leaps backward to 1866 St. Petersburg, where impoverished student Anna (Jodhi May) accepts a stenographic position with cantankerous 45-year-old Dostoyevsky (Michael Gambon), who lives with his epileptic stepson Pasha (William Houston). Dostoyevsky is writing serialized installments of Crime and Punishment. He has only 27 days to write a minimum of 160 pages on another novel for the publisher Stellovsky (Thom Jansen), who has covered his gambling debts. If Dostoyevsky doesn't meet this deadline, Stellovsky will acquire the rights to all of his current and future books. Anna quits but later comes back so she can pay for her father's funeral. In the process of getting Dostoyevsky's imagination to paper, Anna soon understands that The Gambler is autobiographical -- the tale of a young couple Polina (Polly Walker) and Alexei (Dominic West) at the casino in the fictional German resort Roulettenburg, where Alexei's gambling obsession has put him in debt. As the work on The Gambler continues, an attraction develops between the author and the secretary, and scenes from the work-in-progress are featured.

In real life, Anna Grigoryevna Snitkina did indeed take shorthand on The Gambler, and she went on to become Dostoyevsky's second wife in 1867. Appearing as a gambling grandmother is movie veteran Luise Rainer. Scenes of St. Petersburg, Baden-Baden, and Roulettenburg were all shot in Hungarian locations. ~ Bhob Stewart, All Movie Guide

Rasputin is a dramatization of the life story of one of the most intriguing figures in all history. A crude peasant from Siberia, Rasputin (Alan Rickman) was a self-styled charismatic holy man who traveled widely, openly engaging in drunkenness, sexual indulgences, and general debauchery. In the early part of the 20th century Rasputin made his way to the troubled Russian capital of St. Petersburg, a hotbed of political discontent due to widespread poverty under a repressive government. There Rasputin met Czarina Alexandra (Greta Scacchi), and the film focuses on how he exercised power over her and her loving husband, Czar Nicholas II (Ian McKellen), by virtue of his mystical ability to stop the bleeding of their hemophiliac son. But in a nation beset by internal and external problems, Rasputin's uncouth presence at the opulent imperial court, coupled with his scandalous antics around the capital, came to symbolize the weak leadership of the czar. The movie goes on to show the tragic consequences that resulted from this volatile situation. Originally made for cable television, the film features Emmy-winning performances by Rickman and Scacchi. ~ All Movie Guide

Stephen Rea stars as a relentless Russian investigator in this made-for-cable thriller. Based on an actual case, this taut film tells the story of Burakov (Rea), a Russian forensic pathologist assigned to track down a brutal serial killer who is targeting young drifters. The nature of the assignment takes its toll on Burakov's personal life, as he tracks the killer for years despite the red-tape and bureaucracy of the Soviet state. Nominated for several awards overall that year, Donald Sutherland won an Emmy and a Golden Globe Award for his co-starring role as Rea's supportive superior, Fetisov. The movie was filmed in Hungary. ~ Bernadette McCallion, All Movie Guide

Based on Alan Bennett's acclaimed play The Madness of George III, The Madness of King George takes a dark-humored look at the mental decline of King George III of England. The film's story begins nearly three decades into George's reign, in 1788, as the unstable king (Nigel Hawthorne, reprising his stage role) begins to show signs of increasing dementia, from violent fits of foul language to bouts of forgetfulness. This weakness seems like the perfect chance to overthrow the unpopular George, whom many blamed for the loss of the American colonies, in favor of the Prince of Wales (Rupert Everett), but the king's prime minister William Pitt (Julian Wadham) and his wife Queen Charlotte (Helen Mirren) are determined to protect the throne. Doctors are brought in, but the archaic treatments of the time prove of little value. In desperation, they turn to Dr. Willis (Ian Holm), a harsh, unconventional specialist whose unusual methods recall modern psychiatry. Willis struggles to break through to the mad king, treating him with an anger and haughtiness George has never before experienced. Stressing the absurdity of the entire situation, Bennett's witty screenplay emphasizes dry humor over tragedy, even utilizing references to King Lear for comic effect. Hawthorne's fiery yet vulnerable performance received much critical praise, including Best Actor at the British Academy Awards and a nomination for the same at the Oscars. ~ Judd Blaise, All Movie Guide

Harvey Keitel plays John Harris, an American drug enforcement officer who is asked by London police to help them in cracking an organized drug ring. The syndicate is run by a ruthless young American who turns disaffected young Britons into hardened criminals. The gang has gunned down a well-known mobster and supplies cheap heroin to dance clubs all over London. Harris hooks up with British police officer Edward Foster (Iain Glen). They discover that the drug ring is just a small part of a huge international mob -- and that a young man whose own father has worked for the American-run mob all his life is the key to cracking the ring. ~ Michael Betzold, All Movie Guide

Martin Sherman adapted Alice Thomas Ellis' novel for this comedy about a suburban Englishwoman who's about to settle on marriage with her mother-dominated next door neighbor until everyone's comfortable life is disrupted by a visit from her exotic and flamboyant friend Lili (Jeanne Moreau, in a scene-stealing performance). ~ Nicole Gagne, All Movie Guide

Independent filmmaker Sally Potter's gender-bending epic, which views four centuries of sexual politics through the eyes of a sex-switching main character, is based on the 1928 novel by Virginia Woolf. The androgynous title character is played with delicate quietude by Tilda Swinton. The story begins during the reign of the aging Queen Elizabeth I (Quentin Crisp, in a droll turn recalling his The Naked Civil Servant). Queen Elizabeth takes a shine to the attractive young Orlando and seeks out his sexual favors. In return, Elizabeth grants him a large estate, commanding him, "Do not fade, do not wither, do not grow old." Orlando takes the queen at her word and doesn't. When Elizabeth dies, Orlando becomes attracted to Sasha (Charlotte Valandrey), the daughter of a Russian diplomat, but she rebuffs his advances. Crushed, Orlando accepts an ambassadorship to Constantinople. After witnessing the killing of a man in battle, Orlando undergoes a change of sex, becoming a woman and returning to England, where she hobnobs with 18th-century geniuses like Jonathan Swift, Alexander Pope, and John Addison. Walking through a garden labyrinth, the time frame shifts to the 19th century, and Orlando falls in love with a handsome American (Billy Zane). Now in the 20th century, Orlando gives birth to his child and continues on. ~ Paul Brenner, All Movie Guide