Emlyn Williams Movies

Sometimes a family title, among the nobility of England, goes to the "collateral" heirs -- people not in the direct line of decent, like cousins, great-nephews and the like. On rare occasions, these people are not even aware that they are about to be elevated to the House of Lords, and they have been living more-or-less ordinary lives. In this comedy, the family which lacks direct heirs is the Royal Family of England -- as all of the likely heirs have died one after the other in swift succession. In this comedy, the "collateral heir" is an exuberant, fence-busting All-American slob (and pretty good rock n' roll musician) by the name of Ralph (John Goodman). Unknown to him, his grandmother had an affair with a royal prince. Ralph's a good guy, and eager to please. He recognizes the importance of the royal hoopla to England and works very hard to fit in as its new designated king. He is assisted by the ever-unctuous, very serious family factotum Willingham (Peter O'Toole). The trouble is, he doesn't have instincts for politics English-style, and he is constantly "putting a foot wrong," as they might say. The most difficult situation for him is when he develops a new love interest, and she's not "acceptable" to the upper crust. In addition to being hounded by the tabloids, he finds that "the good of the state" requires that he drop his new girlfriend. Things really come to a head just before Ralph's coronation as king. Reviewers generally loathed this feel-good comedy, but audiences seem to have enjoyed it tremendously, and it has done well in video and TV airings. ~ Clarke Fountain, Rovi

Welsh-born writer Emlyn Williams' 1938 play The Corn is Green originally starred Ethel Barrymore as L.C. Moffat, the strong-willed schoolteacher under whose guidance the illiterate Welsh teenager Morgan Evans matriculates as an honor student. Bette Davis played Moffat in the 1945 film version; this second filmization, made for television on location in North Wales, stars Katharine Hepburn. Morgan Evans is portrayed by newcomer Ian Saynor; the rest of the cast is populated by such old reliables as Bill Fraser and Anna Massey. Directed by George Cukor (his ninth collaboration with Katharine Hepburn), The Corn is Green premiered on January 29, 1979. ~ Hal Erickson, Rovi

Based on a novel by Winston Graham, The Walking Stick stars Samantha Eggar as Deborah, a polio-stricken woman courted by charming artist Leigh Hartley (David Hemmings). She moves in with Leigh, who immediately suggests that she help him rob the antique store where she works. Her common sense clouded by love, Deborah agrees. She is laboring under the misapprehension that Leigh will use the stolen loot to open up their own antique shop. He of course has no such intention, having orchestrated the whole romance for his own greedy gain. Both Samantha Eggar and David Hemmings are too talented for the sluggish goings-on in The Walking Stick, but actors do have to eat once in a while. ~ Hal Erickson, Rovi

This British television documentary, hosted by Dirk Bogarde, is about the aborted 1937 film I Claudius. The film, directed by Josef Von Sternberg and produced by Alexander Korda with an all-star cast, was shut down after only a few weeks of filming, reportedly because of its extravagant cost. This documentary shows much of the original footage, which hadn't been seen for 28 years, and features interviews with some of the original cast and crew, including von Sternberg, Flora Robson, Merle Oberon and Emlyn Williams. ~ Brian Gusse, Rovi

Considered ultra-mature film fare in 1962, The L-Shaped Room stars Leslie Caron as a unmarried, pregnant French girl. Arranging for an abortion (illegal at that time), she takes up residence in a ramshackle British boarding house where most of the other residents are also outcasts of society. Many of the character types were new to films of the era, but have since become cliches: the understanding young black, the lesbian actress, the prostitutes without golden hearts. There is also a Christopher Isherwood type writer (Tom Bell) who observes the passing parade and writes a book on the subject. Director Bryan Forbes brings his usual muted sensibilities to the project, resulting in a work that downplays the sensational aspects and emphasizes characterization. Surprisingly, while The L-Shaped Room was considered too "hot" for several corporate-owned American movie houses, it was an early arrival on 1960s TV, where it frequently ran uncut. ~ Hal Erickson, Rovi

Beyond This Place is a tame murder mystery based on a novel by A. J. Cronin. Van Johnson is cast as an American citizen whose British father has supposedly been dead for years. On a visit to London, Johnson discovers that his father is very much alive, serving a life sentence for murder. Johnson inaugurates his own investigation, retraces the trail of circumstantial evidence, and unearths the real culprit. Director Jack Cardiff was not happy with his work on Beyond This Place, possibly because he was obliged for box office purposes to use an American star in an essentially British story. The film was released in the US as Web of Evidence. ~ Hal Erickson, Rovi

Time Without Pity carried the name "Joseph Losey" on the credits -- the first time in three years that the blacklisted director was permitted to use his own name on a film. This British-made suspense film was based on a play by Emlyn Williams. Michael Redgrave stars an anguished father whose son (Alec McCowan) is accused of murder. With time running out, Redgrave struggles to prove his son innocent of the charge. The paranoia prevalent in Time Without Pity can be attributed to Losey's own experience at the hands of the HUAC, though this element never gets out of artistic control. ~ Hal Erickson, Rovi

Produced by MGM's British facilities, the Technicolor Ivanhoe starred Robert Taylor in the title role. Returning to England from the Third Crusades, Ivanhoe is given a cool but cordial reception by his estranged father Cedric (Finlay Currie), a Saxon who despises the Norman king Richard the Lionhearted. Cedric introduces Ivanhoe's fellow knights De Bois-Guilbert (George Sanders) and Sir Hugh de Bracy (Robert Douglas) to Cedric's lovely ward Rowena (Joan Fontaine), who was in love with Ivanhoe until he cast his lot with Richard. Leaving his father's castle, Ivanhoe rescues Isaac (Felix Aylmer), a wealthy Jew, from a band of anti-Semitic Normans. In gratitude, Isaac's beautiful daughter Rebecca (Elizabeth Taylor) finances Ivanhoe's entry into an upcoming tournament; he'd been denied backing by his father because he'd planned to use the prize money to ransom the captured King Richard. At the tournament, the disguised Ivanhoe vanquishes all comers, dedicating his victory to Rebecca, which causes a gust of bigoted gossip from the crowd. Behind the scenes, Richard's wicked brother Prince John (Guy Rolfe) plots to discredit Ivanhoe so that the ransom can never be paid. Joining John in this conspiracy is De Bois-Guilbert, who covets Rebecca, and Sir Hugh, who wants to make Rowena his own. After several thrilling adventures and villainous double-crosses, Rebecca is kidnapped and tried as a witch, the better to bring Ivanhoe out in the open and dispose of him once and for all. But the deux-ex-machina appearance by King Richard (Norman Wooland) and the assistance of loyal "outlaw" Robin Hood (Harold Warrender) brings the bad guys to heel and clears the path for a happy ending. Lensed on an epic scale, this adaptation of the Sir Walter Scott classic remains one of MGM's most solid swashbucklers. The property was remade for television in 1982, with Anthony Andrews in the title role. ~ Hal Erickson, Rovi

The Magic Box was the English film industry's contribution to the 1951 Festival of Britain. Its all-star cast generously forsook their usual salaries for the privilege of paying tribute to that unsung pioneer of cinema, William Friese-Greene, here played by Robert Donat. Adapted by Eric Ambler from the controversial biography by Ray Allister, Magic Box contends that Friese-Greene was the true father of motion pictures, and not such upstarts as W. K. L. Dickson and Thomas Edison. Told in flashback, the film details Friese-Greene's tireless experiments with the "moving image," leading inexorably to a series of failures and disappoints, as others hog the credit for the protagonist's discoveries. The huge cast includes such British film luminaries as Joyce Grenfell, Miles Malleson, Michael Redgrave, Eric Portman, Emlyn Williams, Richard Attenborough, Peter Ustinov, Cecil Parker, Kay Walsh, and, best of all, Laurence Olivier as the confused bobby who witnesses Friese-Greene's first motion picture demonstration. ~ Hal Erickson, Rovi

That Letter to Three Husbands was an uninspired gender-switch reworking of 1949's Letter to Three Wives was less obvious when the film was originally released as Three Husbands. The husbands of Eve Arden, Ruth Warrick and Vanessa Brown each receive a letter from a recently deceased gentleman, who claims to have had an affair with one of the wives. The flashbacks begin rolling, with each hubby (Howard de Silva, Sheppard Strudwick and Robert Karnes) trying to decide if his is the guilty wife. Unlike Letter to Three Wives, in which the letter is genuine and the ending ambivalent, Letter to Three Husbands turns out to be founded on a hoax conducted by roguish Emlyn Williams. Vera Caspary, who'd done all right with Laura a few years earlier, was the scriptwriter responsible for this cinematic carbon copy. ~ Hal Erickson, Rovi

A movie based on a true story, this is the story of a man who was exiled as a thief from his village but later returns for revenge. He plans to buy the entire district up as part of a water reservoir project but an old woman and her stepson stand in his way. Revenge, murder, desperation and love all intertwine in this moving account. This was Richard Burton's first screen role, having been a stage actor prior to his stint in the Royal Air Force as a navigator during WWII. ~ Tana Hobart, Rovi

In this 1945 filmization of Emlyn Williams' semi-autobiographical 1938 play The Corn is Green, Bette Davis steps into the role originated on Broadway by Ethel Barrymore. Davis plays Miss Moffat, a turn-of-the-century schoolteacher in a Welsh mining town. She has opened her own school in hopes of lowering the town's illiteracy rate, thus enabling the younger residents to seek out more fulfilling lives than merely sweating away in the mines until they drop. She runs into a great deal of resistance from mine-owner Nigel Bruce, who realizes that as soon as the citizens can read and write, they'll rebel against his benevolent despotry. Even Miss Moffat concludes that her mission is hopeless until she is visited by young miner John Dall, who wants to know "what is behind all those books". Within two years, Dall has made so much progress that he has qualified for Oxford. A last-minute snag involving Dall's illegitimate child is solved when Miss Moffet herself agrees to adopt the baby so that her student can complete his education. Emlyn Williams himself came from a backward mining town, and was himself inspired to better things by a compassionate schoolteacher; the pregnancy angle was (probably) added to provide the story with a third act. The Corn is Green was remade for television in 1978, with Katharine Hepburn as Miss Moffat. Watch for one amusing gaffe in the original: despite carefully setting up the premise that the villagers are illiterate, they are shown hovering around a poster and reading it out loud in an early scene. ~ Hal Erickson, Rovi