Alfred L. Werker Movies

Rebel in Town was the third issue from Bel-Air Productions, a firm co-founded by film execs Howard W. Koch and Aubrey Schenck. While the title character is played by John Smith, top billing goes to John Payne as ex-Union officer John Willoughby. When Willoughby's young son (Bobby Clark) snaps his cap pistol at Confederate veteran Wesley Mason (John Smith), Wesley instinctively whirls around and shoots the boy dead. Despite the fact that he and his offspring are fugitive bank robbers, Wesley's father Bedloe Mason (J. Carroll Naish) insists that his son turn himself over to authorities. Instead, Wesley escapes, whereupon he is killed by the grief-stricken Willoughby. Though it hardly seems possible at this point, Willoughby's wife Nora (Ruth Roman) struggles valiantly to bring the crisis to a nonviolent resolution. ~ Hal Erickson, Rovi

For an actress who seemed more at home in the lavish penthouses and smart supper clubs of New York, Phyllis Kirk appeared in a lot of westerns. Canyon Crossroads is a contemporary sagebrusher, wherein Ms. Kirk is cast as the daughter of geology professor Russell Collins. Father and daughter embark upon a uranium-hunting expedition in Colorado, accompanied by prospector Richard Basehart and Native American Alan Wells. Their trail is dogged by Charles Wagenheim, the sinister henchman of Basehart's bitter enemy Stephen Elliot. Trapped in a cave by the villains, Kirk and her companions spend at least a third of the film trying to figure a way out. Reviewers were impressed by the opening and closing scenes of Canyon Crossroads, but were indifferent to the reels in-between. ~ Hal Erickson, Rovi

After his Oscar win for All the King's Men, Broderick Crawford found himself working out his Columbia contract in a string of rapidly deteriorating films. The Last Posse was a middling western, the sort that the studio sent out as bottom-of-bill attractions for their prestige pictures. The posse of the title, headed by sheriff Crawford, is a group of ostensibly honest townsfolk. When they catch up with the desperadoes who robbed a wealthy cattle baron, some of the posse members are overcome by greed and plot to keep the stolen loot for themselves. Once Crawford is wounded in a shootout, avarice prevails. There are no real winners at the end, as the remaining posse members straggle back to town, their heads hung in shame. ~ Hal Erickson, Rovi

Louis de Rochemont, former March of Time producer whose "docudrama" films proved so popular in the 1940s, offers more of the same in Walk East on Beacon. Based on an article written (or ghostwritten) by J. Edgar Hoover, the film concerns the efforts by the FBI to plug up a dangerous security leak. Federal agent Belden (George Murphy) is assigned to locate the communist mastermind behind the leak, and to trace all avenues of informational access utilized by the Bad Guys. Finlay Currie co-stars as an Einstein-like scientist who is being blackmailed by the Reds into cooperating with them, while Karel Stepanek is slime personified as the top Eastern-Bloc spy. Largely filmed on location in New York, Walk East on Beacon makes good use of several Manhattan-based actors, few of whom were seen in films either before or since. ~ Hal Erickson, Rovi

Until the House Un-American Activities Committee horned in, several postwar Hollywood films dealt with touchy "liberal" subject matter. Lost Boundaries stars Mel Ferrer as a light-skinned African-American, whose family is "passing" in an all-white New England community. When the truth comes out, the more bigoted neighbors demand the expulsion of Ferrer and his family. Considered pretty potent stuff in 1949, Lost Boundaries appears fairly conventional today, especially in its reluctance to cast a genuine black actor in the lead. ~ Hal Erickson, Rovi

Pirates of Monterey is set during the early 19th century, at a time when California was asserting its independence from Mexico. Rod Cameron plays Phillip Kent, a devil-may-care mercenary hired to transport a shipment of rifles to the American army detachment at Monterey. Along the way, he is forced to do battle with Mexicans, Indians and various and assorted thieves. Somehow, he finds time to pitch woo with the tempestuous Marguerita (Maria Montez), whose fiery Mexican dance routines are something to behold. Less exciting to watch than it is to read about, Pirates of Monterey at least has the advantage of Technicolor. ~ Hal Erickson, Rovi

In this thriller, psychiatrist Dr. Cross (Vincent Price) kills his wife and expects to get away with murder, until he discovers that the slaying was observed by a next-door neighbor, Janet Stewart (Anabel Shaw). As Janet attempts to convince her husband (Frank Latimore) of the doctor's dastardly deed, Cross shows up to advise him that Janet is in dire need of some in-depth counseling. ~ Iotis Erlewine, Rovi

The Milton Berle starrer Whispering Ghosts was clearly inspired by the Red Skelton comedy-mystery Whistling in the Dark (itself inspired by Bob Hope's The Ghost Breakers). Uncle Miltie is cast as H. H. Van Buren, a radio sleuth who delights in solving real-life mysteries ahead of the official constabulary. At the behest of his sponsor, Van Buren tackles an unsolved case from ten years earlier: the death of an old sea captain. To this end, he visits the ship where the dirty deed took place, accompanied by his nervous valet Euclid (Willie Best, who played much the same role in Ghost Breakers). At first convinced that the ship is haunted, our hero deduces that the "ghosts" are actually a gang of crooks, in search of the treasure left behind by the murdered skipper. The arrival of Elizabeth Woods (Brenda Joyce), the lawful heir to the missing treasure, convinces Van Buren to stick around for a while to solve the decade-old murder and locate the captain's legacy. Why is it that none of Milton Berle's vehicles for 20th Century-Fox--Whispering Ghosts, Over My Dead Body, Margin for Error--have shown up on TV since the 1970s? Now there's a mystery worth solving! ~ Hal Erickson, Rovi

Laurel & Hardy's second starring vehicle for 20th Century-Fox is arguably their weakest feature film, with the laughs few and far between. Broke as usual, the duo is given 24 hours to get out of town by the local constabulary. In dire need of travelling expenses, they take a job accompanying a coffin to Dayton, Ohio. Unbeknownst to our heroes, the coffin contains a live gangster: one Darby Mason (James Bush), who wants to get to Dayton to claim an inheritance without risking arrest by the Feds. Chugging towards their destination by train, Stan and Ollie lose their money to a pair of slick con artists but are bailed out by another passenger, Dante the Magician (played by "himself", aka Harry A. Janssen), who takes a liking to the boys and hires him as assistants for his magic act. It so happens that one of Dante's illusions involves a coffin -- and you guessed it, this coffin gets mixed up with the one bearing Darby Mason. Aside from a few slapstick contributions to Dante's stage act, Laurel & Hardy barely have any purpose in this picture at all: to paraphrase L&H buff Randy Skretvedt, the two comedians have been reduced to supporting players in their own film. A-Haunting We Will Go seemed much funnier when it was cut from 67 to 9 minutes and released to the 8-millimeter home movie market back in the mid-1960s. ~ Hal Erickson, Rovi

In this comedy, a popular radio marriage counselor tends to ignore his own advice and his wife to boot. One day, a handsome fellow sees the wife while on his boat and casually invites her to spend the day with him. She does, and they end up falling in love. This naturally disturbs her husband, who is soon inspired to prove that he does indeed love and need her. ~ Sandra Brennan, Rovi

Basil Rathbone and Nigel Bruce make their second screen appearances as Sherlock Holmes and Dr. Watson in The Adventures of Sherlock Holmes. Ostensibly based on the stage play by William Gillette, the film owes nothing to the play beyond the characters of Holmes, Watson, Billy the page boy and Professor Moriarty. Played with relish (and a bit of pickle) by George Zucco, Moriarty plots to steal the Crown Jewels, and also to confound Holmes by obliging the Great Detective to be in two places at once. Ida Lupino costars as an imperiled young woman who is seemingly plagued by an ancient family curse--a plot development that has been carefully stage-managed by the malevolent Moriarty. Basil Rathbone is excellent not only as Holmes but also in the guise of a cockney music-hall entertainer (if indeed that is Rathbone performing a buck-and-wing in longshot). The second of Twentieth Century-Fox's Holmes films (Hound of the Baskervilles was the first), The Adventures of Sherlock Holmes was the last in which Rathbone and Bruce were seen in a 19th century setting. In the subsquent Sherlock Holmes series at Universal, the exploits of Holmes and Watson were updated to the World War II years. ~ Hal Erickson, Rovi

En route to America, Irish immigrant Arleen Whelan is the victim of shipboard masher Raymond Walburn. Pushed away by the girl, Walburn is slightly injured, whereupon he brings up charges against Whelan and holds up her entry visa at Ellis Island. War correspondent Don Ameche comes to the rescue, but Whelan's problems are far from over thanks to her involvement with another immigrant, gangster Gilbert Roland. Gateway represents perhaps the best screen opportunity for 20th Century-Fox starlet Arleen Whelan, who faded from prominence in the 1940s. Other than that, the film is an intriguing glimpse of immigration procedures in the prewar years. ~ Hal Erickson, Rovi