Wim Wenders Movies
Born in Dusseldorf just after the end of World War II, German film director Wim Wenders grew up with an insatiable appetite for American movies. Not all that interested in big-budget products, he, instead, developed a fascination with B-movies, notably melodramas and Westerns. After studying Medicine and Philosophy in his native country, Wenders took up art in Paris (a mecca for viewing American films), and then returned to his homeland to attend Munich's Academy of Film and Television. Like many of his French movie-fan brethren, Wenders began his career writing film criticism before directing a few short subjects of his own, and, in 1970, he and several other young filmmakers formed a production-distribution firm, Filmverlag Der Autoren. Summer in the City (1970) was Wenders' first feature film, but it was his 1973 adaptation of Nathaniel Hawthorne's The Scarlet Letter that first brought him attention outside of Germany. The film included many accomplishments, most notably coaxing a superb performance from Senta Berger as Hester Prynne, and managing to make the landscapes of Spain resemble 17th century New England.At this point, Wenders began his road movie cycle, inspired by such American pictures as Easy Rider (1970) and Two-Lane Blacktop (1971). Three films in this genre followed in quick succession: Alice in the Cities (1974), The Wrong Move (1975), and Kings of the Road (1976). For his first English-language picture, The American Friend (1977), Wenders cast three of his American movie idols: actor Dennis Hopper (director/star of Easy Rider) and "cult" directors Nicholas Ray (Rebel Without a Cause) and Samuel Fuller (The Steel Helmet). Wenders would later co-direct Lightning Over Water (1980) with Ray.
Wenders' American-financed films Hammett (1980) and Paris, Texas (1983) were remarkable in their evocation of time and place, and the director could certainly have continued quite satisfactorily in Hollywood. However, he seemed to prefer activity in Europe, even though he was always one step ahead of his creditors -- especially when running his own studio, Gray City. Wenders' return to German filmmaking was rewarded in 1987 with the release of Der Himmel Über Berlin, or Wings of Desire. The story of an angel who wants to become human after finding earthly love met with an enthusiastic international response, culminating in a slew of honors for Wenders (including a 1987 Cannes Best Director award, a 1988 European Film Academy award for Best Director, and a host of awards from the New York Film Critics Circle) and an eventual 1998 American remake, City of Angels.
In the 1990s, Wenders' love of on-the-road location filming was again manifested in such films as Until the End of the World (1991) (filmed on four continents and designed to be "the ultimate road movie"), and Faraway, So Close (1993), a marathon experience (which originally ran 164 minutes) wherein an angel wanders about to observe the changing scene in a newly unified Germany. In 1995, Wenders made a road movie of a different sort with Par-Dela les Nuages/Beyond the Clouds, which he co-directed with legendary Italian director Michelangelo Antonioni. Set in various European countries, the film explored the vagaries of love and lust through the experiences of several principle characters. Receiving decidedly mixed reviews, it differed strongly from Wenders' next effort, Die Gebrüder Sklandanowsky/A Trick of the Light, a 1996 historical tribute to some of the more neglected developers of moving picture technology. Wenders returned to the States the following year with The End of Violence, a film that explored the effects of violence on the intertwining of people's lives. Featuring Bill Pullman, Andie McDowell, and Gabriel Byrne, it was not a great commercial or critical success, but Wenders did win acclaim the following year for The Buena Vista Social Club. A documentary about Cuban music, the film was the result of a successful collaboration between Wenders and musician Ry Cooder, who had previously supplied the score for the director's Paris, Texas.
In the years to come, Wenders would remain active behind the camera, directing films like Land of Plenty, and Pina. ~ Hal Erickson, Rovi
- 2003
Brazilian filmmakers Joao Jardim and Walter Carvalho ponder the old adage "the eyes are the windows to the soul" as they explore vision and perception in their 2002 documentary A Janela Da Alma (Window of the Soul). Beginning with an interview with Brazilian jazz musician Hermeto Pascoal, Carvalho and Jardim attempt to make sense of how the musician perceives his world with a pair of impaired eyes that appear to simultaneously look in different directions. From there, the Brazilian co-directors interview a number of famous subjects with varying degrees of ocular health, ranging from the non-vision impaired director Wim Wenders to blind photographer Evgen Bavcar, while both the filmmakers and the interview subjects ponder how their lives and existences would be different had their abilities or inabilities to see the world around them been different. Released in Brazil in the summer of 2002 to mixed reviews, A Janela Da Alma was screened at a number of film festivals around the world in late 2002 into early 2003. ~ Ryan Shriver, Rovi
- Starring:
- Evgen Bavcar, Antonio Cicero, (more)
- 2003
A computer hacker moves from virtual vandalism to the real thing in this independent drama. Peter (Stephan Kampwirth) is a computer expert who has become obsessed with hacking into other people's systems -- so much so that one day, while picking through someone's files, his girlfriend drowns in the bathtub following a drug overdose, without Peter ever noticing until it's too late. Thrown into a panic, he flees his Berlin apartment shortly after calling the police, and goes on the lam in Cologne. Not wanting to call attention to himself by checking into a hotel, Peter breaks into empty apartments to find a place to sleep; before long, Peter is just as hooked on breaking and entering as he was on cracking secure codes. The first feature film from writer and director Marc Ottiker, 1/2 Miete was produced by Wim Wenders as part of the "Radical Digital" series from his production company, Road Movies. ~ Mark Deming, Rovi
- Starring:
- Stephan Kampwirth, Doris Schretzmayer, (more)
- 2002
Seven internationally respected filmmakers offer different perspectives on time and fate -- some witty, some somber -- in this omnibus film, with the stories linked by performances from jazz great Hugh Masekela. Dogs Have No Hell by Aki Kaurismaki follows one man's unusual journey as he celebrates getting out of jail by travelling to Siberia in search of a wife. Victor Erice directed the impressionistic Lifeline, in which a family of Spanish farmers try to help an infant who has fallen ill. Werner Herzog visits the Uru Eus tribe of South America -- believed to have been the last unknown indigenous people on earth prior to their discover in 1981 -- and explores the often sad toll their discovery has taken upon them in Ten Thousand Years Older. Chloe Sevigny plays an film actress waiting out a ten-minute break in her trailer in Int. Trailer. Night, directed by Jim Jarmusch. Wim Wedners contributes Twelve Miles to Trona, in which a young man, dazed and ill, tries to drive himself to a doctor through a barren desert. Spike Lee looks into the Florida vote-counting scandal, and how Al Gore's assistants and supporters reacted to it, in the short documentary We Wuz Robbed. And in 100 Flowers Hidden Deep, directed by Chen Kaige, a delusional elderly man is convinced his furniture still stands in the vacant lot where his home used to be, and he persuades workers to help him move it away to safety. ~ Mark Deming, Rovi
- Starring:
- Markku Peltola, Kati Outinen, (more)
- 2002
Wim Wenders' documentary Viel Passiert: Der BAP Film (Ode to Cologne: A Rock 'n' Roll Film) consists primarily of a look at the career of European rock star Wolfgang Niedecken. Known for singing in an almost indecipherable dialect, Niedecken is backed up by an ever rotating set of musicians know as BAP. While there are some fictional story lines employed in the film, the majority of the movie is comprised of concert footage. Ode to Cologne: A Rock 'n' Roll Film was shown at a special screening at the Berlin Film Festival. ~ Perry Seibert, Rovi
- Starring:
- BAP, Marie Baumer, (more)
Legendary filmmaker Wim Wenders returns to the screen with this loosely structured murder mystery. The Million Dollar Hotel unites Wender's obsession with cool music, lost souls, and American trash culture. Set in 2001, the film opens with Tom Tom (Jeremy Davies) taking a flying leap off the roof of the Million Dollar Hotel, an ironically titled dive in the seedy section of L.A. Told in an extended flashback, Tom Tom recounts the murder investigation of a down-and-out artist and son of a media mogul, Izzy Goldkiss (Tim Roth), who also fell off the hotel. FBI special agent Skinner (none other than Mel Gibson), sporting a neck brace, looks into the death only to discover that the building is teeming with weirdos and losers. There is Vivien (Amanda Plummer), who claims to be the fiancée of the rock star; Geronimo (Jimmy Smits), a huckster trying to make a buck by selling Izzy's abstract painting; Eloise (Milla Jovovich), a burned out prostitute with a passion for intellectual literature; and Dixie (Peter Stormare), who swears up and down that he is the fifth Beatle. As the film progresses, Skinner proves to be just as much of a freak as the hotel tenets -- he was born with a third arm that was surgically removed from his back. Just as in his Until the End of the World (1991), Wenders features a fantastic soundtrack including songs from Bono, Daniel Lanois, and Brian Eno. The Million Dollar Hotel opened the 2000 Berlin Film Festival. ~ Jonathan Crow, Rovi
- Starring:
- Jeremy Davies, Milla Jovovich, (more)
- 1999
Country music legend Willie Nelson performs in this short film by director Wim Wenders, a film largely inspired by the Nelson album of the same name. Along with the man himself, such musical luminaries as Emmylou Harris and Daniel Lanois make credited appearances. ~ Rob Ferrier, Rovi
- 1999
Samira Gloor-Fadel debuts with this strikingly unorthodox documentary featuring two of cinema's greatest intellectuals (Wim Wenders and Jean Luc Godard) bouncing a flurry of illuminating thoughts and half-formed ideas about time, space, and the nature of cinema. The conversation is never depicted, and indeed Godard is never actually seen. Instead the visuals are largely comprised of Wenders' editing, directing, and lecture. A second element in this untraditional documentary is about the city of Berlin. We hear Wenders muse about his favorite German city accompanied by shots of its architecture. Meanwhile, a third portion shows a youth visiting the sites used in Wings of Desire (1986) while grieving the untimely death of Rainer Werner Fassbinder. Berlin-Cinema (Titre Provisoire) was screened at the 1999 Toronto Film Festival. ~ Jonathan Crow, Rovi
- Starring:
- Wim Wenders, Thomas, (more)
Wim Wenders' documentary Buena Vista Social Club is about the adventures of Ry Cooder in Cuba. Cooder, best remembered by film fans for the wailing slide guitar theme of Wenders' Paris, Texas, went to Cuba in 1996 to meet with some legendary 'soneros' musicians of the '30s, '40s and '50s. The result was the album Buena Vista Social Club, recorded with such colorful characters as the 90-year-old singer/guitarist Compay Segundo, guitarist Eliades Ochoa, baritone Ibrahim Ferrer and Omara Portuondo, "the Cuban Edith Piaf." The album won a Grammy, and in this refreshing documentary, Wim Wenders shows these exceptional musicians in their hometown, following them into their usual hang-outs -- the cafes, clubs and even living rooms -- as well as to concerts in Amsterdam and New York's Carnegie Hall, capturing their incredible vitality. "In Cuba, music flows like a river," according to Ry Cooder, who adds "Music is like a treasure hunt; you dig and dig and sometimes find something." Pursuing this metaphor, Wenders wanted to make a film that would "just float on this river ... not interfering with it, just drifting along." The result is a film full of vitality and positive energy, which is also an absolute delight to musical ears. ~ Gönül Dönmez-Colin, Rovi
- 1997
Maniacal hyperactive Jeff Gold (Lars Rudolph) and his companion Moussa (Said Taghmaoui) flee Berlin for a Spanish tourist resort where they share a room with a flamenco act. When Jeff gets a job as a Wild Adventure tour guide, he feels tourists need more of a jolt. He devises alternatives to the usual routines in order for tourists to experience more exciting adventures -- such as criminal activities. This German-Spanish-French co-production was shown at the 1997 Venice Film Festival. ~ Bhob Stewart, Rovi
- Starring:
- Lars Rudolph, Saïd Taghmaoui, (more)
Wim Wenders directed this allegorical drama about the emotional impact of violence in our culture, set against the backdrop of California's entertainment business. Mike Max (Bill Pullman) is a Hollywood producer who has earned a great deal of money and power in the film industry through his success with a series of brutally violent action pictures. While Max can juggle any number of tasks while working, he can't find time for his wife Paige (Andie MacDowell), and when she announces that she's divorcing him, he admits to himself (but not to her) that he deliberately put her through emotional trauma; Paige leaves to do volunteer work in the Third World, hoping to bring new meaning to her life. Very little reaches Max on an emotional level until Cat (Traci Lind), a stunt performer, is seriously injured on the set of Max's latest project. Not long after, Max is first car-jacked, then kidnapped by a pair of desperate thugs. He escapes and is given shelter by a group of Mexican-American gardeners. Wanting to retreat from the physical and spiritual violence that has become a key part of his life, Max opts to work with the gardening crew and stay away from his old life, remaining "missing" in the eyes of the world as he searches for a new life. Meanwhile, Max and his secretary Claire (Rosiland Chao) become aware of a secret plan that Ray Bering (Gabriel Byrne) has prepared for the city of Los Angeles, which will essentially put the entire town under constant surveillance, with the goal of ending violent crime once and for all. Frederic Forrest, Udo Kier, and legendary director Samuel Fuller also star; Ry Cooder composed the film's striking original score. ~ Mark Deming, Rovi
- Starring:
- Bill Pullman, Andie MacDowell, (more)
- 1996
This highly idiosyncratic film, seen mostly at film festivals, is intended to be shown in segments broken up by musical interludes. It is a centennial tribute and depiction of the efforts of the brothers Skladanowsky to create and show the first motion pictures, hence, much of it was filmed using antique silent-film gear. This odd feature film by director Wim Wenders and his Munich film school class began as a class assignment. The Skladanowsky brothers gave "magic lantern" shows in Berlin for years before taking up the challenge of developing moving pictures. Their amateur efforts resulted in their development of a projector called the "Bioskop," (Bioscope), and their first commercial showing of a moving picture in Berlin in 1895 predates the Lumiere brothers' commercial showing in Paris by several weeks. The Lumiere brothers developed yet another type of film projector. Together with Edison and the Lumiere brothers, the Skladanowsky brothers deserve credit for the development of motion pictures. In this film tribute, large sections are done in the style of later silent features. In other portions of the film, Lucy Hurtgen-Skladanowsky (the very aged surviving daughter of one of the two brothers) vividly recounts her memories of the hectic activities surrounding the Bioskop premiere. ~ Clarke Fountain, Rovi
- Starring:
- Udo Kier, Nadine Büttner, (more)
- 1995
Utilizing computer-generated effects and creative splicing to place Germany's most famous living directors in a fantasy movie house, filmmaker Edgar Reitz takes an innovative approach toward exploring the history of German cinema. In this magical theater, directors such as Leni Riefenstahl, Detlev Buck, Volker Schloendorff, Margarethe von Trotta, Wim Wenders, Werner Herzog "discuss" the state of German cinema with a focus on New German Cinema. ~ Sandra Brennan, Rovi
- 1995
The many ways in which men are fascinated, compelled, and confused by their attraction to women are explored in this four part drama. As a filmmaker (John Malkovich) tries to sort out his plans for his next film, he considers several stories about women and the men who love them. Silvano (Kim Rossi Stuart) meets Carmen (Ines Sastre) and immediately asks her for a date, but despite his attraction, he can't follow through on his feelings for her. The director spies a woman on the streets (Sophie Marceau) and follows her obsessively, but when he finally meets her, he's disappointed, despite their mutual physical attraction. Roberto (Peter Weller) and his wife Patricia (Fanny Ardant) have to deal with their anger about each other's infidelities, as well as their problems with their lovers, Olga (Chiara Caselli) and Carlo (Jean Reno). And Niccolo (Vincent Perez) falls in love at first sight with a young woman (Irene Jacob), unaware that she is studying to become a nun. Par-Dela Les Nuages was Michelangelo Antonioni's first film after a massive stroke derailed his directorial career in 1985; Wim Wenders served as his collaborator on the project. ~ Mark Deming, Rovi
- Starring:
- John Malkovich, Kim Rossi Stuart, (more)
In celebration of the 100th anniversary of the Lumière brothers' first films, filmmakers Sarah Moon and Philippe Poulet challenged 39 renowned international directors to each complete a 52-second film using the original Cinematographe camera under the conditions endured by the brothers. The result of the project was this film, Lumière et Compagnie. The film stock used was homemade from a slightly altered version of the Lumières' recipe. No synchronized sound was allowed and only natural lighting was permitted. The participating directors included John Boorman, Costa-Gavras, Peter Greenaway, Lasse Hallström, Spike Lee, David Lynch, Liv Ullmann, and Wim Wenders. Among the actors who performed in the films were Liam Neeson, Lena Olin, Aidan Quinn, and Alan Rickman. ~ Matthew Tobey, Rovi
- 1994
An exploration of the revival of Nazi sentiment in Germany is the theme of the five short films gathered together in this anthology. In the first film, titled "Ohne Mich" (Without Me), the lead character, an aspiring documentary filmmaker named Dani Levy, tries to get some attention for his film about skinheads versus Turkish immigrants. However, as a Jewish lad in today's Germany, his fears for the future prompt him to move to the moon.The second film captures the spirit of triumphalism in the celebrations of the reuniting of Germany, and it titled "Short Circuit." It takes the wiring difficulties of Helmut Kohl's Leipzig speech as being prophetic of difficulties to come. The third film is a surrealistic consideration of the captivity of a documentary maker by a Hitler-loving couple, entitled "Sacred Cows." The penultimate film is titled "A Place, A Suicide," and shows the suicidal reaction of a newly crippled man to the taunt by a group of boys that "Hitler would have had you gassed." The final film is a documentary featuring interviews with to punk rockers who were savagely beaten by Nazi-influenced skinheads, entitled "Victims, Witnesses." ~ Clarke Fountain, Rovi
- Starring:
- Dani Levy, Maria Schrader, (more)
This beautifully photographed German drama is set in Lisbon, a major center for contemporary European culture, and offers insight into the nature of cinema. Sound recordist Phillip Winter is driving to Lisbon to meet his old friend Friedrich Monroe who recently sent him a postcard asking Winter to help him with a documentary, but when he arrives, Monroe is nowhere to be found. Instead, Winter only finds a few cans of film shot on an old fashioned hand cranked camera. When he is not aimlessly ambling about the beautiful city recording sounds for the film, Winters passes the time playing with the local street children who are obsessed with chronicling even the smallest events on their video cameras. He also begins falling for Teresa, the singer whose band is composing the soundtrack for the documentary. Eventually Monroe returns with a brand new vision and some strong opinions on the sorry state of contemporary cinema. ~ Sandra Brennan, Rovi
Wim Wenders revisits his masterpiece Der Himmel Uber Berlin in this film which picks up several years after the original left off. Cassiel (Otto Sander) is an angel who watches over the lives of the people of recently reunified Berlin with Raphaella (Nastassja Kinski). Damiel (Bruno Ganz), Cassiel's former partner who opted to return to the land of the living in the first film, now lives happily as a pizza chef with the woman he loved and married, circus performer Marion (Solveig Dommartin). While angels are forbidden to directly intervene in the lives of humans, Cassiel impulsively breaks this rule when a little girl falls from the balcony of an apartment block, and he swoops down to catch her. Suddenly made flesh and blood, Cassiel has earned the enmity of Emit Flesti (Willem Dafoe), a sort of overseer of the angels on the physical plane. Emit makes it his business to make things difficult for Cassiel now that he's living among the humans, and after a period of alcoholism and imprisonment, Cassiel finds himself working for gangster Tony Baker (Horst Buchholz), who distributes weapons and pornography on the black market. However, Cassiel has a change of heart and decides to destroy Tony's stockpile in a bid to make the world a better place. Peter Falk, who played himself in Der Himmel Uber Berlin, makes a return appearance when a gallery shows the sketches that he was making in the first film; rock singer Lou Reed and former Soviet president Mikhail Gorbachev also appear as themselves. ~ Mark Deming, Rovi
- Starring:
- Otto Sander, Peter Falk, (more)
- 1993
By now, few will remember the tragic kidnapping of the grandson of the man who, in the '60s, was the world's richest man, J. Paul Getty. Getty, a paranoid and miserly man, refused to pay ransom for his handsome, ne'er do well grandson, J. Paul Getty III. He may have believed that the boy engineered it himself, as a means to get some money out of the old skinflint. As a result, the boy was mutilated by his kidnappers (his ear was sliced off) in an attempt to persuade the old man of the seriousness of their intentions. As it happened, the kidnappers made two mistakes: one was to attempt to extort money from the world's richest miser, the other was in their handling of the boy, who managed to escape. Had it not been for those events, the world's media spotlight would probably have passed the otherwise undistinguished young man by. In this documentary, which assumes familiarity with these events, the troubled life and loves of the grandson's wife and her sister, luminous and beautiful twins from Switzerland, are explored in the light of the boy's tragic life. When Gisela married him, he was a handsome, charming, darling of the jet-set, and fully expected to inherit some portion of his grandfather's billions. In the kidnapping and its aftermath, not only did he become melancholy and erratic, ever more prone to dangerous drug use, but he was cut out of his grandfather's will. Angela, who was accused of being a gold-digger, loyally stuck by his side through all their ups and downs. In fact, even after J. Paul Getty III was rendered permanently comatose following an accident, she remained with him. One gathers that the marriage was something of a ménàge à trois, because Gisela's twin, Jutta, rarely left her side. ~ Clarke Fountain, Rovi
- Starring:
- Paul Getty III
- 1991
- R
Wim Wenders's sprawling cyberpunk noir epic -- shot in no less than nine different countries -- is set in 1999 and stars Solveig Dommartin as Claire, a young Frenchwoman who comes into contact with a large sum of money stolen during a bank heist; in her travels she picks up a mysterious American hitchhiker (William Hurt), who himself steals some of the money before parting from her company. Upon discovering the theft, Claire sets out on his trail, with both a Hammett-styled German private eye (Rudiger Vogler) as well as her former lover, a novelist portrayed by Sam Neill, in tow. The hitchhiker is really Sam Farber, the son of an underground scientist (Max Von Sydow), and his mission is to travel the globe in order to acquire the funding necessary to develop the technology which will allow his blind mother (Jeanne Moreau) to "see" visual recordings of her family members; the second half of the film takes place largely in the Farbers' compound in the Australian Outback, where Sam, Claire and the others take refuge while attempting to bring the sight project to its fruition, in the meantime pondering earth's future in the wake of a nuclear disaster in outer space. Wenders' most ambitious film, budgeted at $23 million, Until the End Of the World ran into serious issues given its whopping length. The original cut ran 20 hours. Realizing that this would make theatrical screenings impossible, Wenders heavily edited the picture and wound up with a 5-hour cut with which he is reportedly satisfied (known as the 'Director's Cut'). Warners wouldn't go for this either, however, and whittled it down to 2 1/2. That version - which premiered theatrically in the U.S. on Christmas Day 1991- makes little sense ,with a disjointed narrative that doesn't shift gears so much as grind them as the action moves from country to country. Unsurprisingly, it confounded critics and lay viewers and infuriated its director, who all but disowned it. (Echoes of Once Upon a Time in America!) As with the Leone film, though, the Director's Cut of World did evetually see the light of day. It's now widely available in a multi-disc collector's set throughout Europe, and the public response to that version has been far more favorable. ~ Jason Ankeny, Rovi
- Starring:
- William Hurt, Solveig Dommartin, (more)
- 1990
This documentary focuses on the person and the films of one of Germany's premiere post-war filmmakers, Wim Wenders. Wenders is a lifelong fan of American pop culture, particularly its rock music and B-movies, and his highly personalized filmmaking style is deeply influenced by both of these. He is best known for films featuring drifters and the lure of the open road and open spaces. The documentary features interviews with actors like Dennis Hopper, filmmakers (cinematographer Robby Muller) and rock musicians (e.g., Ry Cooder) and others who have worked with him over the years, as well as interviews with the director himself, who is well aware of his cinematic gifts and limitations. ~ Clarke Fountain, Rovi
- Starring:
- Wim Wenders, Harry Dean Stanton, (more)
In this film, the prolific German documentary director Wim Wenders has taken on the subject of Japanese fashion designer Yohji Yamamoto as he prepares to debut his designs for another season in Paris. The documentary is as much a meditation by the director on the meaning of documenatries and information in the age of electronic data and computerized images as it is about the skill, dedication, philosophy and work of the fashion designer. ~ Clarke Fountain, Rovi
- Starring:
- Yohji Yamamoto
- 1987
Alex (Kari Vaananen) is a Finnish cabbie working in Berlin with plenty of problems in this comedy with film noir touches. With two dead men and a suitcase filled with hundred dollar bills, he has difficulty disposing of the bodies. He is chased by the top crime boss (Samuel Fuller) and his crony (Eddie Constantine). Alex's wife is allergic to the money, so the cabbie endures more than he can handle trying to rid himself of the cash and the corpses. ~ Dan Pavlides, Rovi
- Starring:
- Kari Väänänen, Roberta Manfredi, (more)
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