Fred Weintraub Movies

Based upon Peter Biskind's book of the same name, this BBC-produced documentary traces the rise of a generation of Hollywood filmmakers who briefly changed the face of movies with a more personal approach that pushed the boundaries of what was acceptable onscreen. Influenced by such European directors as Jean-Luc Godard, François Truffaut, and Federico Fellini, the movement kicked off in the mid-'60s with two films directed by Arthur Penn: Mickey One and Bonnie and Clyde. (The latter had been offered to both Godard and Truffaut before it wound up with producer/star Warren Beatty and Penn.) What really kicked it into gear was the unexpected success of Easy Rider, a biker-road movie that became that rare film phenomenon: acclaimed at the Cannes Film Festival and a huge commercial success. Film school graduates, the first generation brought up with movies as their main cultural reference, flooded the studios (whose own regimes were changing) with production chieftains such as Robert Evans of Paramount and David Picker at United Artists; they approved risky-looking projects and allowed relatively untested filmmakers like Francis Ford Coppola to take on heavyweight movies such as The Godfather or Hollywood newcomers like Britain's John Schlesinger to make quirky stories like Midnight Cowboy. Enriched by success with their TV show The Monkees, producer Bert Schneider and director Bob Rafelson formed a company that produced not only Easy Rider but seminal '70s films such as Five Easy Pieces and the Oscar-winning Vietnam War documentary Hearts and Minds. Another godfather to the new movement was producer Roger Corman, who gave early career opportunities to Coppola, Martin Scorsese, Peter Bogdanovich, and Jonathan Demme on low-budget projects that allowed them to learn their craft.

Two things brought this movement to an end: Some individual filmmakers' personal excesses (such disastrous flops as Dennis Hopper's follow-up to Easy Rider, appropriately titled The Last Movie, and Scorsese's New York, New York), and the studios growing fascination with special effects-driven B-movies. An outgrowth of two box-office and marketing juggernauts -- Jaws and Star Wars -- the resulting films became entertainments rather than personal statements of the directors. Narrated by William H. Macy, Easy Riders, Raging Bulls features vintage clips of Coppola, Scorsese, Beatty, George Lucas, Sam Peckinpah, Roman Polanski, Robert Altman, and Pauline Kael. It also includes original interview material with Penn; Corman; Bogdanovich; Hopper; Picker; writer/directors John Milius and Paul Schrader; actresses Karen Black, Cybill Shepherd, Margot Kidder, and Jennifer Salt (the latter two shared a house in Malibu, a social center for young filmmakers); actors Peter Fonda, Kris Kristofferson, and Richard Dreyfuss; producers Jerome Hellman, Michael Phillips, and Jonathan Taplin; editor Dede Allen; production designer Polly Platt; writers David Newman, Joan Tewksbury, Gloria Katz, and Willard Huyck; cinematographers Laszlo Kovacs and Vilmos Zsigmond; agent Mike Medavoy; and former production executive Peter Bart. Among the films discussed are Rosemary's Baby, The Wild Bunch, Mean Streets, American Graffiti, The Rain People, Midnight Cowboy, M*A*S*H, McCabe and Mrs. Miller, The Last Picture Show, Shampoo, Taxi Driver, and Raging Bull. (Three interviewees -- cinematographer Gordon Willis, critic Andrew Sarris, and writer-director Monte Hellman -- listed in the Variety review of this film, were not included in this version from a screening on Bravo.) ~ Tom Wiener, Rovi

A beautiful female warrior returns from fighting in the Crusades only to discover that her young son has been abducted by a vengeful ex-Lord in director Byron W. Thompson's violent medieval adventure. The year is 1190 A.D. and the valiant Elizabeth of Cooke (Joanna Pacula) has just returned from the Crusades. Upon discovering that the nefarious Grekkor (Rutget Hauer) has absconded with her son Peter, Elizabeth enlists the aid of a bevy of female fighters to rescue her son and lay waste to Gekkor and his malevolent gang of marauders once and for all. ~ Jason Buchanan, Rovi

In this crime thriller, Frank Torrance (Richard Norton) is a nightclub owner who is deeply in debt and wants to get out of the business. However, the gangsters and loan sharks from whom he's borrowed still need to be paid, and there are corrupt cops and vicious pimps Frank has to deal with before he can jump clean and start over. ~ Mark Deming, Rovi

Directed by Vinci Vogue-Anzlovar, Gypsy Eyes revolves around fugitive government operative Harry Noble (Jim Metzler), who was forced to run from the CIA after a serious misunderstanding. Aide comes in the form of Katarina (Claire Forlani), a young gypsy who may be the only person Harry can trust to help mend the situation without getting killed in the process. The film also features Zachary Bogatz and George DiCenzo. ~ Tracie Cooper, Rovi

This documentary tells the story of District Attorney Jim Garrison, who -- after the 1963 assassination of President John F. Kennedy -- looked closely into evidence available to him and came forward with an interpretation that went beyond the Warren Commission's authorized report. The film examines occurrences before and after the assassination and considers theoretical connections with the FBI, the CIA, the Mafia, the Cuban situation, the war in Vietnam, and other national and international concerns. An interview with Garrison is included in the film. Footage of the tragedy and interviews with witnesses offer further information and ideas. ~ Alice Duncan, Rovi

In this thriller, television reporter Kate Ryan de Melendez (Amy Irving) investigates the death of two radical Puerto Rican activists, whom she begins to believe may have been framed and murdered by undercover American agents. ~ Iotis Erlewine, Rovi

While staying in her hometown for a vacation, a martial-arts-trained police officer (Cynthia Rothrock) finds herself running for sheriff after her father (David Blackwell) is killed by a local crimepin (Steven Kerby). As the long arm of the law, China O'Brien avenges her father's death. The film was followed by a sequel. ~ John Bush, Rovi

Patrick (Michael Pare) is a struggling screenwriter who takes a second job as a male prostitute in this light sex comedy. Angie (Maud Adams) sets Patrick up as a Hollywood joyboy with new clothes, a sports car, and a place to live. He is supposed to write by day and do right by his lonely clientele at night, but he develops writer's block. When Patrick decides to draw from his amorous experiences as inspiration for his next screenplay, the women conspire to prevent it. Eddie Velez plays Patrick's loyal sidekick Carlos. ~ Dan Pavlides, Rovi

In a standard no-plotter, this is a martial arts showcase for gymnast Kurt Thomas as Jonathan Cabot, the front line man sent out to secure a military foothold in an unfriendly, unnamed country in Eastern Europe near the Caspian sea. Jonathan has to use his lethal weapons (hands and feet) and his ingenuity to chop down legions of adversaries, especially in a one-against-all scene in a rustic village. With scenic Yugoslav landscapes and the attractive Miss Philippines (Tetchie Agbayani) as Princess Rubali, the film offers some visual appeal as well as whirling martial arts choreography. ~ Eleanor Mannikka, Rovi

In this martial arts film, a twisted cult lead by the evil Reverend Rhee (Bong Soo Han) has kidnapped a young girl, and it is up to renegade Jerry Martin (Joe Lewis) and his friends to rescue her before it is too late. ~ Iotis Erlewine, Rovi

Steve McQueen's penultimate film deals with a fascinating western legend, founded on an insightful script by Thomas McGuane and Bud Shrake. Unfortunately, the film was done in by the five directors --Don Siegel, Elliot Silverstein, James Guercio, William Wiard, and McQueen himself-- that were, at one point or another, attached to the project. The film deals with the infamous Texas gunslinger Tom Horn. Horn gained fame for a variety of exploits; he served with Teddy Roosevelt's Rough Riders and was the Pinkerton detective who captured the notorious outlaw Peg Leg Watson. But as Tom Horn begins, something in Horn (Steve McQueen) has snapped. Tom quits the Pinkertons and hires himself out to rancher John Coble (Richard Farnsworth) to assist him in putting an end to his problems with the local homesteaders and rustlers. But Horn performers his job with a chilling intensity, killing so many people with such bloodthirsty rage that it is even too much for Coble and the ranchers to take. When Horn's violence cannot be stopped, Coble has to take the law into his own hands to put a halt to Horn's bloodbath. ~ Paul Brenner, Rovi

In this chase movie (also titled "Crash") greedy and desperate race car drivers must rip through a thousand miles of the Phillippine jungle to win $100,000 dollars. ~ Sandra Brennan, Rovi