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Jack Webb Movies


Following World War II, California native Jack Webb planned to renew the art studies that he'd abandoned for the military. Instead, he turned to acting, appearing on various San Francisco-based radio programs. He briefly hosted his own satirical comedy series before finding his true metier in detective melodramas. In collaboration with future Oscar-winning screenwriter Richard L. Breen (who remained a Webb associate until his death in 1967), Webb concocted a hard-boiled private eye show entitled Pat Novak for Hire. The popularity he gained from this effort enabled Webb to secure small film roles -- one of these was as a police lab technician in the 1948 film noir He Walked by Night (1948). Intrigued by the police procedure he'd learned while preparing for the role, Webb immersed himself in the subject until he felt ready to launch what many observers still consider the first realistic radio cop show: Dragnet, which premiered June 3, 1949. Webb carried over his terse characterization of L.A. police sergeant Joe Friday into the Dragnet TV series (which he also directed) beginning in 1952. Armed with a bottomless reserve of police terminology and a colorful repertoire of catchphrases, the laconic, ferret-faced Webb became one of the most successful -- and most widely imitated -- TV personalities of the 1950s; almost always in the Top Ten, Dragnet, produced by Webb's own Mark VII Productions, ran until 1959. Webb's newfound industry clout permitted him to direct for the big screen as well -- his 1950s movie credits (outside of such pre-star efforts as The Men, Sunset Boulevard, and Halls of Montezuma) include the 1954 feature version of Dragnet, 1955's Pete Kelly's Blues (based on another of Webb's radio series), 1957's The D.I., and 1959's 30. In addition, Webb's Mark VII produced such TV series as Noah's Ark, The D.A.'s Man, and the video version of Pete Kelly's Blues. Webb kicked off the 1960s with a rare attempt at directing comedy, The Last Time I Saw Archie (1961). From 1962 through 1964, he was in charge of Warner Bros.' television division, an assignment which came to an end as a result of several failed TV ventures. A 1966 TV-movie version of Dragnet kicked off Webb's second career. He went on to star in a successful weekly Dragnet revival, which ran from 1967 through 1970, while his Mark VII outfit was responsible for a score of TV series, the most successful of which were Emergency and Adam 12. Regarded as something of a relic by the "hipper" viewers, Jack Webb nonetheless remained profitably active in television until the late '70s; he might have continued into the 1980s had not his drinking and smoking habits accelerated his death at the age of 62. Married three times, Jack Webb's first wife was singing star Julie London, whom he'd first met when he was 21 and she was 15. ~ Hal Erickson, Rovi
1975  
 
This final episode of Emergency!'s fourth season was intended as the pilot for a spinoff series titled 905-WILD. The members of Squad 51 lend a helping hand to the LA Animal Bureau Control Team, whose emergency phone number 905-WILD is an abbreviation for "Wild Animal Loose, Threatening". David Huddleston heads the supporting cast as crusty head veterinarian Doc Coolidge, with Mark Harmon and Albert Popwell as Bureau officers Taylor and Gordon, Rose Ann Zecker as the team's dispatcher Patty Burns, and frequent Emergency guest star Gary Crosby as the Bureau's chief, Walt Marsh. And what about the Emergency! regulars? Well, Dr. Brackett (Robert Fuller) operates on a dying goat, relying on phoned instructions from Doc Coolidge; and paramedic John Gage (Randolph Mantooth) comes face to face with a bengal tiger. A huge canyon fire which threatens thousands of domesticated animals climaxes this "special" episode. ~ Hal Erickson, Rovi

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1975  
 
Log of the Black Pearl was the 2-hour pilot film for an unsold weekly TV adventure series. Kiel Martin plays a successful stockbroker who gives up his job when he inherits the Black Pearl, his grandfather's yacht. He becomes a soldier of fortune, willing to rent out the boat and his services when adventure calls. Ralph Bellamy plays Martin's crusty captain and Jack Kruschen is his first mate. His first (and last) assignment is to find a missing treasure before the villains can claim the booty. Loosely inspired by the old radio series Voyage of the Scarlet Queen, Log of the Black Pearl was co-produced by Jack Webb. ~ Hal Erickson, Rovi

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1974  
 
This drama chronicles the hard work of the rangers of the U.S. Forest Service who try to preserve human and animal life. ~ Sandra Brennan, Rovi

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1974  
 
This final episode of Adam-12's sixth season is actually the pilot for a proposed spinoff series titled Fraud. After they find a dead man with an oscillator belt tied around his waist, Officers Jim Reed (Kent McCord) and Pete Malloy (Martin Milner) discover that the victim died of diabetic shock--and that he was the patient of a quack doctor. Enter Deputy DA Abe Stayhorn (Ed Nelson) of the " Major Fraud" division, and Strayhorn's elite team of scam-busters, including chief investigator Gino Bardi (Frank Sinatra Jr.) and policewoman Lynn Carmichael (Sharon Gless), who work in concert with Jim and Pete to get the goods on the crooked medico. Advertised as a "special", this episode was seen outside the usual Adam-12 Tuesday-night timeslot, and afforded a rare Thursday-evening telecast. ~ Hal Erickson, Rovi

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1974  
 
The seventh and final season of Adam-12 spends a bit more time on the private lives of LAPD officers Malloy (Martin Milner) and Reed (Kent McCord) than in previous years. Reed was seen commiserating with his wife Jean, played by Kristin Harmon (replacing season two's Mikki Jamison). As for the unmarried Malloy, he devoted much of his down time to talking about his new girlfriend Judy, who was seen from time to time in the person of actress Aneta Corsaut, better known as Helen Crump on The Andy Griffith Show. The season opens with one of the series' rare two-part episodes, "Camp," and closes with another two-parter, "Something Worth Dying For." In between, the viewer is treated to one of Adam-12's best-ever episodes, "X-Force," in which Malloy loses his cool with a child abuser and smacks his handcuffed prisoner against a wall -- leading to an excessive-force charge, with Reed reluctantly corroborating the evidence. Although Adam-12's ratings suffered mightily as a result of being scheduled opposite Happy Days and Good Times, the series still enjoyed a loyal following during its final season -- and, as a bonus, it had entered the Valhalla of media history as prime time's last-ever half-hour dramatic network series. ~ Hal Erickson, Rovi

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Starring:
Martin MilnerKent McCord, (more)
 
1973  
 
Chase was a Jack Webb-produced series which ran from September 1973 to August of 1974. Mitchell Ryan starred as the head of a special police unit assigned to cases that no one else would touch with a ten-foot pole. Ryan's staff included Wayne Maunder, Reid Smith, Michael Richardson and Brian Fong; surprisingly, there was no female Chase Squad member (three of the above-mentioned actors would be replaced in mid-season; among the replacements was old reliable Jack Webb cohort Gary Crosby). In the Chase 60-minute pilot, telecast on September 11, 1973, the Chase gang goes after an auto-theft ring. They catch them...or haven't you tumbled to that fact? ~ Hal Erickson, Rovi

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1973  
 
Although Adam-12 slipped a bit in the ratings during its sixth season, ranking 23rd as opposed to the previous season's Number 11 slot, the series remained America's most popular half-hour dramatic series. In fact, by 1973 it was America's only half-hour dramatic series. In hopes of enlivening the series' format, the producers took LAPD officers Malloy (Martin Milner) and Reed (Kent McCord) away from their usual beat, and allowed them to tool their familiar squad car to a variety of different districts and divisions. This season, the partners did duty at LAX, the Los Angeles Harbor, the Foothill District, the West Valley area, Venice, Van Nuys, and both Hollywood and North Hollywood. The best of these location jaunts occurred in the two-parter "Skywatch," in which Malloy and Reed worked with the department's helicopter division, an assignment distinguished by some truly breathtaking aerial footage. ~ Hal Erickson, Rovi

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Starring:
Martin MilnerKent McCord, (more)
 
1972  
R  
The Century Turns is the syndication title of the 2-hour pilot for the Hec Ramsey television series. Richard Boone stars as Ramsey, an old-fashioned western lawman coming to grips with the "modern technology" of the 20th century. Ramsey teams up with college-educated criminologist Oliver Stamp (Rick Lenz) to solve a tricky mystery. Before the film's 97 minutes are up, both veteran and newcomer learn a lot from each other-though it's Ramsey who has the least to learn. Produced by Jack Webb, The Century Turns was originally telecast October 8, 1972; the Hec Ramsey series was shown in rotation with Columbo, McCloud and McMillan and Wife until August 25, 1974. ~ Hal Erickson, Rovi

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1972  
 
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Season five of Adam-12 boasts a number of fascinating guest stars, backing up series leads Martin Milner (as Officer Pete Malloy) and Kent McCord (as Officer Jim Reed). The season opener "Dirt Duel" features Micky Dolenz, late of The Monkees. "The Beast" offers an acting opportunity to Donna Douglas, the former Elly May Clampett on The Beverly Hillbillies. And "The Late Baby" is a treasure trove of second-generation talent, not only featuring Adam-12 regular Gary Crosby (son of Bing) but also brother and sister Frank Sinatra Jr. and Christina Sinatra. Also worth noting is the series' first two-part episode, "Clear With a Civilian." And finally, there is "Lost and Found," a "crossover" episode co-starring several regulars from the Jack Webb-produced series Emergency!: Julie London, Bobby Troup, Robert Fuller, Randolph Mantooth, and Kevin Tighe. Although Adam-12 had reached its ratings peak the previous season, the series still finished strong at the end of season five, ranking as America's 11th most-watched program. ~ Hal Erickson, Rovi

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Starring:
Martin MilnerKent McCord, (more)
 
1972  
 
First telecast January 15, 1972, Emergency is of course the 2-hour pilot episode for the weekly series of the same name. Robert Fuller heads the cast as Dr. Kelly Brackett, head of the staff of LA's Ramparts General Hospital. Brackett oversees the activities of Paramedics Squad 51 of the Los Angeles Fire Department, peopled by such experts in their field as John Gage (Randolph Mantooth) and Roy DeSoto (Kevin Tighe). Also on hand are Dr. Joe Early and nurse Dixie McCall, played by real-life husband and wife Bobby Troup and Julie London (London was previously married to Emergency executive producer Jack Webb). The series proper debuted January 22, 1972, as a mid-season replacement for two failed NBC sitcoms; it survived several cancellation attempts, running until September 3, 1977. ~ Hal Erickson, Rovi

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1971  
 
David Janssen stars in this Jack Webb production as James O'Hara, a small-town sheriff recruited by the US Treasury's Bureau of Customs. O'Hara's first assignment: To break up a gang of smugglers trafficking in hashish. First telecast April 2, 1971 on CBS, this film served as the pilot for the weekly TV series O'Hara, United States Treasury. For the purposes of the series, O'Hara expanded his field of operations to the IRS, the Secret Service, and the ATM--at least until his program was cancelled in 1972 after a single season on the air. ~ Hal Erickson, Rovi

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Starring:
David JanssenLana Wood, (more)
 
1971  
 
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Just as L.A. cop Jim Reed (Kent McCord) was promoted from rookie to full officer during the third season of Adam-12, so too does Reed's older partner Pete Malloy (Martin Milner) enjoy a boost in pay and rank during the season's fourth season. Malloy is promoted to policeman three this year, one notch below sergeant. Noteworthy season four episodes include "The Sniper," originally telecast October 6, 1971, which is actually the first half of a two-part story, which was concluded two days later on another Jack Webb-produced series, The D.A.. Also, real-life husband and wife Bill Williams and Barbara Hale (the parents of actor William Katt) appear together in the episode "Pick-Up," while George O'Hanlon, best known to cartoon buffs as the voice of George Jetson, is seen as a drunk in "Extortion." And in the series' 100th installment, "Who Won," the ageless Dick Clark makes a rare dramatic appearance. Adam-12 closed out its fourth season with the series' best-ever ratings, ranking as America's 8th most popular program. ~ Hal Erickson, Rovi

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Starring:
Martin MilnerKent McCord, (more)
 
1970  
 
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As Adam-12 begins its third season, former rookie cop Jim Reed (Kent McCord) is promoted to full officer. No one is happier about this promotion than Jim's crusty veteran partner Pete Malloy (Martin Milner), who has regarded Reed as an equal all along. The supporting cast this season includes such series stalwarts as William Boyett as Sgt. McDonald and Gary Crosby as Officer Ed Wells. The one "new" cast member, Claude Johnson as Officer Norm Green, isn't new at all: during the past season, actor Johnson was seen from time to time in a similar role, as Officer Brinkman. Also, there are a number of noteworthy guest stars, including film noir regular Marie Windsor, legendary comedian Morey Amsterdam, and former singing star Dorothy Shay (aka "The Park Avenue Hillbilly"). The season's best episode is "Log 105 - Elegy for a Pig." Narrated by Pete Malloy, the episode recounts the last hours in the life of Pete's former partner, who had been killed in the line of duty. In other episodes, the partners must deal with street gangs, arsonists, a car-theft ring using beautiful girls as come-ons, game poachers, a misguided band of militants, and at least one naked motorist! Although it was fashionable amongst certain "hip" circles to deride Adam-12 as corny and reactionary, the public at large certainly didn't feel that way: the series ended its third season as America's 12th highest-rated program. ~ Hal Erickson, Rovi

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Starring:
Martin MilnerKent McCord, (more)
 
1969  
 
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Though the final season of the new Dragnet (aka Dragnet: 1970) represented the revived series' fourth year on NBC, in actuality it was the property's 12th season, if one counts the previous, classic Dragnet of the 1950s. The stories you are about to hear are true, the city is Los Angeles, CA, and the protagonists are LAPD sergeants Joe Friday (played of course by the series' producer/director Jack Webb) and Bill Gannon (Harry Morgan). Rather surprisingly, the final season yields only three blatantly anti-drug episodes: "Narco -- Pill Maker," in which Joe and Frank bust an amphetamine lab catering to gullible youngsters; "Juvenile -- The Little Pusher," the tale of an innocent child who inadvertently overdoses on Seconal; Narco -- Missing Hype," wherein frequent Dragnet guest star Vic Perrin, usually cast as a slimy criminal, portrays a foolishly idealistic college professor. Other noteworthy season-four episodes include the opener, "Personnel -- The Shooting," featuring another Dragnet stalwart, Virginia Gregg, as the even-tempered wife of a wounded officer; "D.H.Q. -- Missing Person," the tale of 16-year-old girl who isn't quite what she seems; "D.H.Q. -- Night School," which finds Joe getting into hot water with a group of younger students while attending postgrad college classes; and "Burglary -- Mister," wherein Joe and Frank are confronted by the heel to end all heels, the redoubtable "Mr. Daniel Lumis" (John Hudson). Although Dragnet had earned a 32 ratings share, and had been announced by the trades as being a shoo-in for a fifth season on NBC, Jack Webb had already decided that 12 years of Joe Friday was enough, and voluntarily pulled the plug on the venerable property. ~ Hal Erickson, Rovi

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Starring:
Jack WebbHarry Morgan, (more)
 
1969  
 
Filmed in 1966 (when screenwriter Richard Breen was still around), this made-for-TV feature marked the return of Jack Webb's classic 1950s cop series Dragnet after a seven-year absence. Ordered to cut his vacation short, Sgt. Joe Friday (played by Jack Webb) is assigned to investigate the mysterious disappeances of two beautiful models and a pretty young war widow. In concert with partner Bill Gannon (Harry Morgan), Friday does his best to follow the trail of evidence, only to be continually stymied by contradictory or reluctant eyewitnesses. Before arriving at the disturbing conclusion that the missing girls have been the victims of a voyeuristic serial killer, Joe and Bill manage to solve another, unrelated murder involving a visiting Frenchman. Several members of Jack Webb's radio and TV Dragnet stock company are cast in colorful supporting roles, including Virginia Gregg, Victor Perrin, and Herb Ellis, while L.A. Dodgers catcher John Roseboro is seen as a fellow cop. A powerful opening sequence and an thrilling action climax more than compensate for the unevenness of the script (the last such by veteran Webb collaborator Richard Breen) and the occasional pokiness of the direction. Although this 97-minute Dragnet was good enough to convince NBC to revive the vintage Jack Webb series on a weekly, half-hour basis (it ran successfully for three seasons), the film itself was shelved for several years, not making its network TV debut until January 27, 1969. ~ Hal Erickson, Rovi

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1969  
 
Officer Jim Reed (Kent McCord) is still on probationary status with the LAPD as Adam-12 begins its second season. However, Jim is lucky indeed that he has a partner as experienced and generous as Pete Malloy (Martin Milner) to show him the ropes. It is during this season that we meet Reed's wife Jean (here played by Mikki Jamison) for the first time. In fact, Jean has a baby, and a beaming Malloy is named the kid's godfather. The partners' various assignments involve a crooked cop, a bank robbery, a tense hostage situation, an uncomfortable liaison with a gung-ho SWAT team, a courtroom date, and a few dust-ups with typical Dragnet-style longhairs who regard all cops as "pigs." Just a typical year in the lives of two sublimely typical LAPD officers. ~ Hal Erickson, Rovi

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Starring:
Martin MilnerKent McCord, (more)
 
1968  
 
The premiere episode of Adam-12 finds veteran LAPD patrol officer Pete Malloy (Martin Milner), on the verge of retirement, reluctantly agreeing to "break in" a new partner, rookie cop Jim Reed (Martin Milner). Still not completely recovered from the death of his former partner, Pete makes no secret of his contempt for Jim's lack of experience as the two officers answer summonses to capture a pair of liquor store robbers, rescue a suffocating baby, and protect a hysterical woman from a runaway salamander. By the end of the shift, Pete begrudgingly admit to a fondness for Jim and a degree of admiration for the youngster's level-headed dedication to his new job...so he decides to stay on the force a little while longer, if only to keep the kid out of trouble. This debut episode was directed by series producer Jack Webb, who also penned the script under a pseudonym. ~ Hal Erickson, Rovi

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1968  
 
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Proving remarkably durable despite its venerable reputation and occasional lapses into silent majority hysteria (especially in the episodes involving drug abuse), the new Dragnet launched its third season on NBC in the fall of 1968, under the forward-looking title Dragnet: 1969. The setting is still "The City: Los Angeles, California," and the leading characters are still two of the LAPD's finest, Sgt. Joe Friday (Jack Webb, who, of course, also produced and directed the series), and Sgt. Bill Gannon (Harry Morgan). The season opener, "Public Affairs - DR-07," finds Joe Friday on the hot seat when he guests on a liberal TV debate show to defend the police force; among his detractors is a hippie played by "Don Sturdy" -- actually future WKRP in Cincinnati regular Howard Hesseman. "Management Services" dramatizes the actual events surrounding the aftermath of Dr. Martin Luther King's murder, with Joe and Bill trying to keep the public calm despite impending street violence and unchecked false rumors. "Homicide - DR-06" is, despite its title, essentially a comic episode, as Joe tries to enjoy a dinner at the home of Bill and Eileen Gannon despite a steady stream of annoying interruptions. Likewise light in tone despite its grim trappings is "Homicide - DR-22," in which the detectives solve a grisly murder with the help of an extremely alert and perceptive 91-year-old apartment manager (played by the ever-delightful Burt Mustin). Of course, the season yields quite a few anti-drug episodes, notably "Narcotics - DR-16," in which a group of distressingly clean-cut high schoolers set up the Smart Teen Club with the motto "S.O.S." (Stamp Out Stupidity); and "Narcotics - DR-21, wherein a pair of funky potheads are caught with the goods by a marijuana-sniffing police dog. ~ Hal Erickson, Rovi

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Starring:
Jack WebbHarry Morgan, (more)
 
1968  
 
The most successful of producer Jack Webb's non-Dragnet TV projects, the weekly, half-hour Adam-12 was a realistic, unadorned look at the "working cop." Each episode dealt with a typical day in the lives of two uniformed policeman, assigned to a patrol car in the teeming streets of Los Angeles. Martin Milner was cast as Officer Pete Malloy, a seasoned veteran who in the first episode was teamed with probationary rookie cop Officer Jim Reed, played by Kent McCord. A few very rocky moments notwithstanding, the relationship between Malloy and Reed was never "superior/inferior" but always on an equal basis, with young Jim benefiting mightily from Pete's casual expertise, and Pete in turn being "humanized" by eager-beaver Jim. It was clearly established that the partners were not supermen or paragons. They were both capable of making serious mistakes and errors of judgment, and both could be emotionally affected by their work despite the hard shell they'd had to build around themselves when dealing with a variety of unpleasant "perps." Reversing the usual cop movie cliché, junior partner Reed was married (to wife Jean, played variously by Mikki Jamison and Kristin Harmon), while Malloy was a bachelor. Sent to their various assignments by a never-seen police dispatcher (voice provided by Shaaron Claridge), whose oft-repeated "One Adam 12 -- One Adam 12" became the series' most familiar catch phrase, Reed and Malloy handled cases ranging from the hilarious to the horrendous. Over the years their cop-shop colleagues included Sgt. MacDonald (William Boyett), Officer Ed Wells (Gary Crosby), Officer Jerry Walters (William Stevens), Sgt. Jerry Miller (Jack Hogan), Officer Grant (William Elliott), Officer Woods (Fred Stromsoe), and Officers Brinkman and Green, both played (though not during the same seasons) by utility actor Claude Johnson. Beginning with the series' third season, Jim was no longer a rookie but a full-fledged officer; and at the outset of season four, Malloy was promoted to policeman three, one rank below sergeant. Toward the end of the series the partners occasionally left their usual beat for special assignments in other L.A. districts. Lasting seven seasons and 174 episodes, Adam-12 ran on NBC from September 21, 1968 through August 26, 1974. A new version of Adam-12 was produced for syndication in 1989 with a different cast: Peter Parros as Officer Gus Grant, Ethan Wayne (son of John Wayne) as Officer Matt Doyle, and Miguel Fernandes as Sgt. Harry Santos. ~ Hal Erickson, Rovi

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1968  
 
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Season one of Adam-12 gets underway with admirable rapidity, with the episode "Log 1: The Impossible Mission," directed by series creator Jack Webb. The opener details the first day on the job for rookie LAPD cop Jim Reed (Kent McCord), who has been teamed with crusty veteran Pete Malloy (Marvin Miller). Although Malloy is still bitter over the fact that his previous partner had been killed a few weeks earlier, he takes Reed under his wing and helps the youngster survive his shakedown cruise with flying colors. Later episodes find Reed and Malloy piloting their squad car to a variety of assignments, coming in close contact with drug pushers, burglars, abusive spouses, and stalkers. Many of the first-season installments deal with Reed's adjustment to his new job. In "Log 91 -- You're Not the First Guy's Had the Problem," Jim learns the hard way how to keep his emotions separate from his work when one of his best friends is seriously wounded. And in "Log 33 -- It All Happened So Fast," Reed is forced to kill a man in the line of duty for the first time. In the interests of fairness, however, Malloy also has his bad days. In "Log 112 -- You Blew It," Pete gives a speeding motorist a break and lets him go without a citation -- only to find out that the man had several warrants for robbery and weapons charges against him. ~ Hal Erickson, Rovi

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Starring:
Martin MilnerKent McCord, (more)
 
1967  
 
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Although the second season of NBC's revived Dragnet debuted in the fall of 1967, the series' official title was Dragnet: 1968, reflecting the strenuous (and for the most part successful) efforts by producer/director/star Jack Webb to give his venerable property a fresh, contemporary slant. Back on the job at the LAPD were Sgt. Joe Friday (Webb) and his partner, Sgt. Bill Gannon (Harry Morgan), along with scores of familiar character actors with whom Webb had worked in radio. The season opener, "The Grenade," is a nail-biting suspenser with marked generation-gap undertones. This is followed by "The Shooting Board," a memorable outing in which Friday faces charges of killing a suspect without just cause. Other worthwhile episodes this season include "The Senior Citizen," guest-starring octogenarian actor Burt Mustin as an unrepentant burglar; "The Big Amateur," a comic story in which Joe and Frank search for a well-meaning chap who poses as both a cop and fireman; and "The Big Problem," one of several latter-day Dragnet episodes to address the issue of racial hostility. Arguably the most enjoyable of the season's episodes are "The Christmas Story," a loving, line-for-line remake of the classic 1953 Dragnet offering "The Big Little Jesus"; and "The Big Prophet," a somewhat campy anti-drug screed featuring Liam Sullivan as a Dr. Timothy Leary-type LSD guru. This last episode is matched in its fervency only by the classic "The Big High," the one in which two pot-smoking parents inadvertently allow their baby to drown in the bathtub. ~ Hal Erickson, Rovi

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Starring:
Jack WebbHarry Morgan, (more)
 
1967  
 
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In 1966, producer/director/actor Jack Webb filmed a new, TV-movie version of his classic 1950s series Dragnet for Universal Pictures and the NBC network. Both studio and network were so impressed by the results that they invited Webb to revive Dragnet on a weekly, half-hour basis -- which is just what happened on January 12, 1957, when Dragnet: 1967 took over the Thursday-night slot recently vacated by the failed NBC sitcom The Hero. At base, it was the same old Dragnet, with the same old, "the story you are about to see is true" opening, the same "Dum-de-DUM-dum" theme music, the same monotonic narration and incessant, acronymic police jargon, and the same Sgt. Joe Friday (played, of course, by Jack Webb), whose promotion to lieutenant in the final season of the original Dragnet in 1958 was never mentioned. Also, several of Webb's radio colleagues -- Virginia Gregg, Vic Perrin, Harry Bartell, Peggy Webber -- showed up over and over again in supporting roles, just like in the good old days.

The changes to the venerable property included Joe Friday's new partner, Sgt. Bill Gannon, played by the ever-reliable Harry Morgan. Also, the new series was lensed exclusively in color, eschewing the black-and-white photography that predominated in the 1950s version. In addition, Friday and Gannon tackled cases with a decidedly contemporary slant (contemporary to the late '60s, that is). Case in point is the new series' now-legendary debut episode, "The LSD Story," in which Joe and Frank come face to face with a wild-eyed druggie (played by Michael Burns) who calls himself Blue Boy. ("I see a train! I see a train!") In subsequent first-season episodes, the detectives foil a neo-Nazi's plans to blow up a school that is poised to allow black students to attend; they pursue a pair of motorcycle bums who have bludgeoned a 62-year-old man to death; they go after a con artist who uses an authentic Congressional Medal of Honor as part of a magazine subscription scam; and they bust a gang of kids calling themselves "the Mod Squad," who use petty theft as a rite of initiation. Nevertheless, for all of its up-to-date trappings, Dragnet was at its best in the season's final episode, "The Bullet" -- a remake of the classic 1954 Dragnet episode "The Big Bible." Though some observers found Dragnet: 1967 to be corny and archaic in comparison to "hipper" cop shows, the revived series scored a big hit with Middle America, and the series was renewed by NBC with the greatest of ease. ~ Hal Erickson, Rovi

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Starring:
Jack WebbHarry Morgan, (more)
 
1963  
 
This brief, 30-minute biographical documentary looks at the early life and professional career of American astronaut John Glenn (before his days in politics). Several of the people who knew him "back when" in New Concord, Ohio take up a certain amount of time reminiscing on Glenn's boyhood and then the docu segues into the astronaut's preparations for his space flight -- three orbits around the earth, and then home again. Included are interior shots aboard the Friendship Seven space capsule, and Glenn's comments as he works inside the capsule during this mission. ~ Eleanor Mannikka, Rovi

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1963  
 
This western served as the pilot film for Warner Bros.' Temple Houston television series. It is the tale of a young, brash attorney (Jeffrey Hunter) in the Texas circuit court system. His old flame (Joanna Moore) is accused of murder. The case is resolved when Hunter reveals the real killer in contrived courtroom melodrama. A rather skimpy plot, but uncomplicatedly colorful and entertaining. ~ Lucinda Ramsey, Rovi

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Starring:
Jeffrey HunterPreston S. Foster, (more)