Clinton Allmon Movies
Barry Levinson directed this cautionary fantasy fable--a triumph of production design--concerning the clash between benevolent, funny toys and malevolent, violent war toys and video games. Donald O'Connor is the kindly, gentle Kenneth Zevo, founder of Zevo Toys. The workers love him and the love they feel for Zevo comes through in the lovingly cute toys they produce. His son Leslie (Robin Williams) is an eccentric inventor who concentrates on coming up with different styles of plastic vomit and over-sized ears. His addle-headed daughter Alsatia (Joan Cusack) enjoys trying out all of Leslie's inventions. But their innocent, idyllic existence is soon to be shattered. Kenneth is dying and he is reluctant to bequeath the factory to the immature hands of Leslie and Alsatia. He finally decides to pass on his factory to his three-star general brother (Michael Gambon), reasoning that the general will run the factory efficiently and prod Leslie and Alsatia into adulthood. When Kenneth dies, the general and his army surplus son Patrick (LL Cool J) immediately turn Zevo Toys into an oppressive fascistic environment. The general also stops production of the innocent Zevo products and forces the workers to manufacture violent interactive video games and sadistic war toys. Leslie must rouse himself out of his over-long childhood to preserve the tradition of Zevo Toys. Although Toys did not fare well at the box office, it features a stunning combination of production design by Ferdinando Scarfiotti and art direction by Edward Richardson. ~ Paul Brenner, Rovi
- Starring:
- Robin Williams, Michael Gambon, (more)
- 1992
In this finale episode of the fourth season of Roseanne, the Conners once again are faced with a grim financial situation. Roseanne loses her job when Rodbell's diner goes out of business and Dan is out of work when he is forced to close his bike shop, Lanford Custom Cycle. ~ Andrea LeVasseur, Rovi
- 1989
This episode focuses on Blue Moon employees Bert Viola (Curtis Armstrong) and Agnes Dipesto (Allyce Beasley). Bert wants to attend a Viola family reunion, but Agnes has been sequestered with the jury for the murder trial of one John Gibson--and of course, Agnes is the sole holdout who believes in Gibson's innocence. Out of desperation, Bert decides that the only way to get Agnes out of the jury room is to solve the murder himself! In a dream sequence, the Moonlighting regulars are recast as the principals in John Gibson's alleged crime. ~ Hal Erickson, Rovi
- 1988
This week's episode opens as a helpful nurse recaps the previous weeks' activities to an ABC executive who'd been in a coma ever since he found out that David (Bruce Willis) and Maddie (Cybill Shepherd) had still not gotten back together! As it happens, David is ruminating over his upcoming "role" in the birth of Maddie's baby. Perhaps David should enroll in a Lamaze class--a solution that (at first glance, anyway) makes a lot more sense than having him "practice" childbirth with his friend Bert Viola (Curtis Armstrong), who has stuffed a pillow in his shirt for the occasion! ~ Hal Erickson, Rovi
- 1978
Famed for their supporting performances in Sylvester Stallone's Rocky, Burt Young and Talia Shire struck while the iron was hot to star in the made-for-TV Daddy, I Don't Like It Like This. Young also wrote the screenplay for this middling domestic drama. He and Shire play an endlessly bickering middle-class couple; the husband, an ex-boxer, is frustrated by his inability to fulfill his dreams, while the wife is hampered by emotional and intellectual immaturity. Both Young and Shire take out their hostilities on their son (Doug McKeon), who reacts to the ongoing strife by retreating into his own imagination. Daddy, I Don't Like It Like This was the first directorial assignment for Adell Aldrich, daughter of "cult" director Robert Aldrich. ~ Hal Erickson, Rovi
