Peter Carver Movies

The contrast between modern, urban civilization and life in the natural world lies at the heart of Nicolas Roeg's visually dazzling drama Walkabout. In broad outline, the plot might resemble a standard fish-out-of-water tale: two city children become stranded in the Australian outback, and struggle to find their way back to civilization with the help of a friendly aborigine boy. But Roeg and screenwriter Edward Bond are concerned with far more than the average wilderness drama, as a shocking act of violence near the story's beginning makes clear. This is particularly true in regards to the relationship between the white children and the aborigine boy, who ultimately develops a troubled romantic attraction towards the older sister. Obviously intended as a statement on the exploitation of the natural world and native cultures by European civilization, the film nevertheless maintains an evocative vagueness that usually -- but not always -- favors poetry over didacticism. Most importantly, the film's justifiably acclaimed cinematography is likely to sway even those who find fault with the film's narrative and message. The shift between the sterile city images and the truly stunning, beautifully composed Australian landscapes provide the film's single best argument, making the film a vivid and convincing experience. ~ Judd Blaise, Rovi

An unfortunate sailor (Tony Wright) gets implicated in a murder he never committed in this confusing drama by David Eady. After a bookie is murdered, the sailor is caught in an ever-tightening vice that would trap him as the killer unless he can clear himself. Along the way to struggling free and tracking down the real culprits, several unsavory characters cross his path as well as a rather interesting woman (Shirley Eaton) who sets romantic sparks flying. Although director Eady and the cast have done their best with the story, it is too thin to survive even the short running time of 69 minutes. ~ Eleanor Mannikka, Rovi