Adolphe Viezzi Movies

In Bertrand Tavernier's Daddy Nostalgia, Caroline (Jane Birkin of Agnes Varda's Kung Fu Master), a Parisian screenwriter who has recently left her husband and their young son, travels to the countryside when she hears that her British father, Tony (Dirk Bogarde of Death in Venice, in his last film role) is in poor health and has just had a serious operation. Caroline accompanies Tony and her taciturn French mother, Miche (Odette Laure), to their beautiful seaside home. Miche is determined to keep Tony from drinking or overextending herself, where Caroline is more willing to indulge her father in the few pleasures he has left. They playfully speak English with each other, while Miche speaks only French. Miche doesn't like to talk about the past, so Tony reminisces with Caroline about his former life as a sophisticated, well-traveled young man. Caroline is getting along well with her father, but as he talks about his cocktail parties and trips around the world, she remembers him neglecting her when she was a young girl. "I have no memory of you before you were 20," he admits. Tony speaks sadly of his relationship with Miche, which has deteriorated in the past few years. He notices that she used to say, "Come to bed," and now she tells him, "Go to bed." As the seriousness of his illness becomes clearer, Caroline takes Tony on a day trip to Cannes, where her deep reserve of anger toward him comes to the surface. When he speaks of his "beautiful life," and how things were better for everyone back then, she explodes -- "I don't care about your beautiful life! It was a beautiful, selfish life!" But Caroline also yearns for Tony's acceptance and love, and they both dread the day when she has to return to Paris. ~ Josh Ralske, All Movie Guide

In this 1987 film, director Bertrand Tavernier depicts French life in the Middle Ages as dreary, unromantic, and brutal. The story begins when a warrior leaves home to fight in the Hundred Years' War (1337-1453) between France and England. Before his departure, he gives his young son, François, a sword to safeguard his mother and her virtue. One day, after the boy opens a bedroom door to find his mother willingly submitting to a man, he uses the sword to kill the man and becomes traumatized with guilt and enmity toward his mother. Years later, François (Bernard Pierre Donnadieu) must go off to war as a chevalier, or knight. While he is away, his daughter, the gentle and loving Béatrice (Julie Delpy), sees to the needs of her little brother and her feckless mother. Although the castle in which they live is a sepulcher of shadows and stone, Béatrice maintains her spirits as she looks forward to the day when her father's voice will once again echo in the corridors. After four years of war in which he was held captive for a time by the English, he returns to the castle, a hardened warrior who has renounced God. Inside his twisted mind, he still carries the memory of that terrible day long ago, the day he discovered his mother was an adulteress. Giving the demons within him free rein, he begins to abuse everyone around him: He insults, bullies, and pillages the local village. He even forces his son Nils Tavernier to wear women's clothes and become the prey in a hunt. As he descends deeper into depravity, it is innocent Béatrice who suffers the most. Whether he has completely destroyed her, or whether she will rise up and destroy him, becomes the central focus of the film as it moves toward its conclusion. The dialogue is in French with English subtitles. ~ Mike Cummings, All Movie Guide

A suspenseful adventure yarn that climaxes in all-out action at high noon, this taut tale is about an Argentine writer jailed in Bolivia for political reasons and then released when a new and liberal government takes over. He is now on a train home that is due to arrive at the Bolivian/Argentine border at midday. The catch is that a fascist general who has vowed that the writer will never go home again is waiting for him at the border town with a phalanx of armed men. Into this potential disaster walks an innocent geologist (Bernard Giraudeau) who first tries to avoid the ominous situation and then gets hopelessly involved. The writer's pretty daughter (Claudia Ohana) is also on hand to meet her father. She and the geologist are thrown together by circumstances, but a romance is not in the cards and not in the script either. ~ Eleanor Mannikka, All Movie Guide

In this run-of-the-mill crime drama, Bernard Giraudeau is Daniel Chetman, someone who wants to leave the life of violence he knew in his neighborhood -- and cannot do so because his nemesis, a strutting street gangster now involved with organized crime, continues to terrorize the inhabitants of Chetman's turf. After much spilled blood, a parade of ugly underground types, and various sexual scenes, Chetman reduces the forces of evil to a reasonable level of opposition -- but who knows if the neighborhood will be different in the end. ~ Eleanor Mannikka, All Movie Guide

Based on pulp master Jim Thompson's Pop. 1280, Bertrand Tavernier's Coup de Torchon is a sardonic thriller that remains true to its source's spirit, even as it transposes the action from the American South to colonial West Africa. Lucien (Philippe Noiret) is the bumbling police chief of Bourkasa, a dusty outpost in rural Senegal. Badgered by local thugs, Lucien initially comes across as a pathetic oaf unable to stand up for himself. Things at home are scarcely better, as Lucien finds himself harried by his nagging wife, Huguette (Stéphane Audran), who is carrying on an affair with a man she claims to be her brother (Eddy Mitchell). Without warning, Lucien embarks on a nonchalant killing spree, murdering everyone who has ever mistreated him. As he sets about "cleaning the slate," Lucien intensifies his affair with ditsy Rose (Isabelle Huppert), all the while pining for the newly arrived schoolteacher, Anne (Irene Skobline). Remaining above suspicion even as bodies pile up, the seemingly witless Lucien gradually develops a twisted logic for his actions, animating his crusade with an evangelical purpose. By movie's end, Tavernier leaves little room for redemption, leaving the joyless Lucien mired in a moral quagmire of his own making. ~ Elbert Ventura, All Movie Guide

Hélène (Lea Massari) has a lovely family, and lovely children. She is not discontented with things just as they are: her young lover is attentive, her husband is pleasant -- all is just as it should be. In this French suspense film, Hélène's cozy life begins to unravel when she finds her lover is dead. ~ Clarke Fountain, All Movie Guide