Shall We Dance? (1995)

Shall We Dance? (1995)
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Reminiscent of the Australian hit Strictly Ballroom (1992), this romantic comedy from Japan was a hit in its country of origin, despite (or perhaps because of) its tacit criticisms of the restrictive aspects of Japanese culture. Shohei Sugiyama (Koji Yakusho) is a typically strait-laced Japanese businessmen who, passing by in his commuter train one day, glimpses a beautiful young woman, Mai (real-life ballerina Tamiyo Kusakari) through the window of a dance school. Obsessed with her, Shohei enrolls in the school and meets instructor Mai, who at first mistakes Shohei for a philanderer. To her surprise, however, Shohei is a naturally gifted dancer interested in an artistic partnership only, and Mai begins training with him for a competition. Meanwhile, Shohei becomes familiar with his eccentric fellow students, including one person that Shohei already knows, a co-worker (Akira Emoto) who blooms in the dance sessions as a bewigged master of rumba. As dancing is frowned upon in Japan as a frivolous enterprise for a respectable businessman, Shohei keeps his sideline hobby secret, leading his wife to believe that he's being unfaithful and to hire a private investigator to follow him. ~ Karl Williams, Rovi

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Starring:
Koji YakushoTamiyo Kusakari, (more)
Director(s):
Masayuki Suo
Theatrical MPAA Rating:
PG
 
 
 
 

Synopsis of Shall We Dance?

Reminiscent of the Australian hit Strictly Ballroom (1992), this romantic comedy from Japan was a hit in its country of origin, despite (or perhaps because of) its tacit criticisms of the restrictive aspects of Japanese culture. Shohei Sugiyama (Koji Yakusho) is a typically strait-laced Japanese businessmen who, passing by in his commuter train one day, glimpses a beautiful young woman, Mai (real-life ballerina Tamiyo Kusakari) through the window of a dance school. Obsessed with her, Shohei enrolls in the school and meets instructor Mai, who at first mistakes Shohei for a philanderer. To her surprise, however, Shohei is a naturally gifted dancer interested in an artistic partnership only, and Mai begins training with him for a competition. Meanwhile, Shohei becomes familiar with his eccentric fellow students, including one person that Shohei already knows, a co-worker (Akira Emoto) who blooms in the dance sessions as a bewigged master of rumba. As dancing is frowned upon in Japan as a frivolous enterprise for a respectable businessman, Shohei keeps his sideline hobby secret, leading his wife to believe that he's being unfaithful and to hire a private investigator to follow him. ~ Karl Williams, Rovi

Complete Cast of Shall We Dance?


Director(s):
Masayuki Suo
Writer(s):
Masayuki Suo
Producer(s):
Shoji MasuiYuji OgataTetsuya Ikeda
Theatrical MPAA Rating:
PG(Suitable for Children)
Shall We Dance? Awards:
  • 1997 - Broadcast Film Critics Association - Best Foreign Film
  • 1997 - Chicago Film Critics Association - Best Foreign Film
  • 1997 - National Board of Review - Best Foreign Film
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John M.

I saw the Richard Gere version first and thoroughly enjoyed it...but there is something magical about this original. The plot is more believeable and the people are not caricatures as many are in the US film. The film touches on the cultural mores of the Japanese culture, at least back in 1992....if you liked the US version, give this one a chance...too many fascinating performances to single them all out, but pay special attention to the relationship between Sugimoto and Mei...so much said without excess..brilliant.

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Ken W.

Much better than the US version with Gere and Lopez. This movie was pure and honest without being excessive. The plot of the story works better and comfortably in the cultural background of Japan. Bound to be a classic for years to come.

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Jessica W.

I watched this film for the first time for a social dance class in college. We were required to watch a dance film and our choices were limited to films that actually show real dancing (as you would learn it in class). I absolutely fell in love with this movie and purchased it as soon as I could. When anyone brings up the Gere/ Lopez version, I always point them back to the original.

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