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Safe (1995)

Safe (1995)
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Todd Haynes presents a revisionist take on the paranoia thriller with this story of a Southern California housewife who suddenly falls victim to an inexplicable, apparently incurable illness. Carol White (Julianne Moore) lives with her husband and son in suburban comfort until she collapses one day, for no apparent reason. Her condition worsens in the weeks that follow, as she suffers from coughing fits, exhaustion, and spontaneous nose bleeds, triggered by sources as disparate as car exhaust, cologne, and the sun. Failing to find any medical explanation for her maladies, her doctor refers her to a psychiatrist, who suggests that her physical ailments are psychosomatic -- a theory echoed by her callous and increasingly frustrated husband. At her wits' end, Carol withdraws to an expensive New Age retreat for sufferers of "20th century disease," where the community's guru (Peter Friedman) champions a dubious regimen of diet, climate control, introspection, and self-love. ~ Michael Hastings, Rovi

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Starring:
Julianne MoorePeter Friedman, (more)
Director(s):
Todd Haynes
Theatrical MPAA Rating:
R
Format(s):
DVD
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Synopsis of Safe

Todd Haynes presents a revisionist take on the paranoia thriller with this story of a Southern California housewife who suddenly falls victim to an inexplicable, apparently incurable illness. Carol White (Julianne Moore) lives with her husband and son in suburban comfort until she collapses one day, for no apparent reason. Her condition worsens in the weeks that follow, as she suffers from coughing fits, exhaustion, and spontaneous nose bleeds, triggered by sources as disparate as car exhaust, cologne, and the sun. Failing to find any medical explanation for her maladies, her doctor refers her to a psychiatrist, who suggests that her physical ailments are psychosomatic -- a theory echoed by her callous and increasingly frustrated husband. At her wits' end, Carol withdraws to an expensive New Age retreat for sufferers of "20th century disease," where the community's guru (Peter Friedman) champions a dubious regimen of diet, climate control, introspection, and self-love. ~ Michael Hastings, Rovi

Theatrical Feature Running Time:
119 mins

Complete Cast of Safe


Director(s):
Todd Haynes
Writer(s):
Todd Haynes
Producer(s):
Denny VachliotiLauren ZalaznickChristine Vachon
Theatrical MPAA Rating:
R(Adult Situations, Not For Children)
Safe Awards:
  • 1995 - National Society of Film Critics - Best Director (Runner-up)
Warning:  This product is intended for mature audiences only. It may contain violence, sexual content, drug abuse and/or strong language. You must be 17 or older to purchase it. By ordering this item you are certifying that you are at least 17 years of age.

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    Kristin C.

    I like horror movies. I'll sit through Saw without blinking an eye, going straight to bed after the credits roll. This movie, despite the fact it has no blood, no gore, and no violence, scared me so badly I had to wait a couple hours before going to bed. It gets inside your head and makes you feel exactly the fear that the characters are feeling. Despite the fact that it made me uneasy down to my bones, it's a great movie. Well-written, well-cast, and never over the top or obvious. Haynes uses subtle plot devices to enforce the overall mood of the film, especially the creepy, ethereal soundtrack. He accomplishes more with the mask-wearing, bandaged , stumbling Lester (the character pictured on the DVD cover), full of fear of chemicals in his food, water, and air, who you only see in long-shots in the background than any amount of in-your-face gore or slasher scene ever could.

    Yes   |   No

     
    David K.

    Wow. I'd rather watch paint dry on a wall because at least that would be slightly more interesting.

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    Larry R.

    Possibly the worst movie I've ever seen. Only glimmer of a bright spot was Julianne Moore's acting - but that didn't come close to making up for the lameness of the movie in general. It actually had the unintended effect of becoming hilarious as it wore on . . . and on . . . and on.

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