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Cottage on Dartmoor (1929)

Cottage on Dartmoor (1929)
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Escaped From Dartmoor (aka A Cottage On Dartmoor) represented director Anthony Asquith's entree into the world of talking pictures. Compared by contemporary critics to the best that Hitchcock had to offer, the film concentrates on murder amongst the lower classes. Things go from bad to worse when Joe (Ugo Henning), a barber, falls in love with Sally (Nora Baring), a manicurist. When foreign customer Harry (Hans Schettow) likewise falls for Sally, Joe responds by slitting the man's throat. This earns him a stiff prison term, but he manages to escape for more deviltry. Completed as a silent film, Escaped from Dartmoor was converted into a part-soundie with the inclusion of a five-minute scene in which the three main characters attend a talking picture show. ~ Hal Erickson, Rovi

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Starring:
Norah BaringUno Henning, (more)
Director(s):
Anthony Asquith
Format(s):
DVD
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Synopsis of Cottage on Dartmoor

Escaped From Dartmoor (aka A Cottage On Dartmoor) represented director Anthony Asquith's entree into the world of talking pictures. Compared by contemporary critics to the best that Hitchcock had to offer, the film concentrates on murder amongst the lower classes. Things go from bad to worse when Joe (Ugo Henning), a barber, falls in love with Sally (Nora Baring), a manicurist. When foreign customer Harry (Hans Schettow) likewise falls for Sally, Joe responds by slitting the man's throat. This earns him a stiff prison term, but he manages to escape for more deviltry. Completed as a silent film, Escaped from Dartmoor was converted into a part-soundie with the inclusion of a five-minute scene in which the three main characters attend a talking picture show. ~ Hal Erickson, Rovi

Theatrical Feature Running Time:
195 mins

Complete Cast of Cottage on Dartmoor


Director(s):
Anthony Asquith
Writer(s):
Anthony Asquith
Producer(s):
H. Bruce Woolfe
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    Member Reviews
     
    Keith G.

    Not much on a story or acting level (jealous man embroiled in tragedy with the object of his affections). But very impressive in the use of expressionist photography and editing. The look is like much later film noir, but often better (including a little Scorsese-esque fast push in), and the editing (and story structure) is very brave; from the flashback structure of the whole story, to the super fast cutting in two sequences (including the insertion on a single red frame) that makes most modern editing look safe and dull by comparison. Well worth a look for technique alone.

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    Karl H.

    It is absolutely amazing to me that I had never heard of this movie, cannot recall ever reading a reference to it, yet it is among the best silent films I have ever seen. This is heresy (even to myself) but I prefer it to any of the Hitchcock silent films of the same era (except The Lodger). There is a simply stunning sequence that takes place in a movie theatre that should be way up there in the quotes and clips department of bravura film sequences. Truly an unsung gem, that with this DVD release, hopefully will be recognized for the masterwork that it is.

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    Ujjwal G.

    This is a good movie to watch. Must watch movie

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