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Yesterday, Today and Tomorrow (1963)

Yesterday, Today and Tomorrow (1963)
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Each of the episodes in the three-part Yesterday, Today and Tomorrow (Ieri, Oggi E Domani) stars Sophia Loren and Marcello Mastroianni. In "Adelina-Naples," Loren and Mastroianni are married, and Loren is in trouble with the law. Each time the authorities close in, Loren eludes capture by revealing a swollen belly; back in 1964, Italian law forbade the arrest of a pregnant woman until six months after the child's birth. In "Anna," Loren is married to a wealthy industrialist and has an affair with Mastroianni. So obsessed is she with material possessions that she's willing to walk out on Mastroianni when he smashes her sports car. And in "Mara," high-priced prostitute Loren attracts the attention of a young seminary student, but refuses to seduce him -- then takes a vow of chastity, aggravating her regular customer (Mastroianni). While the first episode is the funniest, it was the last episode which received the most press-coverage, thanks to Loren's "striptease" scene, revealing La Loren in skimpy bra and panties (a bit parodied by the stars in Robert Altman's otherwise-dreadful Prêt-à-Porter). Though the title Yesterday, Today and Tomorrow has absolutely no relation to the film at hand, it is a far more appealing cognomen than the film's British release title, She Got What She Asked For. ~ Hal Erickson, Rovi

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Starring:
Sophia LorenMarcello Mastroianni, (more)
Director(s):
Vittorio De SicaMario Canale, (more)
Format(s):
DVD
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Synopsis of Yesterday, Today and Tomorrow

Each of the episodes in the three-part Yesterday, Today and Tomorrow (Ieri, Oggi E Domani) stars Sophia Loren and Marcello Mastroianni. In "Adelina-Naples," Loren and Mastroianni are married, and Loren is in trouble with the law. Each time the authorities close in, Loren eludes capture by revealing a swollen belly; back in 1964, Italian law forbade the arrest of a pregnant woman until six months after the child's birth. In "Anna," Loren is married to a wealthy industrialist and has an affair with Mastroianni. So obsessed is she with material possessions that she's willing to walk out on Mastroianni when he smashes her sports car. And in "Mara," high-priced prostitute Loren attracts the attention of a young seminary student, but refuses to seduce him -- then takes a vow of chastity, aggravating her regular customer (Mastroianni). While the first episode is the funniest, it was the last episode which received the most press-coverage, thanks to Loren's "striptease" scene, revealing La Loren in skimpy bra and panties (a bit parodied by the stars in Robert Altman's otherwise-dreadful Prêt-à-Porter). Though the title Yesterday, Today and Tomorrow has absolutely no relation to the film at hand, it is a far more appealing cognomen than the film's British release title, She Got What She Asked For. ~ Hal Erickson, Rovi

Theatrical Feature Running Time:
120 mins

Complete Cast of Yesterday, Today and Tomorrow


Director(s):
Mario CanaleVittorio De Sica
Writer(s):
Billa BillaCesare ZavattiniAlberto Moravia
Producer(s):
Massimo VigliarCarlo Ponti
Categories:
Comedy
Yesterday, Today and Tomorrow Awards:
  • 1964 - British Academy of Film and Television Arts - Best Foreign Actor
  • 1963 - Golden Globe - Best Foreign Film
  • 1963 - Hollywood Foreign Press Association - Best Foreign Film
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    Member Reviews
     
    John B.

    Sophia Loren and Marcello Mastroianni have never been better, especially in the last of the three stories in this film. Occasionally slow-paced, but with a delightful underlying sense of humor. Wonderful urban scenes of Italy, too. Unfortunately, the version I received was dubbed (despite being labelled as subtitled), and video quality was lousy.

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    Thomas V.

    The picture quality of this DVD was so low it was virtually unwatchable. Like a poor videotape. The audio is in dubbed version only. If you can get past that, the three separate stories were slow-moving but had a certain charm, esp. due to the two leads. Recommendation: wait for a better DVD transfer.

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    Daniel S.

    This film is a very poor copy of the original title-the color is washed out and it gives the appearance of being out of focus.

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