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Way Down South (1939)

Way Down South (1939)
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Way Down South ranks as among the better Bobby Breen musicals, if only because of its impressive production credits. The film is set in antebellum Louisiana, where young Tim Reid's (Breen) inheritance is highly coveted by crooked attorney Martin Dill (Edwin Maxwell). With the help of kindly Cajun innkeeper Jacques Bouton (Alan Mowbray), Tim is able to foil the villain, with time left over for a number of Southern-fried tunes. The film's attitudes towards slavery-to a man, the "darkies" are blissfully content with their lot in life-is astonishing, inasmuch as the film was cowritten by Clarence Muse (one of the more militant black performers in Hollywood) and African American poet Langston Hughes! The screenwriters were also responsible for the songs, including "Louisiana" and "Good Ground." ~ Hal Erickson, Rovi

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Starring:
Bobby BreenAlan Mowbray, (more)
Director(s):
Bernard Vorhaus
Format(s):
DVD
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Synopsis of Way Down South

Way Down South ranks as among the better Bobby Breen musicals, if only because of its impressive production credits. The film is set in antebellum Louisiana, where young Tim Reid's (Breen) inheritance is highly coveted by crooked attorney Martin Dill (Edwin Maxwell). With the help of kindly Cajun innkeeper Jacques Bouton (Alan Mowbray), Tim is able to foil the villain, with time left over for a number of Southern-fried tunes. The film's attitudes towards slavery-to a man, the "darkies" are blissfully content with their lot in life-is astonishing, inasmuch as the film was cowritten by Clarence Muse (one of the more militant black performers in Hollywood) and African American poet Langston Hughes! The screenwriters were also responsible for the songs, including "Louisiana" and "Good Ground." ~ Hal Erickson, Rovi

Theatrical Feature Running Time:
60 mins

Complete Cast of Way Down South


Director(s):
Bernard Vorhaus
Writer(s):
Clarence Muse
Producer(s):
Sol Lesser
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    James M.

    Despite Bobby Breen's beautiful singing voice, this film is very amateurish. It seems a tad repugnant now to see "happy slaves" joyously cutting sugar cane while working and living in sweaty captivity. Definitely a 1939 white man's view of southern plantation life. Very thin story and silly climax to "yassah massah" Hollywood stereotypes. Langston Hughes co-wrote the screenplay!!

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