Vincent and Theo (1990)

Vincent and Theo (1990)
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The relationship between the obsessive, brilliant painter Vincent Van Gogh and his more practical brother Theo is at the center of director Robert Altman's well-received biography, originally produced as a miniseries for European television. Now universally acknowledged as masterpieces, Vincent Van Gogh's works were ignored in his lifetime, despite the best efforts of Theo, a struggling gallery owner. When he fails to make a profit from his brother's work, Theo finds himself torn between art and commerce, a conflict deepened by Vincent's increasing emotional neediness. Soon, the situation worsens, and both brothers are forced to struggle with depression and madness. Altman's distinctive directorial approach avoids clichés, allowing his leads to create contradictory and sometimes unlikable characters. Tim Roth captures Vincent's devotion to his art, his difficult personality, and his descent into mental illness without resorting to histrionics, while Paul Rhys provides equally proficient work as the more repressed Theo. The cinematography by Jean Lepine illuminates the links between Altman's trademark wandering camera and Van Gogh's impressionistic painting style. ~ Judd Blaise, All Movie Guide

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Starring:
Tim RothPaul Rhys, (more)
Director(s):
Robert Altman
Format(s):
DVD,  (View All Versions)
 

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Synopsis of Vincent and Theo

The relationship between the obsessive, brilliant painter Vincent Van Gogh and his more practical brother Theo is at the center of director Robert Altman's well-received biography, originally produced as a miniseries for European television. Now universally acknowledged as masterpieces, Vincent Van Gogh's works were ignored in his lifetime, despite the best efforts of Theo, a struggling gallery owner. When he fails to make a profit from his brother's work, Theo finds himself torn between art and commerce, a conflict deepened by Vincent's increasing emotional neediness. Soon, the situation worsens, and both brothers are forced to struggle with depression and madness. Altman's distinctive directorial approach avoids clichés, allowing his leads to create contradictory and sometimes unlikable characters. Tim Roth captures Vincent's devotion to his art, his difficult personality, and his descent into mental illness without resorting to histrionics, while Paul Rhys provides equally proficient work as the more repressed Theo. The cinematography by Jean Lepine illuminates the links between Altman's trademark wandering camera and Van Gogh's impressionistic painting style. ~ Judd Blaise, All Movie Guide

Theatrical Feature Running Time:
140 mins

Complete Cast of Vincent and Theo


Director(s):
Robert Altman
Writer(s):
Julian Mitchell
Producer(s):
Ludi Boeken
Categories:
TelevisionDrama
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Member Reviews (13)

 
Scott L.

I have watched several movies on Van Gogh -- this is the only one that moved from his declaration to wanting to be a painter to his death. It shows the pain and joy he suffered throughout his life in a way the was very palpable but yet not black. I would say this film is not as beautiful as "Van Gogh" a french film--but the story moves a lot smoother and focuses more on Vincent. His life was a little crude--so I do not recommend this movie for 13 or under.

Yes   |   No

 
GLORIA L.

I read the wonderful reviews others made but sadly cannot agree with them. I was very disappointed in the movie. Right at the beginning and all the way thru the music was awfulI .It was supposed to indicate "madness" I guess,but just sounded like a kid pounding on the piano -very loud and discordant. and annoying. The movie did portray t he discordant relationship between the brothers and Vincent's manic devotion to his art. but little attention was payed to the art itself.- the finished paintings. I was disappointed in that as well. This was an annoying picture. Very spotty in anything worthwhile.. I'm sorry I saw it.

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R B.

A visual extravaganza! Tim Roth executes a brilliant performance. This film is a series of paintings put into motion. It was stunningly amazing. It had the coloration of a painting. The cinematographer makes it cunningly clear that Vincent himself was art. Vincent saw in art. With the first appearance of the window in his dwelling, I spied the Still Life work of art and fading to another area transpired another painting. When drawing the model each movement to another area materialized a painting. Any frozen frame resulted in the emergence of a painting. The film was engaging and informative. I always thought he cut off his entire ear. I didnt know his life was so difficult in one sense, and so easy in another. Easy in that his brother paid all his expenses and difficult in that his inner struggle greatly handicapped him. I was not convinced that his condition was due to mental illness in lieu of tolerated bad behavior. But then again perhaps in some cases our talents cripple us.

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