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Two for the Road (1967)

Two for the Road (1967)
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In preparing his romantic comedy Two For the Road, director Stanley Donen decided to utilize many of the cinematic techniques popularized by the French "nouvelle vague" filmmakers. Jump cutting back and forth in time with seeming abandon, Donen and scriptwriter Frederic Raphael chronicle the 12-year relationship between architect Wallace (Albert Finney) and his wife (Audrey Hepburn). While backpacking through Europe, student Finney falls for lovely music student Jacqueline Bisset, but later settles for Hepburn, another aspiring musician (this vignette served as the launching pad for the film-within-a-film in Francois Truffaut's 1973 classic Day for Night). Once married, Finney and Hepburn go on a desultory honeymoon, travelling in the company of insufferable American tourists William Daniels and Eleanor Bron and their equally odious daughter Gabrielle Middleton. Later on, during yet another road trip, Finney is offered an irresistible job opportunity by Claude Dauphin, which ultimately distances Finney from his now-pregnant wife. Still remaining on the road, the film then details Finney and Hepburn's separate infidelities. The film ends where it begins, with Finney and Hepburn taking still another road vacation, hoping to sew up their unraveling marriage. While critics did nip-ups over Stanley Donen's "revolutionary" nonlinear story-telling techniques, audiences responded to the chemistry between Audrey Hepburn and Albert Finney, not to mention the unforgettable musical score by Henry Mancini. Note: many TV prints of Two for the Road are edited for content, robbing the viewer of Finney and Hepburn's delightful "Bitch/Bastard" closing endearments. ~ Hal Erickson, Rovi

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Starring:
Audrey HepburnAlbert Finney, (more)
Director(s):
Stanley Donen
Format(s):
DVD
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Synopsis of Two for the Road

In preparing his romantic comedy Two For the Road, director Stanley Donen decided to utilize many of the cinematic techniques popularized by the French "nouvelle vague" filmmakers. Jump cutting back and forth in time with seeming abandon, Donen and scriptwriter Frederic Raphael chronicle the 12-year relationship between architect Wallace (Albert Finney) and his wife (Audrey Hepburn). While backpacking through Europe, student Finney falls for lovely music student Jacqueline Bisset, but later settles for Hepburn, another aspiring musician (this vignette served as the launching pad for the film-within-a-film in Francois Truffaut's 1973 classic Day for Night). Once married, Finney and Hepburn go on a desultory honeymoon, travelling in the company of insufferable American tourists William Daniels and Eleanor Bron and their equally odious daughter Gabrielle Middleton. Later on, during yet another road trip, Finney is offered an irresistible job opportunity by Claude Dauphin, which ultimately distances Finney from his now-pregnant wife. Still remaining on the road, the film then details Finney and Hepburn's separate infidelities. The film ends where it begins, with Finney and Hepburn taking still another road vacation, hoping to sew up their unraveling marriage. While critics did nip-ups over Stanley Donen's "revolutionary" nonlinear story-telling techniques, audiences responded to the chemistry between Audrey Hepburn and Albert Finney, not to mention the unforgettable musical score by Henry Mancini. Note: many TV prints of Two for the Road are edited for content, robbing the viewer of Finney and Hepburn's delightful "Bitch/Bastard" closing endearments. ~ Hal Erickson, Rovi

Theatrical Feature Running Time:
111 mins

Complete Cast of Two for the Road


Director(s):
Stanley Donen
Writer(s):
Frederic Raphael
Producer(s):
Stanley Donen
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    Member Reviews
     
    Larry T.

    What man would not be blessed paired with an intelligent, feminine woman whose love and wit give her the patient grace to parry his own immaturity and general boorishness -- and bring out the best in him? (Admittedly, I recognized some of my own youthful coarseness in the Finney character.) The road-tripping metaphor is beautifully intercut to keep the story moving and makes the point that no journey is perfect, owing to the flaws built into each of the travelers. Best acting is by Hepburn as she subtlely switches forward and back between playful naif to sexy, smart young wife and new mom, and back to the jaded, seasoned woman whose flashback constitutes the story. Gorgeous Mancini theme music is hauntingly lyical and understated, just like the script. (This 4th viewing since the '60s was rewarding, but seen through mature eyes, one's perspective is altered, not for the worse.)

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    Wolfgang R.

    The hairdoes, the cars, the clothes.....a marvellous piece of film history of the 60ies. there are probably 2 dozen spots to freeze the movie to see on of the most honest and beautiful smiles in movie history...a must for every Audrey Hepburn fan

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    Donald K.

    Good chestry between Hepburn and Finney keep the story entertaining. Beautiful outdoor scenery. Humerous. Style was unique to me but some could find it distracting.

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