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The Turning Point (1977)

The Turning Point (1977)
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One of a cycle of '70s post-Women's Liberation "women's pictures," Herbert Ross's drama uses the ballet world to examine the conflict between family and career. Former dance colleagues Deedee (Shirley MacLaine) and Emma (Anne Bancroft) are reunited when Emma's New York ballet company stops in Oklahoma City for a performance. Having dropped her career for marriage and motherhood, Deedee envies prima ballerina Emma's limelight life; aging Emma, realizing that her days as a star are numbered, wishes that she had the fulfillment of a family like Deedee's. Tensions simmer when Deedee's talented teenage daughter, Emilia (Leslie Browne), moves to New York to join Emma's company. As Emma maternally bonds with Emilia, and Emilia falls in love with womanizing dancer Yuri (Mikhail Baryshnikov), Deedee feels that she's losing her place even as a mother. After Emilia's triumphant debut, Deedee's and Emma's resentments boil over into an all-out catfight that ends when they realize they can unite in happiness for Emilia's future. Splitting the desires to nest and to work between two characters, Ross and writer Arthur Laurents reveal the difficulty faced by women in a world of expanding options. As in Michael Powell's and Emeric Pressburger's seminal ballet film The Red Shoes (1948), dancing and a personal life don't mix, even as the films display ballet's seductive power here in the gracefully integrated numbers by dance stars Browne and Baryshnikov. Despite reservations about its melodramatic aspects, The Turning Point earned box-office success and eleven Oscar nominations (but no wins). Even if its wife/work struggle seems a bit old-fashioned, Deedee's and Emma's final bond suggests that the next generation may not have the same regrets. ~ Lucia Bozzola, Rovi

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Starring:
Anne BancroftShirley MacLaine, (more)
Director(s):
Herbert Ross
Theatrical MPAA Rating:
PG
Format(s):
DVD
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Synopsis of The Turning Point

One of a cycle of '70s post-Women's Liberation "women's pictures," Herbert Ross's drama uses the ballet world to examine the conflict between family and career. Former dance colleagues Deedee (Shirley MacLaine) and Emma (Anne Bancroft) are reunited when Emma's New York ballet company stops in Oklahoma City for a performance. Having dropped her career for marriage and motherhood, Deedee envies prima ballerina Emma's limelight life; aging Emma, realizing that her days as a star are numbered, wishes that she had the fulfillment of a family like Deedee's. Tensions simmer when Deedee's talented teenage daughter, Emilia (Leslie Browne), moves to New York to join Emma's company. As Emma maternally bonds with Emilia, and Emilia falls in love with womanizing dancer Yuri (Mikhail Baryshnikov), Deedee feels that she's losing her place even as a mother. After Emilia's triumphant debut, Deedee's and Emma's resentments boil over into an all-out catfight that ends when they realize they can unite in happiness for Emilia's future. Splitting the desires to nest and to work between two characters, Ross and writer Arthur Laurents reveal the difficulty faced by women in a world of expanding options. As in Michael Powell's and Emeric Pressburger's seminal ballet film The Red Shoes (1948), dancing and a personal life don't mix, even as the films display ballet's seductive power here in the gracefully integrated numbers by dance stars Browne and Baryshnikov. Despite reservations about its melodramatic aspects, The Turning Point earned box-office success and eleven Oscar nominations (but no wins). Even if its wife/work struggle seems a bit old-fashioned, Deedee's and Emma's final bond suggests that the next generation may not have the same regrets. ~ Lucia Bozzola, Rovi

Theatrical Feature Running Time:
119 mins

Complete Cast of The Turning Point


Director(s):
Herbert Ross
Writer(s):
Arthur Laurents
Producer(s):
Herbert RossArthur Laurents
Theatrical MPAA Rating:
PG(Questionable for Children, Brief Nudity, Adult Language, Adult Situations)
The Turning Point Awards:
  • 1977 - Golden Globe - Best Picture - Drama
  • 1977 - Hollywood Foreign Press Association - Best Picture - Drama
  • 1977 - Hollywood Foreign Press Association - Best Director
  • 1977 - Los Angeles Film Critics Association - Best Director
  • 1977 - National Board of Review - Best Supporting Actor
  • 1977 - National Board of Review - Best Picture
  • 1977 - National Board of Review - Best Actress
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    Member Reviews
     
    Constance F.

    Loved this movie, saw it a long time ago and just as good now. The dancing is spectacular!

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    Charles P.

    The theme of this movie seems dated today, but it is well worth watching for the dancing alone. Mikhail Baryshnikov at the height of his power as a dancer--sigh--those blue eyes don't hurt, either. Anne Bancroft and Shirley MacLaine are both good in their parts, as usual. I also enjoyed watching Lesley Browne dance. I love this movie.

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    Tori Y.

    Great movie. Great story. Great actors. Wonderful dancing. I totally recommend it, especially for women-- although I think men would like it as well. It is just that I think women can truly relate to the issues it deals with.

    Yes   |   No

     
    Read All 15 Reviews