Shock Corridor (1963)

Shock Corridor (1963)
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Shock Corridor represents filmmaker Samuel Fuller at his most excessive, but few would have it otherwise. Peter Breck plays a ruthless journalist who believes that the quickest way to a Pulitzer Prize is to uncover the facts behind a murder at a mental hospital. To glean first-hand information, Breck pretends to go insane and is locked up in the institution. While pursuing his investigation, Breck is sidetracked by the loopy behavior of his fellow inmates. During a hospital riot, Breck is straightjacketed and subjected to shock treatment. By now almost as crazy as he's previously pretended to be, Breck begins imagining that his exotic-dancer girlfriend Constance Towers (a Samuel Fuller "regular") is actually his sister! Typical of the Fuller ouevre, the characters in Shock Corridor are either saved or destroyed by their individual obsessions. ~ Hal Erickson, Rovi

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Starring:
Peter BreckConstance Towers, (more)
Director(s):
Samuel Fuller
Format(s):
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Synopsis of Shock Corridor

Shock Corridor represents filmmaker Samuel Fuller at his most excessive, but few would have it otherwise. Peter Breck plays a ruthless journalist who believes that the quickest way to a Pulitzer Prize is to uncover the facts behind a murder at a mental hospital. To glean first-hand information, Breck pretends to go insane and is locked up in the institution. While pursuing his investigation, Breck is sidetracked by the loopy behavior of his fellow inmates. During a hospital riot, Breck is straightjacketed and subjected to shock treatment. By now almost as crazy as he's previously pretended to be, Breck begins imagining that his exotic-dancer girlfriend Constance Towers (a Samuel Fuller "regular") is actually his sister! Typical of the Fuller ouevre, the characters in Shock Corridor are either saved or destroyed by their individual obsessions. ~ Hal Erickson, Rovi

Theatrical Feature Running Time:
101 mins

Complete Cast of Shock Corridor


Director(s):
Samuel Fuller
Writer(s):
Samuel Fuller
Producer(s):
Samuel Fuller
Shock Corridor Awards:
  • 1996 - Library of Congress - U.S. National Film Registry
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J'ADORE LE CINEMA O.

At one point I wanted to tie Sam Fuller down and subject him to shock treatment for this movie. Both of the other reviews are right on with their analysis. For the era this was as advanced as could be, but today much of it seems silly. If you are not nuts already, this movie will help move you in that direction, it is kind of like a wound that you pick at, you know not to but you can't stop watching it. Sam was much better with the war and anti-war films he did. But this was one of HWood's most interesting directors, excentric and driven. The 2 disc set of Big Red One has a great bio on him that helps put this strange film into perspective. Shot low budget and short time, Sam usually did things in one take. Recommend: Big Red One, Steel Helmet and his Korean war films, Pickup on South Street is superb. Great characterizations in his work.

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James V.

Sam Fuller's SHOCK CORRIDOR doesn't hold up quite as well as his "Naked Kiss": a movie with Peter Breck in the lead just isn't as interesting as one with Constance Towers. (She's in this, too, but doesn't have much more to do than complain, cry and sing 'n dance a "strip" number as bizarre and asexual as anything in the history of burlesque.) But the movie still shows how this one-of-a-kind filmmaker could wrap his mind & camera around the most peculiar (for their time) topics, managing to create something entertaining, thought-provoking, sordid and silly. As so often, the problem with Fuller is that he hits you over the head with his newfound ideas rather than incorporating them into subtle art. In this film, the black character Trent's behavior is a much less subtle (but sadder and not nearly as pernicious) version of our Supreme Court's Clarence Thomas or Ohio's J. Kenneth Blackwell. I hope Criterion (or some company) manages to get every last one of his movies onto DVD eventually.

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Charles G.

This just misses being a camp classic , eg being so awful you would love to sit around with friends and laugh at it. Much of this is just plain embarrassing, especially Constance Towers. Watching her do her weird burlesque number, stumbling over her feather boa, IS camp; I rate that performance up there with Patty Duke's big number in Valley of the Dolls.

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