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Macbeth (2006)

Macbeth (2006)
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With the 2006 MacBeth, controversial Australian director Geoffrey Wright (Romper Stomper, Metal Skin) launches his fourth big screen outing and continues the trend of reinventing Shakespeare by contemporizing the bard's plays. As in other recent efforts (Richard Loncraine's Richard III (1996), Michael Almereyda's Hamlet (2000)), Wright uses a distinctly postmodern context to extract related themes from the original work. Here, Wright reworks the brutal tragedy Macbeth, retaining its Elizabethan dialogue, but resituating the events within the arena of modern Australian gang violence. His Macbeth (Sam Worthington) is a drug baron and pimp, his Lady Macbeth a Valium-addicted, narcoleptic burnout and manipulator, his Duncan the head of Melbourne's criminal underground. Macbeth and Lady Macbeth murder Duncan in cold blood (framing the servants as responsible), but soon after Macbeth takes the throne, he is undone - and beheaded - by usurper Macduff. Like former adapter Roman Polanski, Wright ups the quotients of bloodletting, sadism, and underlying iciness. He filmed much of the picture with HD photography - thus capturing a broader range of imagery and a much blacker darkness in his nighttime sequences - and lit a pivotal action scene exclusively with red laser gun sights. The result is a thoroughly unique and unprecedented work. ~ Nathan Southern, Rovi

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Starring:
Sam WorthingtonVictoria Hill, (more)
Director(s):
Geoffrey Wright
Format(s):
DVD
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Synopsis of Macbeth

With the 2006 MacBeth, controversial Australian director Geoffrey Wright (Romper Stomper, Metal Skin) launches his fourth big screen outing and continues the trend of reinventing Shakespeare by contemporizing the bard's plays. As in other recent efforts (Richard Loncraine's Richard III (1996), Michael Almereyda's Hamlet (2000)), Wright uses a distinctly postmodern context to extract related themes from the original work. Here, Wright reworks the brutal tragedy Macbeth, retaining its Elizabethan dialogue, but resituating the events within the arena of modern Australian gang violence. His Macbeth (Sam Worthington) is a drug baron and pimp, his Lady Macbeth a Valium-addicted, narcoleptic burnout and manipulator, his Duncan the head of Melbourne's criminal underground. Macbeth and Lady Macbeth murder Duncan in cold blood (framing the servants as responsible), but soon after Macbeth takes the throne, he is undone - and beheaded - by usurper Macduff. Like former adapter Roman Polanski, Wright ups the quotients of bloodletting, sadism, and underlying iciness. He filmed much of the picture with HD photography - thus capturing a broader range of imagery and a much blacker darkness in his nighttime sequences - and lit a pivotal action scene exclusively with red laser gun sights. The result is a thoroughly unique and unprecedented work. ~ Nathan Southern, Rovi

Theatrical Feature Running Time:
110 mins

Complete Cast of Macbeth


Director(s):
Geoffrey Wright
Writer(s):
Geoffrey WrightVictoria Hill
Producer(s):
Martin FabinyiVictoria Hill
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    John L.

    This could work for getting little violent kids interested in Mr. Shakes I guess, but if you are prone to motion sickness the camera never stops shaking from side to side and it is like watching a bad music video most of the time. Baz Lurmahn with Romeo and Juliet did a better job of keeping attention and this "update" of Shakes work is bad.

    Yes   |   No

     
    Regina D.

    Great to have a chance to see another version of a Shakespeare play. I knew it was set in modern day so expected and put up with lots of awfully bloody gun and knife violence. On the good side it has some very clever updated settings & plot devices including "Cawdor", "is this a dagger I see," and "Banquo's ghost" scenes. "Great Birmnam Wood comes to Dunsinane" scene is a hoot! But the acting was terrible and since the characters were all trashy drug dealers, I felt no sympathy for any of them which really hurt the entire production.

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    Lloyd V.

    Like most of my fellow sci-fi / fantasy fans, I saw, in pretty quick succession, "Terminator Salvation," "Avatar," and "Clash Of The Titans," and was left asking...WHY? WHY is this Worthington fellow suddenly getting EVERY lead in EVERY huge-budget epic? Reasonably good-looking, but NOT 'all that,' right? And he's got this ONE boring facial expression that he wore thru that triad, evidently to the satisfaction of those 3 directors...WHY? So now, a few years later, I find myself with this earlier work in my player (as it happens, I love The Bard as well), and while I absolutely LOVED this crazed adaptation (the Weird Sisters sequence is totally unforgettable), there's Our Sam again, at the center of it all, wearing that SAME stone face throughout, doing his level best to undermine what could have been a classic, evidently to the satisfaction of this director. I just don't get it. WHY???

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