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Noriko's Dinner Table (2005)

Noriko's Dinner Table (2005)
Member Rating:  
Noriko's Dinner Table (2005) constitutes a follow-up with thematic similarities and loose narrative connections (though not a direct sequel) to Japanese filmmaker Shion Sono's dark 2002 satire Suicide Club. The time-fractured narrative weaves the gothic tale of the two backward Shimbara sisters, teenagers Yuka (Yuriko Yoshitaka) and Noriko (Kazue Fukiishi). The girls inadvertently become enslaved to a website, Hayiko.com, that represents a front for a perverse theatrical group, "The Family Circle" -- whereby young girls are hired by clients to act out bizarre fantasies. As a product of becoming implicated in the site, the sisters lose the ability to recognize their own identities; one is brainwashed by being forced to watch the mass suicide of 54 young Japanese girls from the earlier Suicide Club. The picture ultimately descends into blood-soaked carnage involving the titular table and a bevy of inanimate domestic objects. Ever the formalist, Sono divides his recit into a quintet of segments, and labels four of five with the names of key characters, each of whom narrates his or her "chapter" in voice-over. ~ Nathan Southern, Rovi

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Starring:
Kazue FukiishiTsugumi, (more)
Director(s):
Sion Sono
Format(s):
DVD
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Synopsis of Noriko's Dinner Table

Noriko's Dinner Table (2005) constitutes a follow-up with thematic similarities and loose narrative connections (though not a direct sequel) to Japanese filmmaker Shion Sono's dark 2002 satire Suicide Club. The time-fractured narrative weaves the gothic tale of the two backward Shimbara sisters, teenagers Yuka (Yuriko Yoshitaka) and Noriko (Kazue Fukiishi). The girls inadvertently become enslaved to a website, Hayiko.com, that represents a front for a perverse theatrical group, "The Family Circle" -- whereby young girls are hired by clients to act out bizarre fantasies. As a product of becoming implicated in the site, the sisters lose the ability to recognize their own identities; one is brainwashed by being forced to watch the mass suicide of 54 young Japanese girls from the earlier Suicide Club. The picture ultimately descends into blood-soaked carnage involving the titular table and a bevy of inanimate domestic objects. Ever the formalist, Sono divides his recit into a quintet of segments, and labels four of five with the names of key characters, each of whom narrates his or her "chapter" in voice-over. ~ Nathan Southern, Rovi

Theatrical Feature Running Time:
159 mins

Complete Cast of Noriko's Dinner Table


Director(s):
Sion Sono
Writer(s):
Sion Sono
Producer(s):
Takeshi Suzuki
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    Member Reviews
     
    Ralph K.

    Either I am an absolute idiot without any sophistication or this movie is an absolute trash. Watch it and derive to your own conclusion.

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    Denna B.

    For the first hour, the movie almost had some promise with its impatient and adolescent view of wanting to start an exciting life elsewhere. However, the diary narration like storytelling devolved into metaphysical nonsense. If it wasn't for the train scene, you might not know that this movie has anything to do with the earlier Japanese movie, "Suicide Club". If you did watch "Suicide Club" and found it to be a generally mind numbingly pointless waste of time, then this movie extends that feeling by another 2 hours and 39 minutes. There's a lot of subtitles to read and at times the lead character was narrating over her own dialogue. There's also a lot of unsteady and out of focus camera work. The audio is in stereo. As for extras, there's a trailer for the movie, a "Director's Introduction" feature (00:35 sec), an "Interview with Director Sion Sono" feature (14:30 min), a "The Making of Noriko's Dinner Table" feature (31:24 min) and trailers for three other movies. Not recommended.

    Yes   |   No

     
    Robert H.

    Definitely a must see if you enjoy the delicate nature of the human psyche and what the true meaning of "family" dysfunction vs. perfect family entails. The bloody scenes are far more poetic than gore, if at all. Beware, this film does romanticize suicide and instill a curiosity about internet groups. Not for overprotective parents or control freaks...

    Yes   |   No

     
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