Performance (1970)

Performance (1970)
Member Rating:  
Even in an era of cinematic experimentation, Performance stands out as a visually daring major-studio film that deals with questions of sanity and identity rarely touched on in mainstream filmmaking. The elements of Performance certainly looked attractive to studio executives at Warner Bros. -- a gangster on the lam hides out in the home of a reclusive rock star -- especially since that musician was being played by Mick Jagger of the Rolling Stones. But co-directors Nicolas Roeg (who also photographed) and Donald Cammell (who wrote the screenplay) had much more in mind than a walk on the wild side of swinging London. Chas (James Fox) is a sadistic thug who gains our sympathies only because men even crueler than he are out to kill him. After Chas arrives at the mansion occupied by Turner (Jagger) and his female companions Pherber (Anita Pallenberg) and Lucy (Michele Breton), what looks like a decadent idyll fueled by drugs and group sex turns into a series of mind games in which Turner challenges Chas' sexual preference and core identity. Even the film's one musical number, "Memo From Turner," is a William Burroughs-like monologue in which Turner fantasizes taking over Chas' role as a mobster, spewing insults to his colleagues. The film's cult status has been fueled by subsequent films of its co-directors (for Roeg, Walkabout, The Man Who Fell to Earth, and Don't Look Now; for Cammell, White of the Eye), which explored similar themes employing the same kind of jagged editing and striking visuals. ~ Tom Wiener, Rovi

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Starring:
James FoxMick Jagger, (more)
Director(s):
Donald CammellNicolas Roeg, (more)
Theatrical MPAA Rating:
R
Format(s):
DVD
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Synopsis of Performance

Even in an era of cinematic experimentation, Performance stands out as a visually daring major-studio film that deals with questions of sanity and identity rarely touched on in mainstream filmmaking. The elements of Performance certainly looked attractive to studio executives at Warner Bros. -- a gangster on the lam hides out in the home of a reclusive rock star -- especially since that musician was being played by Mick Jagger of the Rolling Stones. But co-directors Nicolas Roeg (who also photographed) and Donald Cammell (who wrote the screenplay) had much more in mind than a walk on the wild side of swinging London. Chas (James Fox) is a sadistic thug who gains our sympathies only because men even crueler than he are out to kill him. After Chas arrives at the mansion occupied by Turner (Jagger) and his female companions Pherber (Anita Pallenberg) and Lucy (Michele Breton), what looks like a decadent idyll fueled by drugs and group sex turns into a series of mind games in which Turner challenges Chas' sexual preference and core identity. Even the film's one musical number, "Memo From Turner," is a William Burroughs-like monologue in which Turner fantasizes taking over Chas' role as a mobster, spewing insults to his colleagues. The film's cult status has been fueled by subsequent films of its co-directors (for Roeg, Walkabout, The Man Who Fell to Earth, and Don't Look Now; for Cammell, White of the Eye), which explored similar themes employing the same kind of jagged editing and striking visuals. ~ Tom Wiener, Rovi

Theatrical Feature Running Time:
105 mins

Complete Cast of Performance


Director(s):
Nicolas RoegDonald Cammell
Writer(s):
Donald Cammell
Producer(s):
Sandy Lieberson
Theatrical MPAA Rating:
R(Not For Children, Violence, Nudity, Strong Sexual Content, Adult Situations, Adult Language)
Warning:  This product is intended for mature audiences only. It may contain violence, sexual content, drug abuse and/or strong language. You must be 17 or older to purchase it. By ordering this item you are certifying that you are at least 17 years of age.

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Member Reviews
 
Raymond O.

This film is the unique combining of Nicolas Roeg and Donald Cammell's talents. It's more of an indication of Roeg's future direction than Cammell's, but neither man can be neglected here. Not to mention that this film stars Mick Jagger, only one of the greatest rock stars of all time. It's a stylish trip, rich with symbolism and literary references. Anyone who loved Man Who Fell to Earth shouldn't miss this one.

Yes   |   No

 
Jordan L.

I have to agree with the two-star viewer. This film has a little bit of interesting material, particularly the scenes with Mick Jagger, but I honestly didn't see the point of it. Essentially, it's the juxtaposition of two psyches on opposite ends of the spectrum. But typical 60's film gimmicks and the unbelievable editing, added to the dull dialogue makes this just another reason why people associate the 60's with sex drugs and rock 'n roll.

Yes   |   No

 
Patrick K.

An hallucinatory drug worth taking. It's a film that has full of meaning in what it's saying to you and where it's taking you to. James Fox plays one of the few characters in history to place himself in the top list as one of the scariest gangsters of all time. You can learn a lot from him. When it comes to being enjoyably obscure, this film is the highest authority.

Yes   |   No

 
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