Reel Paradise (2004)

Reel Paradise (2004)
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John Pierson is a passionate cinema enthusiast who has written books on maverick filmmakers (including the bestsellers Spike, Mike, Slackers & Dykes and Reel Paradise), co-created, produced, and hosted the Split Screen series on the Independent Film Channel network, and helped produce a number of independent films, including early works by Spike Lee, Michael Moore, and Richard Linklater. In February 2000, Pierson traveled to Fiji to shoot an episode of Split Screen, where in the tiny village of Taveuni he discovered a fully functioning movie theater. A year later, Pierson discovered that the owner was closing shop and moving to New Zealand. Fascinated by the prospect of showing movies in a remote community that was still edging its way into 20th century technology -- most homes have no electricity or telephones -- Pierson took over the business. Although the theater had shown American films since the fifties, many of the impoverished locals were unable to pay the admission prices - so Pierson waived the costs, thus enabling more natives to attend. He and his family stayed in Taveuni for a year, and his friend Steve James (himself a documentary filmmaker of note) brought a camera crew to Fiji to document the final month of Pierson's experiment. Reel Paradise shows the Taveunians reacting to everything from Steamboat Bill Jr. to Jackass: The Movie, Pierson and his family discussing the reactions of his patrons, the exhibitors' sometimes thorny relationship with Christian missionaries who question his influence on the community, and the cultural and economic divide between the Pierson family and the Fiji natives. ~ Mark Deming, Rovi

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Director(s):
Steve James
Theatrical MPAA Rating:
R
Format(s):
DVD
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Synopsis of Reel Paradise

John Pierson is a passionate cinema enthusiast who has written books on maverick filmmakers (including the bestsellers Spike, Mike, Slackers & Dykes and Reel Paradise), co-created, produced, and hosted the Split Screen series on the Independent Film Channel network, and helped produce a number of independent films, including early works by Spike Lee, Michael Moore, and Richard Linklater. In February 2000, Pierson traveled to Fiji to shoot an episode of Split Screen, where in the tiny village of Taveuni he discovered a fully functioning movie theater. A year later, Pierson discovered that the owner was closing shop and moving to New Zealand. Fascinated by the prospect of showing movies in a remote community that was still edging its way into 20th century technology -- most homes have no electricity or telephones -- Pierson took over the business. Although the theater had shown American films since the fifties, many of the impoverished locals were unable to pay the admission prices - so Pierson waived the costs, thus enabling more natives to attend. He and his family stayed in Taveuni for a year, and his friend Steve James (himself a documentary filmmaker of note) brought a camera crew to Fiji to document the final month of Pierson's experiment. Reel Paradise shows the Taveunians reacting to everything from Steamboat Bill Jr. to Jackass: The Movie, Pierson and his family discussing the reactions of his patrons, the exhibitors' sometimes thorny relationship with Christian missionaries who question his influence on the community, and the cultural and economic divide between the Pierson family and the Fiji natives. ~ Mark Deming, Rovi

Theatrical Feature Running Time:
110 mins

Complete Cast of Reel Paradise


Director(s):
Steve James
Producer(s):
Scott MosierSteve James
Theatrical MPAA Rating:
R(Adult Language)
Categories:
Special InterestDocumentary
Warning:  This product is intended for mature audiences only. It may contain violence, sexual content, drug abuse and/or strong language. You must be 17 or older to purchase it. By ordering this item you are certifying that you are at least 17 years of age.

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Member Reviews
 
Jane F.

I was totally entertained by this multi-layered film about the Pierson family's year in Taveuni. Sometimes we see events from the point of view of John or Janet, or one of their children; sometimes through the eyes of their island friends and neighbors. Because the Piersons are so articulate, and natural in front of the camera, the viewer feels intimately involved in the experiences they encounter. A subplot concerning the aftermath of a robbery is especially absorbing. No less interesting are scenes showing parent - child interactions. There's a lot to digest in this film: cultural differences, the universal appeal of movies, family relationships, etc. Guess I'll have to watch it again!

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Robert B.

Taking an audience to thrilling locales or dealing with alarming personality types can really make a documentary incredible entertainment. Great documentaries, in my opinion, are snippets of great moments strewn together to emphasize a single prominent point. If the film had focused on John Pierson being the outsider rather than the natives of Fiji being portrayed as foreigners, it would have made much more sense. Pass on this one.

Yes   |   No

 
Joanna G.

Not so great. The best thing about this film was the trailer. I wish we'd gotten to know more of the Fijians. The Piersons were rather unlikeable--harsh, clueless, and the way the children spoke to their parents was shocking to me. I never figured out what the bruise around the daughter's eye and the marks on her neck were all about...she looked like she was getting into trouble to me, and the parents all but turned the other way. Not that interesting in the long run.

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