DCSIMG
 
 

Nashville (1975)

Nashville (1975)
Member Rating:  
Following 24 characters through 5 days in the country music capital, Robert Altman's 1975 epic presents a complexly textured portrayal (and critique) of American obsessions with celebrity and power. Among the various stars, aspirants, hangers-on, observers, and media folk are politically ambitious country icon Haven Hamilton (Henry Gibson) and his fragile star protegée Barbara Jean (Ronee Blakley); Tom (Keith Carradine), a self-absorbed rock star who woos lonely married gospel singer Linnea Reese (Lily Tomlin); Sueleen Gay (Gwen Welles), a talentless waitress painfully humiliated at her first singing gig; Albuquerque (Barbara Harris), a runaway wife with dreams of stardom; nightclub owner Lady Pearl (Barbara Baxley), who reminisces about "those Kennedy boys"; single-minded groupie L.A. Joan (Shelley Duvall); vapid BBC commentator Opal (Geraldine Chaplin); and campaign guru John Triplette (Michael Murphy), who is trying to organize a concert rally for the unseen but always heard populist presidential candidate-cum-demagogue Hal Phillip Walker. Everything comes to a head during a climactic concert at Nashville's replica of the Parthenon temple, as the entertainment-hungry audience is momentarily woken out of its stupor by unexpected violence, only to be lulled into a restorative sing-along to "It Don't Worry Me." ~ Lucia Bozzola, Rovi

 Read More


Starring:
Henry GibsonBarbara Baxley, (more)
Director(s):
Robert Altman
Theatrical MPAA Rating:
R
Format(s):
DVD
View All Versions to rent and buy
 
 
 
 

Synopsis of Nashville

Following 24 characters through 5 days in the country music capital, Robert Altman's 1975 epic presents a complexly textured portrayal (and critique) of American obsessions with celebrity and power. Among the various stars, aspirants, hangers-on, observers, and media folk are politically ambitious country icon Haven Hamilton (Henry Gibson) and his fragile star protegée Barbara Jean (Ronee Blakley); Tom (Keith Carradine), a self-absorbed rock star who woos lonely married gospel singer Linnea Reese (Lily Tomlin); Sueleen Gay (Gwen Welles), a talentless waitress painfully humiliated at her first singing gig; Albuquerque (Barbara Harris), a runaway wife with dreams of stardom; nightclub owner Lady Pearl (Barbara Baxley), who reminisces about "those Kennedy boys"; single-minded groupie L.A. Joan (Shelley Duvall); vapid BBC commentator Opal (Geraldine Chaplin); and campaign guru John Triplette (Michael Murphy), who is trying to organize a concert rally for the unseen but always heard populist presidential candidate-cum-demagogue Hal Phillip Walker. Everything comes to a head during a climactic concert at Nashville's replica of the Parthenon temple, as the entertainment-hungry audience is momentarily woken out of its stupor by unexpected violence, only to be lulled into a restorative sing-along to "It Don't Worry Me." ~ Lucia Bozzola, Rovi

Theatrical Feature Running Time:
160 mins

Complete Cast of Nashville


Director(s):
Robert Altman
Writer(s):
Joan Tewkesbury
Producer(s):
Jerry WeintraubMartin StargerRobert Altman
Theatrical MPAA Rating:
R(Mild Violence, Adult Situations, Profanity, Nudity, Not For Children, Violence, Sexual Situations, Adult Humor)
Nashville Awards:
  • 1975 - British Academy of Film and Television Arts - Best Soundtrack
  • 1975 - British Academy of Film and Television Arts - Best Soundtrack
  • 1975 - British Academy of Film and Television Arts - Best Soundtrack
  • 1975 - British Academy of Film and Television Arts - Best Soundtrack
  • 1975 - Hollywood Foreign Press Association - Best Original Song
  • 1991 - Library of Congress - U.S. National Film Registry
  • 1975 - Los Angeles Film Critics Association - Best Screenplay
  • 1975 - National Board of Review - Best Picture
  • 1975 - National Board of Review - Best Supporting Actress
  • 1975 - National Board of Review - Best Director
  • 1975 - National Society of Film Critics - Best Supporting Actress
  • 1975 - National Society of Film Critics - Best Picture
  • 1975 - National Society of Film Critics - Best Supporting Actor
  • 1975 - National Society of Film Critics - Best Director
  • 1975 - New York Film Critics Circle - Best Director
  • 1975 - New York Film Critics Circle - Best Picture
  • 1975 - New York Film Critics Circle - Best Supporting Actress
Warning:  This product is intended for mature audiences only. It may contain violence, sexual content, drug abuse and/or strong language. You must be 17 or older to purchase it. By ordering this item you are certifying that you are at least 17 years of age.

Looking for special editions of Nashville?
See All Versions
Subtitles:
Check All Versions
Closed Captioning:
Check All Versions
 
 
 
 

IN-STORE

 

ON DEMAND

Blockbuster Instant Video

Watch thousands of movies instantly on your TV, tablet, mobile phone or computer with no monthly subscription. You pay only for what you watch.
 

What's Your Take?

Add to FavoritesIn Favorites  |  Share:     Email to a friendShare on FacebookShare on Twitter
    YOUR REVIEW
    WRITE A REVIEW
     
    1000 
     
    Member Reviews
     
    Tom G.

    Too much of a cartoon representation of the country music scene (which I know fairly well from having lived part of it). Having the stars write and sing their own very second rate songs (with the exceptions of Carradine and Blakley) makes one struggle with that suspension of disbelief thing. Lots of holes in the plot and the pace is god awful slow. Some entertaining subplots and Shelly Duval's character (LA Joan) is annoyingly clever. Opal, however, is just flat out annoyingly stupid. Lily Tomlin is completely miscast in this one. Not one of Altman's better efforts. 2 stars for the concept.

    Yes   |   No

     
    Roberta D.

    The best thing about this movie is Barbara Harris's performance as Albuquerque (Winifred). Robert Altman's films are always really different from mainstream films, but that's what makes them so interesting. I love the Keith Carradine character of "Tom" and Lily Tomlin's portrayal of the gospel singing mother of two deaf children. There's a lot in this film for those who pay attention and can appreciate the satire.

    Yes   |   No

     
    Keith G.

    Brilliant, funny, sad and epic look at 1970s America, following 24 characters over a few key days in Nashville. If one wants to quibble there are minor flaws; overstated performances at moments, ironies that are a bit too easy, but the overall sweep and power and the number of moments that make you want to laugh and cry simultaneously, are overwhelming. Certainly one of the great films of the 70s, and arguably among the greatest American films ever made.

    Yes   |   No

     
    Read All 20 Reviews