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The Last Picture Show (1971)

The Last Picture Show (1971)
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Produced by Hollywood iconoclast BBS Productions, film critic-turned-director Peter Bogdanovich's 1971 film pays homage to Hollywood's classical age as it chronicles generational rites of passage in Anarene, a fictional one-horse Texas town. In 1951, high school seniors Sonny (Timothy Bottoms) and Duane (Jeff Bridges) play football, go to the movies at the Royal Theater, hang out at the pool hall owned by local elder statesman Sam the Lion (Ben Johnson), and lust after rich tease Jacy Farrow (Cybill Shepherd in her film debut). As the year passes, Sonny learns about the pitfalls and compromises of adulthood through an affair with his coach's wife Ruth (Cloris Leachman) and a thwarted elopement with Jacy after she dumps Duane. Following two tragic deaths, and with Duane gone to Korea and Jacy packed off to college in Dallas, Sonny is left behind in Anarene, wise enough to absorb the life lessons of Sam the Lion and Jacy's mother Lois (Ellen Burstyn). He is determined to honor Sam's legacy as the town's conscience, despite a telling sign of incipient communal disintegration: the closing of the Royal Theater after a final showing of Howard Hawks's Red River. Paying tribute to classical Hollywood directors like Hawks and John Ford, Bogdanovich used old-time cinematographer Robert Surtees and shot The Last Picture Show in crisp black-and-white, with a restrained style devoid of the kind of "new wave" techniques (jump cuts, zooms, and jittery hand-held camerawork) used by such contemporaries as Arthur Penn, Robert Altman, Mike Nichols, and Martin Scorsese. As in such Ford films as The Grapes of Wrath (1940), Bogdanovich relies on careful visual composition in deep focus to help communicate the regret over the passing of an era. Hailed as one of the best films by a young director since Citizen Kane (1941), The Last Picture Show premiered at the New York Film Festival and went on to become a hit. It was also nominated for eight Oscars, including Best Picture, Best Director and Best Screenplay for Larry McMurtry's and Bogdanovich's adaptation of McMurtry's novel. John Ford stalwart Johnson won Supporting Actor and Leachman won Supporting Actress, beating out their cohorts Bridges and Burstyn. For an audience steeped in movie history and caught up in the chaotic 1971 present, The Last Picture Show presented a nostalgic look backward that was not so much an escape from the present as a coming to terms with what the present had lost. Its 1990 sequel Texasville, in which Bridges and Shepherd played later incarnations of their original characters, was not as successful. ~ Lucia Bozzola, Rovi

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Starring:
Timothy BottomsJeff Bridges, (more)
Director(s):
Peter Bogdanovich
Theatrical MPAA Rating:
R
Format(s):
DVD
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Synopsis of The Last Picture Show

Produced by Hollywood iconoclast BBS Productions, film critic-turned-director Peter Bogdanovich's 1971 film pays homage to Hollywood's classical age as it chronicles generational rites of passage in Anarene, a fictional one-horse Texas town. In 1951, high school seniors Sonny (Timothy Bottoms) and Duane (Jeff Bridges) play football, go to the movies at the Royal Theater, hang out at the pool hall owned by local elder statesman Sam the Lion (Ben Johnson), and lust after rich tease Jacy Farrow (Cybill Shepherd in her film debut). As the year passes, Sonny learns about the pitfalls and compromises of adulthood through an affair with his coach's wife Ruth (Cloris Leachman) and a thwarted elopement with Jacy after she dumps Duane. Following two tragic deaths, and with Duane gone to Korea and Jacy packed off to college in Dallas, Sonny is left behind in Anarene, wise enough to absorb the life lessons of Sam the Lion and Jacy's mother Lois (Ellen Burstyn). He is determined to honor Sam's legacy as the town's conscience, despite a telling sign of incipient communal disintegration: the closing of the Royal Theater after a final showing of Howard Hawks's Red River. Paying tribute to classical Hollywood directors like Hawks and John Ford, Bogdanovich used old-time cinematographer Robert Surtees and shot The Last Picture Show in crisp black-and-white, with a restrained style devoid of the kind of "new wave" techniques (jump cuts, zooms, and jittery hand-held camerawork) used by such contemporaries as Arthur Penn, Robert Altman, Mike Nichols, and Martin Scorsese. As in such Ford films as The Grapes of Wrath (1940), Bogdanovich relies on careful visual composition in deep focus to help communicate the regret over the passing of an era. Hailed as one of the best films by a young director since Citizen Kane (1941), The Last Picture Show premiered at the New York Film Festival and went on to become a hit. It was also nominated for eight Oscars, including Best Picture, Best Director and Best Screenplay for Larry McMurtry's and Bogdanovich's adaptation of McMurtry's novel. John Ford stalwart Johnson won Supporting Actor and Leachman won Supporting Actress, beating out their cohorts Bridges and Burstyn. For an audience steeped in movie history and caught up in the chaotic 1971 present, The Last Picture Show presented a nostalgic look backward that was not so much an escape from the present as a coming to terms with what the present had lost. Its 1990 sequel Texasville, in which Bridges and Shepherd played later incarnations of their original characters, was not as successful. ~ Lucia Bozzola, Rovi

Theatrical Feature Running Time:
125 mins

Complete Cast of The Last Picture Show


Director(s):
Peter Bogdanovich
Writer(s):
Larry McMurtryPeter Bogdanovich
Producer(s):
Stephen Friedman
Theatrical MPAA Rating:
R(Adult Situations)
The Last Picture Show Awards:
  • 1972 - British Academy of Film and Television Arts - Best Screenplay
  • 1972 - British Academy of Film and Television Arts - Best Screenplay
  • 1972 - British Academy of Film and Television Arts - Best Supporting Actor
  • 1972 - British Academy of Film and Television Arts - Best Supporting Actress
  • 1971 - Hollywood Foreign Press Association - Best Performance by an Actor in a Supporting Role in a Motion Picture
  • 1998 - Library of Congress - U.S. National Film Registry
  • 1971 - National Board of Review - Best Supporting Actress
  • 1971 - National Board of Review - Best Supporting Actor
  • 1971 - New York Film Critics Circle - Best Supporting Actor
  • 1971 - New York Film Critics Circle - Best Screenplay
  • 1971 - New York Film Critics Circle - Best Screenplay
  • 1971 - New York Film Critics Circle - Best Supporting Actress
  • 1971 - New York Film Critics Circle - Best Screenplay
Warning:  This product is intended for mature audiences only. It may contain violence, sexual content, drug abuse and/or strong language. You must be 17 or older to purchase it. By ordering this item you are certifying that you are at least 17 years of age.

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    William G.

    Great to see a movie from my "younger" days.....lots of actors that were unknown at the time....well worth the view

    Yes   |   No

     
    Michelle H.

    I read some of these negative comments, I mean really?...this is a classic movie on many different levels one that still keeps coming back to the movie is at first, its a real Vanilla flavored B&W with some fresh faces and it showed how simple things seemed back in the 50's with dating and what it meant to be a young Man and a Young woman on a normal dating level and before you know it, the girl is going to a " Risqué " pool party with "Uncle Eddie " from National Lampoons Vacation (a very very young Randy Quaid ) Its one of those movies that you recognized allot of actors you knew from later movies but saw them in this one as very young actors. 5 Thumbs up If you did not connect to this movie than you could say that you did not have any of these experiences to relate to, just like not everyone gets Office Space because they may or may not have worked in a office before or Waiting another classic, only if you have worked in a restaurant before.

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    Keith G.

    Beautifully shot. Wonderfully acted by Cloris Leachman, Ben Johnson, Jeff Bridges, Ellen Burstyn, etc. A story of loss. Loss of innocence. Loss of tradition. Loss of a town, loss of love, loss of a way of life. And not just loss, but death itself haunts this beautifully observed story of a dying small town in Texas 1951. This is not the American Dream 1950s movies and TV told us about. This is sad, lonely, screwed up people having affairs just to know they are still alive. Teenagers looking at a future that really is no future and having to look away. I understand the film emotionally much more now that I'm older. It looks back on life with wistfulness, but also a cold eye of truth. There really isn't that much plot, yet you feel like you have gotten to know a whole world. An astonishingly mature film from the young Bogdonovich, arguably his very best.

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