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The Asphalt Jungle (1950)

The Asphalt Jungle (1950)
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The Asphalt Jungle is a brilliantly conceived and executed anatomy of a crime -- or, as director John Huston and scripter Ben Maddow put it, "a left-handed form of human endeavor." Recently paroled master criminal Erwin "Doc" Riedenschneider (Sam Jaffe), with funding from crooked attorney Emmerich (Louis Calhern), gathers several crooks together in Cincinnati for a Big Caper. Among those involved are Dix (Sterling Hayden), an impoverished hood who sees the upcoming jewel heist as a means to finance his dream of owning a horse farm. Hunch-backed cafe owner (James Whitmore) is hired on to be the driver for the heist; professional safecracker Louis Ciavelli (Anthony Caruso) assembles the tools of his trade; and a bookie (Marc Lawrence) acts as Emmerich's go-between. The robbery is pulled off successfully, but an alert night watchman shoots Ciavelli. Corrupt cop (Barry Kelley), angry that his "patsy" (Lawrence) didn't let him in on the caper, beats the bookie into confessing and fingering the other criminals involved. From this point on, the meticulously planned crime falls apart with the inevitability of a Greek tragedy. Way down on the cast list is Marilyn Monroe in her star-making bit as Emmerich's sexy "niece"; whenever The Asphalt Jungle would be reissued, Monroe would figure prominently in the print ads as one of the stars. The Asphalt Jungle was based on a novel by the prolific W.R. Burnett, who also wrote Little Caesar and Saint Johnson (the fictionalized life story of Wyatt Earp). ~ Hal Erickson, Rovi

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Starring:
Sterling HaydenLouis Calhern, (more)
Director(s):
John Huston
Theatrical MPAA Rating:
NR
Format(s):
DVD
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Synopsis of The Asphalt Jungle

The Asphalt Jungle is a brilliantly conceived and executed anatomy of a crime -- or, as director John Huston and scripter Ben Maddow put it, "a left-handed form of human endeavor." Recently paroled master criminal Erwin "Doc" Riedenschneider (Sam Jaffe), with funding from crooked attorney Emmerich (Louis Calhern), gathers several crooks together in Cincinnati for a Big Caper. Among those involved are Dix (Sterling Hayden), an impoverished hood who sees the upcoming jewel heist as a means to finance his dream of owning a horse farm. Hunch-backed cafe owner (James Whitmore) is hired on to be the driver for the heist; professional safecracker Louis Ciavelli (Anthony Caruso) assembles the tools of his trade; and a bookie (Marc Lawrence) acts as Emmerich's go-between. The robbery is pulled off successfully, but an alert night watchman shoots Ciavelli. Corrupt cop (Barry Kelley), angry that his "patsy" (Lawrence) didn't let him in on the caper, beats the bookie into confessing and fingering the other criminals involved. From this point on, the meticulously planned crime falls apart with the inevitability of a Greek tragedy. Way down on the cast list is Marilyn Monroe in her star-making bit as Emmerich's sexy "niece"; whenever The Asphalt Jungle would be reissued, Monroe would figure prominently in the print ads as one of the stars. The Asphalt Jungle was based on a novel by the prolific W.R. Burnett, who also wrote Little Caesar and Saint Johnson (the fictionalized life story of Wyatt Earp). ~ Hal Erickson, Rovi

Theatrical Feature Running Time:
112 mins

Complete Cast of The Asphalt Jungle


Director(s):
John Huston
Writer(s):
John HustonBen Maddow
Producer(s):
Arthur Hornblow, Jr.
Theatrical MPAA Rating:
NR(Adult Situations, Violence, Questionable for Children)
The Asphalt Jungle Awards:
  • 1950 - Edgar Allan Poe Awards - Best Screenplay
  • 1950 - National Board of Review - Best Director
  • 1950 - Venice International Film Festival - International Prize for Best Actor
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    Member Reviews
     
    Hiawatha B.

    The standard against which all other heist movies must be judged. Fast-paced and utterly riveting, with a superb script and top-drawer performances. In the 50-odd years since its release, nobody has made a better crime flick. Don't miss it.

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    Michael U.

    This is hands down one of the best examples of film noir ever made. It is fast paced with an excellent script. For those who don't like B&W films or consider certain films "dated" because they reflected the times they were made in (yes, your contemporary cool films will look just as dated in the future), it may be hard to enjoy. If you allow yourself to step back into the era of this film and enjoy what it has to offer, its well worth a look.

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    Matt F.

    Classic crime caper.-Stone

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