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101 Reykjavík (2000)

101 Reykjavík (2000)
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A slacker finds himself dealing with girl trouble he never knew existed in this offbeat comedy set in Iceland. Hlynur (Hilmir Snær Gudnason) is a 28-year-old layabout who lives with his mother, Berglind (Hanna María Karlsdóttir), in a run-down section of Reykjavík. Though he doesn't have a job, Hlynur makes enough off the dole to spend his evenings drinking beer, and has a girlfriend, Hofi (Thrúdur Vilhjálmdóttir), who regards his lack of ambition with a mildly annoyed tolerance. Berglind decides to take in a boarder, Lola Milagros (Victoria Abril), a lovely young woman from Spain who gives dance lessons. Hlynur is instantly captivated with Lola and begins making a play for her, even though she's an open and unapologetic lesbian. In the midst of a drunken New Year's Eve party, Hlynur wears down Lola's resistance, and the two ring in the new year having sex. Lola soon discovers she's pregnant, but Hlynur is startled to learn that Lola and Berglind are now lovers and they intend to raise the child together -- meaning he's not only competing with his mother for the same woman, but that his child will be brought up as his sibling. As if this weren't enough, Hlynur soon learns that Hofi is also carrying his child. 101 Reykjavík was the debut feature from writer/director Baltasar Kormákur, and received an enthusiastic reception at the 2000 Locarno Film Festival. ~ Mark Deming, Rovi

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Starring:
Victoria AbrilHilmir Snær Gudnason, (more)
Director(s):
Baltasar Kormákur
Format(s):
DVD
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Synopsis of 101 Reykjavík

A slacker finds himself dealing with girl trouble he never knew existed in this offbeat comedy set in Iceland. Hlynur (Hilmir Snær Gudnason) is a 28-year-old layabout who lives with his mother, Berglind (Hanna María Karlsdóttir), in a run-down section of Reykjavík. Though he doesn't have a job, Hlynur makes enough off the dole to spend his evenings drinking beer, and has a girlfriend, Hofi (Thrúdur Vilhjálmdóttir), who regards his lack of ambition with a mildly annoyed tolerance. Berglind decides to take in a boarder, Lola Milagros (Victoria Abril), a lovely young woman from Spain who gives dance lessons. Hlynur is instantly captivated with Lola and begins making a play for her, even though she's an open and unapologetic lesbian. In the midst of a drunken New Year's Eve party, Hlynur wears down Lola's resistance, and the two ring in the new year having sex. Lola soon discovers she's pregnant, but Hlynur is startled to learn that Lola and Berglind are now lovers and they intend to raise the child together -- meaning he's not only competing with his mother for the same woman, but that his child will be brought up as his sibling. As if this weren't enough, Hlynur soon learns that Hofi is also carrying his child. 101 Reykjavík was the debut feature from writer/director Baltasar Kormákur, and received an enthusiastic reception at the 2000 Locarno Film Festival. ~ Mark Deming, Rovi

Theatrical Feature Running Time:
90 mins

Complete Cast of 101 Reykjavík


Director(s):
Baltasar Kormákur
Writer(s):
Baltasar Kormákur
Producer(s):
Baltasar Kormákur
Categories:
Comedy
101 Reykjavík Awards:
  • 2000 - Toronto International Film Festival - Discovery Award
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    Member Reviews
     
    John Z.

    This movie is funny and sad, uplifiting and depressing, and ultimately entertaining. It is definetly worth watching, and it may be the only Icelandic film you see for some time.

    Yes   |   No

     
    Eric F.

    A "comedy" that is as bleak as the Icelandic winter that is its backdrop. The country is depicted as a joyless welfare state, filled with slackers enduring boredom with coarse, meaningless sex and booze. It is certainly a film that will put off many viewers. But there is originality in its skewed vision, and some very good writing, especially in its delineation of the main character. I recommend it.

    Yes   |   No

     
    DEBRA D.

    Refreshingly offbeat. While the moral compass of Icelanders depicted is shall we say, hedonistic, the film does a great job of creating rich characters. The ending doesn't live up to the film as a whole but it does have a whimsical aftertaste which isn't offensive.

    Yes   |   No

     
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