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Applause (1929)

Applause (1929)
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Stage director Rouben Mamoulian jolted the (at the time) moribund sound-film industry with innovative sound experiments and revolutionary camera techniques with his electrifying feature-film debut Applause. In this backstage musical tragedy, Kitty Darling (Helen Morgan), a big-time burlesque star, sends her young daughter to a convent to get her away from the sleazy burlesque environment. Years later, Kitty has hit the skids, her best days behind her. Now an alcoholic living in the past, she has taken up with a low-life burlesque comic by the name of Hitch (Fuller Mellish Jr.). But then her now-grown daughter, April (Joan Peers) returns. Kitty, embarrassed by her condition, marries Hitch so that April won't be ashamed of her. Nevertheless, when April arrives, she is disgusted with her mother and her decrepit life. Shocked and lonely, April roams the city streets and meets an equally lonely young man --Tony (Henry Wadsworth). They fall in love and agree to marry. When April goes to tell her mother about their final plans for the wedding, she overhears Hitch belittling Kitty, calling her a has-been. Infuriated, April calls off the wedding, joining the chorus line of a burlesque show, and Kitty, thinking that April is going to be married, is deeply despaired. ~ Paul Brenner, Rovi

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Starring:
Helen MorganJoan Peers, (more)
Director(s):
Rouben Mamoulian
Format(s):
DVD
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Synopsis of Applause

Stage director Rouben Mamoulian jolted the (at the time) moribund sound-film industry with innovative sound experiments and revolutionary camera techniques with his electrifying feature-film debut Applause. In this backstage musical tragedy, Kitty Darling (Helen Morgan), a big-time burlesque star, sends her young daughter to a convent to get her away from the sleazy burlesque environment. Years later, Kitty has hit the skids, her best days behind her. Now an alcoholic living in the past, she has taken up with a low-life burlesque comic by the name of Hitch (Fuller Mellish Jr.). But then her now-grown daughter, April (Joan Peers) returns. Kitty, embarrassed by her condition, marries Hitch so that April won't be ashamed of her. Nevertheless, when April arrives, she is disgusted with her mother and her decrepit life. Shocked and lonely, April roams the city streets and meets an equally lonely young man --Tony (Henry Wadsworth). They fall in love and agree to marry. When April goes to tell her mother about their final plans for the wedding, she overhears Hitch belittling Kitty, calling her a has-been. Infuriated, April calls off the wedding, joining the chorus line of a burlesque show, and Kitty, thinking that April is going to be married, is deeply despaired. ~ Paul Brenner, Rovi

Theatrical Feature Running Time:
79 mins

Complete Cast of Applause


Director(s):
Rouben Mamoulian
Writer(s):
Garrett Elsden Fort
Producer(s):
Monta BellJesse Lasky
Applause Awards:
  • 1929 - National Board of Review - Best Picture
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    Member Reviews
     
    Ken B.

    The script was a bit simple, but it's worth the price of admission to enjoy Helen Morgan, whose own story is possibly more tragic than Kitty Darling's. Marketing still photos of the glamorous and sexy star for this film, audiences were a bit upset to find her heavily made up as an embattled performer on the way down, in the film. At 26, she plays 20 years older, to an actress playing her daughter (who is only 9 years her junior)! In one scene, her husband spurns her, attacking her wrinkles and faded beauty, when she clearly has no wrinkles, yet Helen Morgan remains very convincing.

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    Lisa A.

    Film is too aged and audio quality too poor for it to be enjoyable. My interest in movies this old is as a study of the culture (i.e. women's roles), dress, the settings (i.e., hand-held telephone), and attitudes towards 'voluptuousness" and our now madness for ultra- thinness, amongst many things. For its day the film likely a hit, but the themes are almost comical when set against the viewers' minds 90 years later.

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    Kurt S.

    Worth seeing for Helen Morgan's excellent performance and what was then innovative and very mobile cinamatography.

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